Grim and no need to bear it BY MICHAEL SOMMERS
Relentlessly downbeat British drama
Relentlessly downbeat British drama
This week, the entire family can go to the theater, and the price is right
In this teachers' lounge, there's no break from head cases
Think you know your "Spelling Bee" from "Apple Tree"? Test your stage smarts with this wicked trivia quiz about the current attractions on Broadway.
Our critic goes on the trail of the next knockout show
Maybe Glynn Turman should change his name to Glynn Raconteur-man.
"Lots of battles and dancing is hard enough, but all the quick changes the actors make can destroy clothes even faster," says Martin Pakledinaz, costume designer for the new musical "The Pir…
"It would be nice to be able to stay in town for a year with a long-running show," says Debra Monk. "Because I don't know what that's like."
Revival shows its age yet still conveys war's horrors
'Movin' Man' tells of lengthy career that began as 'Raisin in the Sun' lad
Liz McCartney is working hard to sound terrible.
To riff off the title of somebody else's solo show, Jackie Hoffman's routine can basically be defined as "My Father's Dead, My Mother's Jewish & I'm in Show Business."
While "Salvage" offers fewer visual opportunities than the others, director Jack O'Brien's superb staging remains as sure as ever.
Writer Peter Morgan gets to the heart of historical figures
Play about fashion biz needs shortening
Harlem troupe deserves credit for tackling drama set in asylum