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10,593 stories from A Younger Theatre

Review: Jihan's Smile, Summerhall by Josephine Balfour-oatts

Established in 2005, Al-Harah Theater are a non-profit organisation based in Beit Jala, Bethlehem. Committed to principles of plurality and multiculturalism, their mission is to promote thea…

SOURCE: A Younger Theatre at 5:48am on August 14, 2017

Review: Thünderbards: 4nd, Gilded Balloon Teviot by Joseph Winer

This is a comedy sketch show, performed by double act Matt Stevens and Glenn Moore. The duo are asked in front of us what exactly their sketch show is about. Perhaps, it is about nothing. Or…

SOURCE: A Younger Theatre at 5:48am on August 14, 2017

Review: Circa: Humans, Underbelly Circus Hub by Josephine Balfour-oatts

Circa, the pioneering Australian circus company have been at the forefront of the art form since its conception in 2004. Lead by Artistic Director Yaron Lifschitz, Circa create work that pus…

SOURCE: A Younger Theatre at 4:48am on August 14, 2017

Review: Buried: A New Musical, C Too by Joseph Winer

Tom Williams (Writer/Director) and Cordelia O’Driscoll (Composer) collaborate to create this new musical, a sort of cross between The Last Five Years and Sweeney Todd. The tale tells t…

SOURCE: A Younger Theatre at 10:24pm on August 13, 2017

Review: Secret Life of Humans, Pleasance Courtyard by Joseph Winer

David Byrne’s Secret Life of Humans combines the overlapping histories of the present, the past and the beginning of time to ask the essential human questions of what is real and what …

SOURCE: A Younger Theatre at 7:36am on August 13, 2017

Review: Mr Danger's Really Safe Show, Laughing Horse at The Free Sisters by Joseph Winer

Mr Danger’s Really Safe Show, a one man comedy family show for all ages performed by Sam Quinn, is a clowning dare devil performance show, using puppetry, wacky tricks and plenty of so…

SOURCE: A Younger Theatre at 7:36am on August 13, 2017

Review: Jane Doe, Assembly George Square Studios by Joseph Winer

Jane Doe goes to a party and gets raped. She could be anyone, anywhere at anytime. This is an interactive show which uses verbatim court scripts and text messages, in addition to audience pa…

SOURCE: A Younger Theatre at 7:36am on August 13, 2017

Review: Trumpus Interruptus: The Impeachment of Donald J Trump, Greenside at Infirmary Street by Joseph Winer

Donald Trump (Zach Tomasovic) sits in the Oval Office. His desk is smaller than usual. But it's also better, because this desk has two big buttons: the first brings diet coke, the second nuk…

SOURCE: A Younger Theatre at 6:33am on August 13, 2017

Review: Third Wheel, Gilded Balloon Dining Room by Josephine Balfour-oatts

Founded in 2013 by Artemis Fitzalan Howard and Eliot Salt, Bristol-based Deadpan Theatre return to the Edinburgh Fringe Festival after a sell-out run of Pre-drinks/ Afterparty in 2016, an or…

SOURCE: A Younger Theatre at 10:24am on August 12, 2017

Review: Parentcraft, C Royale by Josephine Balfour-oatts

Founded by Polly Cohen, a fifth year medical student, and Hayley Russell, a recent UCL graduate, Cohrus Theatre grace the Edinburgh Fringe Festival with Parentcraft, a short play by Stephen …

SOURCE: A Younger Theatre at 8:06am on August 12, 2017

Review: Women of Greece: Medusa, theSpace on Niddry Street by Josephine Balfour-oatts

Written by Ami Sayers, Women of Greece: Medusa follows the successful premiere of her original work Sodom at the 2016 Edinburgh Fringe Festival. Both works have been performed by Fourth Monk…

SOURCE: A Younger Theatre at 8:06am on August 12, 2017

Review: These Trees the Autumn Leaves Alone, Underbelly Med Quad by Josephine Balfour-oatts

Following an award-winning stretch at the 2016 Edinburgh Fringe Festival with The Way the City Ate the Stars, Melbourne-based storyteller and comedian Wil Greenway returns to the north with …

