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10,593 stories from A Younger Theatre

Review: Girl from the North Country, Old Vic by Jessica Handscomb

Minnesota, 1934. Following the Wall Street crash of 1929 America entered the Great Depression. The winters in the four years after were harsh and hit Americans hard, with more out of work, h…

SOURCE: A Younger Theatre at 6:36am on August 6, 2017

Blog: Using Performance and Visual Art to Support Young People with Autism to Explore their Creativity by Charlotte Cunningham

Musical Portraits has now been running more or less in its present form since 2010, though it has evolved during that time with the teams meeting regularly during the year to find ways to im…

SOURCE: A Younger Theatre at 7:36am on August 4, 2017

Review: Turandot, Royal Opera House by Felix Clutson

The last of Puccini's operas, this revival of Turandot by the Royal Opera House comes with a libretto by Giuseppe Adami and Renato Simoni. It tells the story of Turandot, a Chinese princess …

SOURCE: A Younger Theatre at 12:42pm on July 31, 2017

Review: My Mind is Free, Waterloo East Theatre by Charlotte Irwin

Without interval, My Mind is Free submerges you in tales of human trafficking. As four strangers huddle under blankets in a locked lorry hurtling towards their next prison this production se…

SOURCE: A Younger Theatre at 12:42pm on July 31, 2017

Review: Mosquitoes, National Theatre by Emily May

Alice (Olivia Williams) and Jenny (Olivia Coleman) live completely contrasting lives, geographically and intellectually. Alice lives in Geneva, is a mother and a scientist working on the dev…

SOURCE: A Younger Theatre at 12:42pm on July 31, 2017

Review: The Secret Diary of Adrian Mole, Menier Chocolate Factory by Dan Rubins

Matilda, Annie, and School of Rock may be employing myriad youngsters on the West End, but the Menier Chocolate Factory Theatre's new musical proves that there's plenty of youthful talent to…

SOURCE: A Younger Theatre at 11:36am on July 31, 2017

Review: Lovestuck, Cockpit Theatre by Amelia Curran

If C4 sitcom Fresh Meat were a musical, you’d get something akin to Lovestuck, a classic coming-of-age tale of self-discovery, unlikely friendships and the trials and tribulations of s…

SOURCE: A Younger Theatre at 11:36am on July 31, 2017

Review: Cat on a Hot Tin Roof, Apollo Theatre by Dan Rubins

Words, words, words. That's Shakespeare, not Tennessee Williams, but I've seldom been more spellbound by the pursuit of language " the desperation to find the right words, the frustration wh…

SOURCE: A Younger Theatre at 10:32am on July 31, 2017

Blog: Setting Up A Theatre Company With Little Or No Money by Danica Corns

This time last year Wonderbox didn't exist. We've done so much and achieved a great deal in our first eight months or so. I thought it would be useful to tell you a bit about our journ…

SOURCE: A Younger Theatre at 9:18am on July 30, 2017

Blog: Bring on the Drolls: Reviving Post Shakespeare Illegal Theatre by Brice Stratford

What if I were to tell you there was a forgotten form of British theatre? An illegal type of rough, anti-establishment sketch comedy, performed in the aftermath of Shakespeare, that used sex…

SOURCE: A Younger Theatre at 9:24am on July 26, 2017

Review: Nina, Young Vic by Saskia Coomber

Nina, devised by Josette Bushell- Mingo and Dritëro Kasapi, transports us to Harlem, 1969. Through the lively cheers of the crowd, the energy of the instrument trio backing Nina, Bushell-…

SOURCE: A Younger Theatre at 6:05am on July 26, 2017

Blog: Excavating History: A Reflection on Works by Selina Thompson by Sarah Gorman

Selina Thompson is a likeable, funny and generous performer. Lyn Gardner wrote, in response to Chewing the Fat (2012) that 'Thompson is so personable you could eat her up". However she did f…

