DESKTOP
Contact
The Season
On Broadway
Login

Search BroadwayStars

Search:
Author:
Source:
Date Range: From: To:
Sort by: Most Recent   Most Relevant
4,024 stories from http://www.theaterscene.net

Friends Call Me Albert by Darryl Reilly

Billed as a "bio-epic," playwright Zachary Desmond emphasizes the epic in his uneven though compelling approach.  Mr. Desmond affectionately imparts biographical details of Einstein's lif…

SOURCE: www.theaterscene.net at 12:15pm on August 27, 2017

False Stars by Joel Benjamin

Nora Sørena Casey's "False Stars," part of this year's Corkscrew Festival at the Paradise Factory, starts slowly but gradually grows more involving as all the interconnections between the…

SOURCE: www.theaterscene.net at 12:36pm on August 23, 2017

Heartless Bastard by Darryl Reilly

Much of the play is like an odd synthesis of 1960's theatrical satires. There are absurdist shades of Murray Schisgal, Elaine May, and particularly of Jules Feiffer's "Little Murders," laced…

SOURCE: www.theaterscene.net at 7:26pm on August 21, 2017

Van Gogh's Ear by Joel Benjamin

Projected titles indicate place and year"beginning with Arles, 1888 and progressing until van Gogh's suicide"which we hear as an offstage gunshot"in July of 1890. The audience is treated to …

SOURCE: www.theaterscene.net at 1:31pm on August 21, 2017

Come Light My Cigarette by David Kaufman

But Cohen the composer is another matter entirely--his jazz-inflected songs make "Come Light My Cigarette" a gem of a chamber musical. As more and more of the songs are revealed, time and ag…

SOURCE: www.theaterscene.net at 12:37pm on August 20, 2017

Lili Marlene by Joel Benjamin

The songs never come up to the title song made famous by Marlene Dietrich who's mentioned several times during the play. Antin's attempt at playful seduction, "Take Me Home Tonight," sung by…

SOURCE: www.theaterscene.net at 6:41pm on August 19, 2017

Lucky (Atlas Circus Company) by Joel Benjamin

Watching Evans being bossed around by the tall beanpole Russel Norris, whether in an office job, cleaning a park or waiting on tables, was to watch classic comedy performed with brilliant, b…

SOURCE: www.theaterscene.net at 4:43pm on August 19, 2017

Afterglow by Darryl Reilly

Having a background in dance accounts for Gelman's mesmerizing staging that is filled with finely choreographed sequences. Characters take showers onstage with actual water cascading on thei…

SOURCE: www.theaterscene.net at 1:16pm on August 17, 2017

Trinkets by Joel Benjamin

Antyon LeMonte, Honey Davenport, Jay Knowles and Kevin Aviance in a scene from "Trinkets" (Photo credit: Lola Flash) Joel Benjamin, Critic In an era where RuPaul has turned drag/cross-dressi…

SOURCE: www.theaterscene.net at 2:11am on August 15, 2017

Summer Shorts 2017: Festival of New American Short Plays " Series B by Victor Gluck, Editor-in-chief

While the three plays in Summer Shorts 2017: Festival of New American Short Plays " Series B have been given proficient productions each seems ultimately unsatisfactory. All seem like first …

SOURCE: www.theaterscene.net at 9:38pm on August 12, 2017

High School Coven by Darryl Reilly

Set in a California, Bay Area high school, there we meet the four students who prattle on in contemporary lingo. Gradually, and without any explanation we learn that they are witches. An epi…

SOURCE: www.theaterscene.net at 12:26pm on August 12, 2017

A Parallelogram by Victor Gluck, Editor-in-chief

Bruce Norris' "A Parallelogram" endeavors to explore some sobering facts about the effect of the future on the present and responsibility to others. Unfortunately, the play ends up being lab…

SOURCE: www.theaterscene.net at 9:19pm on August 11, 2017

2017 New York City Electroacoustic Music Festival: Political Protest and Social Justice by Jean Ballard Terepka

Interestingly, some of the most raucously explicit material of protest came not from the Peace and Social Justice Concert 24 but from the Wil(helms/liams)burg Concert 26, a collaboration of …