SOURCE: A Younger Theatre at 5:36am on August 12, 2017

Review: Fear, Zoo by Samson Hawkins

Huge red letters spell FEAR and man with a crocodile mask sits on a chair. The fringe has truly begun. This one man show opens with Gareth Clark who writes and performs the piece, sliding ac…

SOURCE: A Younger Theatre at 8:54am on August 11, 2017

Review: DollyWould, Summerhall by Samson Hawkins

Sh!t Theatre deliver their mainstream cross over hit DollyWould, a celebration of Dolly Parton and themselves. You may think there is only one Dolly Parton, well you are very wrong. Every…

SOURCE: A Younger Theatre at 8:54am on August 11, 2017

Review: Kin, Underbelly Circus Hub by Josephine Balfour-oatts

Following their smash-hit Bromance at the 2015 Edinburgh Fringe Festival, Barely Methodical Troupe return with Kin, a daring and innovative hybrid of circus and theatre. Five men compete for…

SOURCE: A Younger Theatre at 6:36am on August 11, 2017

Review: Dust, Underbelly Cowgate by Samson Hawkins

There could be an entire brochure of one person shows about mental illness this year. Most being long drawn out stories of someone’s life, ending with the hopeful message of talking ab…

SOURCE: A Younger Theatre at 6:36am on August 11, 2017

Review: Leviathan, Dance Base by Josephine Balfour-oatts

Loosely inspired by Moby-Dick, the novel written in 1851 by American author Henry Melville, Leviathan is the most recent production from James Wilton Dance. Featuring a cast of seven and pow…

SOURCE: A Younger Theatre at 6:36am on August 11, 2017

Review: The Wasp, Jermyn Street Theatre by Jessica Handscomb

After a successful run at the Hampstead Theatre, followed by a transfer to Trafalgar Studios 2 " The Wasp has made its way to the Jermyn Street Theatre. A two-hander centred on two childhood…

SOURCE: A Younger Theatre at 7:36am on August 8, 2017

Review: The Community, The Lion and Unicorn by Jessica Handscomb

Of all the dystopian post-apocalyptic 'comedies' I've seen in the past year, The Community has undoubtedly been the most enjoyable. Reading the show's synopsis, you'd expect another angst-fi…

SOURCE: A Younger Theatre at 7:36am on August 8, 2017

Review: i.Am 4.0, Bush Theatre by Camilla Gurtler

One of the big questions that keeps being raised when rating the impact technology has on our lives is whether it destroys our capability for empathy. Empathy " the ability to understand and…

SOURCE: A Younger Theatre at 7:36am on August 8, 2017

Review: Evita, Phoenix Theatre by Dan Rubins

What's new, Buenos Aires? Not much, unfortunately, in the West End revival of Evita, that singing timeline of a rock opera by Andrew Lloyd Webber and Tim Rice. With the exception of some exh…

SOURCE: A Younger Theatre at 7:36am on August 8, 2017

Review: Continuity, Finborough Theatre by Josephine Balfour-oatts

This month, the Finborough Theatre in Kensington showcases the world premiere of Continuity by emerging Irish playwright, Gerry Moynihan. Director Shane Dempsey marks Moynihan's debut, a pro…

SOURCE: A Younger Theatre at 6:33am on August 8, 2017

Review: BUMP!, Tristan Bates Theatre by Saskia Coomber

Buckle Up Theatre is truly an apt name for this company if their current production, BUMP!, written by Andrew Hollingworth is anything to go by. It tells us a story of modern dating, and how…

SOURCE: A Younger Theatre at 6:33am on August 8, 2017

Review: The Adventures of Pinocchio, Ambassadors Theatre by Dan Rubins

Very young audiences may well be inspired by seeing their peers storm the stage en masse in the British Theatre Academy's The Adventures of Pinocchio, currently playing a month-long run at t…

SOURCE: A Younger Theatre at 6:33am on August 8, 2017

Review: The Hunting of The Snark, Vaudeville Theatre by Josephine Balfour-oatts

Adapted for stage by author Annabel Wigoder, Lewis Carroll's nonsense poem The Hunting of the Snark takes the form of a family musical adventure at the Vaudeville Theatre in the West End. Wr…

SOURCE: A Younger Theatre at 6:48am on August 7, 2017
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