SOURCE: A Younger Theatre at 1:36pm on July 25, 2017

Review: Whalebone, The Bunker Theatre by Josephine Balfour-oatts

For one night only as part of their Fringe Preview Season, Bunker Theatre in London Bridge welcomes Whalebone, the most recent work by Irish company Hatch It Theatre. Founded in 2004 and led…

SOURCE: A Younger Theatre at 11:36am on July 24, 2017

Review: Twilight Song, Park Theatre by Amelia Curran

Twilight Song, the final play by the celebrated late playwright Kevin Elyot (most famous for his widely acclaimed play, My Night With Reg), has been given its posthumous premiere at Finsbury…

SOURCE: A Younger Theatre at 11:36am on July 24, 2017

Review: Chinese Whispers, Greenwich Theatre by Emily May

Chinese Whispers " a play exploring the "bizarre life of Sir Edmund Backhouse" " is a difficult production to define. As it attempts to guide us through the audacious swindles of this Victor…

SOURCE: A Younger Theatre at 11:36am on July 24, 2017

Review: Three, Arcola Theatre by Amelia Curran

Three is the highly engaging and intensely topical final piece of the National Youth Theatre’s “Playing Up” programme. In turns funny, dark, chaotic and profound, the play …

SOURCE: A Younger Theatre at 11:36am on July 24, 2017

Review: The Tempest, Barbican Centre by Dan Rubins

In the second scene of The Tempest, Prospero famously recounts to his daughter Miranda how the pair came to inhabit their magical island all those years ago, peppering his story with calls t…

SOURCE: A Younger Theatre at 6:54am on July 23, 2017

Review: Fall of Duty, King's Head Theatre by Jessica Handscomb

Festival47 is currently running at the Kings Head Theatre, Islington, until 22nd July, and playing at the festival is Fall of Duty, a story of a baby boomer Mother and millennial Son who att…

SOURCE: A Younger Theatre at 6:54am on July 23, 2017

Review: A Tale of Two Cities, Regents Park Open Air Theatre by Josephine Balfour-oatts

Adapted from the novel by Charles Dickens, A Tale of Two Cities is the most recent play by actor, director and playwright Matthew Dunster. Directed by Timothy Sheader, Dunster's work returns…

SOURCE: A Younger Theatre at 5:48am on July 23, 2017

Blog Post: What happens when theatre becomes a home for local artists? by Matthew Xia

When I arrived at the Exchange in 2014, Sarah Frankcom had recently taken over as sole Artistic Director and the company was in the process of being redefined to reflect a city that was more…

SOURCE: A Younger Theatre at 8:12am on July 20, 2017

Review: Touch, Soho Theatre by Calum McIntosh

Vicky Jones' Touch is as punchy, hilarious and perceptive as one might expect, following the huge success of Phoebe Waller-Bridge and DryWrite's Fleabag. The story explores the life of 33-ye…

SOURCE: A Younger Theatre at 8:36am on July 19, 2017

Review: Octopus, Tara Arts by Lucy Russell

Can you measure 'Britishness'? In the dystopian future in which Octopus is set, the government has decided it's time to do just that. Set in an immigration waiting room, the play centres aro…

SOURCE: A Younger Theatre at 8:36am on July 19, 2017

Review: Man-Cub, Etcetera Theatre by Charlotte Green

Man-Cub is an episodic play taking the themes of the Jungle Book and exploring them; the sense of exclusion and belonging, freedom and possibility. Man-Cub gives Alistair Wilkinson his direc…

SOURCE: A Younger Theatre at 8:36am on July 19, 2017

Review: Back to Where, The Bread and Roses Theatre by Lucy Russell

Back to Where is the debut production from theatre company New Tricks and is a truly touching comedy drama which explores the reality of modern romance. The play centres around a couple with…

SOURCE: A Younger Theatre at 7:18am on July 19, 2017

Review: Boy's Club, Jacksons Lane Theatre by Olivia Gibbs-fairley

Among the hills and leafy streets of north London, lies the aptly named Jacksons Lane Theatre, a charitable arts and cultural venue which showcases contemporary performances. This intimat…

SOURCE: A Younger Theatre at 7:18am on July 19, 2017
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