SOURCE: www.theaterscene.net at 5:36pm on August 10, 2017

2017 New York City Electroacoustic Music Festival: Composer as Creator by Jean Ballard Terepka

n light-hearted Rationalize (concert 27), composer Cody Brookshire combined found and manipulated sounds created by the audience with live music on bass clarinet and marimba. Brookshire crea…

SOURCE: www.theaterscene.net at 4:34pm on August 10, 2017

2017 New York City Electroacoustic Music Festival: Outstanding Performers by Jean Ballard Terepka

In spite of the Festival's lengthy booklet and daily concert updates, the rich creative vitality of the electroacoustic musical community remains only tangentially documented: composers and …

SOURCE: www.theaterscene.net at 11:58pm on August 9, 2017

A Real Boy by David Kaufman

Stephen Kaplan's "A Real Boy" is about a pair of puppets, named Peter and Mary Ann Myers, who adopt the eponymous child named Max, and it proves about as preposterous as such a premise sugge…

SOURCE: www.theaterscene.net at 10:36pm on August 9, 2017

Virtual Memory by Joel Benjamin

Mark Finley, the director, knew enough to keep the play charmingly low-key with just enough animated physicality to illustrate the story.  Finley clearly understood all of Strothmann's be…

SOURCE: www.theaterscene.net at 12:47am on August 9, 2017

Jerry's Girls by Victor Gluck, Editor-in-chief

The revival at the York is being seen in yet a new version of the show that began as a cabaret in 1981 and went to Broadway in 1985. Created by director Larry Alford, choreographer Wayne Alf…

SOURCE: www.theaterscene.net at 4:31pm on August 8, 2017

2017 New York City Electroacoustic Music Festival: Overview by Jean Ballard Terepka

In the seven concerts of the second half of the 2017 New York City Electroacoustic Music Festival held this month at National Sawdust in Brooklyn, New York, the full diversity and eclectic v…

SOURCE: www.theaterscene.net at 11:01pm on August 7, 2017

Curvy Widow by David Kaufman

While the dialogue offers some stabs at humor and Opel--a first-rate comedienne of the old school--usually excels at comic timing, much of it falls flat here. Most of the 90-minute, intermis…

SOURCE: www.theaterscene.net at 12:30pm on August 6, 2017

A Midsummer Night's Dream (Shakespeare in the Park) by Victor Gluck, Editor-in-chief

Although the physical production has been well-thought-out, the script seems to have no interpretation other than a great deal of slapstick comedy which does not much register. The cast vari…

SOURCE: www.theaterscene.net at 5:50pm on August 5, 2017

Georama: An American Panorama Told on Three Miles of Canvas by Darryl Reilly

Book writers West Hyler and Matt Schatz have taken these facts and woven a charming piece of Americana that explores idealism coming up against cynicism. It's very well structured, amusing a…

SOURCE: www.theaterscene.net at 10:24am on August 5, 2017

Backbeard: The Musical by Darryl Reilly

Matthew McElligott, Larry Tuxbury and Brian Sheldon's book is a witty, smart and sharp take on pirate lore laced with a child's sense of individuality, tolerance and inclusivity.  It's ad…

SOURCE: www.theaterscene.net at 10:39pm on August 4, 2017

ON THE TOWN… With CHIP DEFFAA by Chip Deffaa, Editor-at-large

I've seen "How to Succeed in Business Without Really Trying" many times, many places.  I didn't see the original Broadway production, alas"although I loved the cast album"but I've enjoyed…

SOURCE: www.theaterscene.net at 2:24pm on August 4, 2017

The Unwritten Law by Darryl Reilly

Writer and co-creator Chesney Snow is also the performer.  Mr. Snow appeared in the Off-Broadway and Broadway productions of the a capella musical "In Transit" as the narrator.  …

SOURCE: www.theaterscene.net at 4:18pm on August 2, 2017
« Previous 25   Page 106 of 161   Next 25 »