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10,593 stories from A Younger Theatre

Review: Siren, Pleasance Dome by Joseph Winer

A woman in a swimming costume sits on a platform built within the sandy rocks on an island. A man in a red safety-guard beach top wheels around her on rollerblades. After a little bit of con…

SOURCE: A Younger Theatre at 8:04am on August 17, 2017

Review: Harry, Underbelly by Samson Hawkins

The brilliantly named Poor Michelle Theatre Company are a graduate company trying to make commercially viable work with a young focus. Their new show Harry, which premiered at the N16 theatr…

SOURCE: A Younger Theatre at 6:54am on August 17, 2017

Review: Your Ever Loving, Underbelly by Samson Hawkins

The Guildford 4 were wrongfully convicted for the Guildford Pub Bombings in 1974. It wasn't until 15 years later that they were released. Based on the letters Paul Hill sent to his mother du…

SOURCE: A Younger Theatre at 6:54am on August 17, 2017

Review: Jelly Beans, Pleasance Courtyard by Samson Hawkins

Following a troubled Glaswegian man with psychotic tendencies, Jelly Beans tries to delve into the what makes people do terrible things. But in reality it feels more like an explanation of a…

SOURCE: A Younger Theatre at 4:33am on August 17, 2017

Review: Submission, C Royale by Beatrix Swanson Scott

Sameer is Muslim and queer. This is the premise of this short two-hander written by Shafeeq Shahjahan and produced by Liver and Lung Productions. The themes in this play are without a doubt …

SOURCE: A Younger Theatre at 6:18pm on August 16, 2017

Review: Eggs Collective Get Around, Summerhall by Samson Hawkins

Not many productions work as pre drinks. The interval bar is all but lost at the festival, so it is up to the good women of Eggs Collective to ply their audience with shots. Get a round t…

SOURCE: A Younger Theatre at 6:18pm on August 16, 2017

Review: Prom Kween, Underbelly Cowgate by Katie Smith

Before Prom Kween even starts, I have glitter on my face and am singing along to the Spice Girls, the lyrics projected on a screen over images of famous RuPaul's Drag Race lipsyncs. This kic…

SOURCE: A Younger Theatre at 3:24pm on August 16, 2017

Review: Suspicious Minds, Pleasance Dome by Katie Smith

After an act of unfaithfulness, a seemingly ordinary British couple book a holiday together to try and salvage their relationship. We watch as the couple, Mark and Fran, attempt (a little lo…

SOURCE: A Younger Theatre at 3:24pm on August 16, 2017

Review: The Nature of Forgetting, Pleasance Courtyard by Katie Smith

It's Tom's 55th birthday, and his daughter, Sophie, prepares him for a visit by two of his friends. But Tom has an unspecified degenerative disease that affects his memory and understanding …

SOURCE: A Younger Theatre at 2:24pm on August 16, 2017

Review: The Soft Subject (A Love Story), Assembly Hall by Joseph Winer

Written and performed by Chris Woodley, this one man show tells Woodley’s own story about being a drama teacher, growing up gay and falling in love. He performs it with the structure o…

SOURCE: A Younger Theatre at 12:06pm on August 15, 2017

Blog: Why we need to publish industry advice to ensure a more equal theatre industry by Jennifer Tuckett

When I was starting out, I wanted to be a writer but I didn't know how it worked. You didn't see jobs advertised in the newspapers stating "Wanted: Writer" and, coming from a single parent f…

SOURCE: A Younger Theatre at 11:06am on August 15, 2017

Review: Foreign Radical, Canadahub at Kings Hall by Josephine Balfour-oatts

"What if life was all a game, and none of the rules made any sense?" Created by Theatre Conspiracy in collaboration with Aurora Nova, Foreign Radical makes its UK debut at the 2017 Edinburgh…

SOURCE: A Younger Theatre at 11:06am on August 15, 2017

From bedtime reading to centre stage: adapting children's books for theatre by Phoebe Graham

"Why can't you fly now, mother?" Because I am grown up, dearest. When people grow up they forget the way."   Peter Pan, J.M Barrie Mrs. Darling is a grown up, and being a grown up means t…

SOURCE: A Younger Theatre at 8:24am on August 15, 2017

Review: Mrs Orwell, Old Red Lion by Olivia Gibbs-fairley

The lights dim, and after what is possibly one of the longer blackouts in theatre currently, we see the frail figure of George Orwell (Peter Hamilton Dyer) deep in the clutches of Tube…

SOURCE: A Younger Theatre at 7:04am on August 15, 2017

Review: Me and My Bee, Pleasance Courtyard by Katie Smith

Wide-eyed, wide-mouthed, and completely in awe, a child no more than seven years old watches in amazement as a grown man in a skin-tight bee costume tells the angst-ridden story of losing th…

SOURCE: A Younger Theatre at 7:04am on August 15, 2017

Review: Heather, Summerhall by Katie Smith

Heather, created by theatre company Dancing Brick, twists and turns around the story of an unexpectedly successful fantasy novel and the elusive author behind it. Rife with Harry-Potter-esqu…

SOURCE: A Younger Theatre at 7:04am on August 15, 2017

Review: Iphigenia Crash Land Falls on the Neon Shell That Was Once Her Heart (A Rave Fable), theSpace by Katie Smith

Set up in order to "reflect the diversity of the real world on stage", Clumsy Bodies is a queer theatre company formed by disabled artists presenting their take on the ancient Iphigenia myth…

SOURCE: A Younger Theatre at 7:04am on August 15, 2017

Review: Brutal Cessation, Assembly George Square by Katie Smith

Leaving Milly Thomas' play Brutal Cessation, I glance at the playtexts sold outside the theatre. One line on the blurb catches my attention: it suggests that one of Thomas's main questions e…

SOURCE: A Younger Theatre at 5:54am on August 15, 2017

Review: All We Ever Wanted Was Everything, Summerhall Roundabout by Katie Smith

Hull " 1997, 2007, 2017. Middle Child's part-gig part-show All We Ever Wanted Was Everything hop-skip-and-jumps across time, telling the story of Leah, Chris, and their parents, examining ec…

SOURCE: A Younger Theatre at 4:54am on August 15, 2017

Review: Tinder Rehab, Sweet Grassmarket by Daniel Perks

Bentley Browning presents a 12-step Tinder Rehab programme to guarantee you more success on Tinder, helping lonely hearts find love or strengthen an already existing relationship. He describ…

SOURCE: A Younger Theatre at 5:04pm on August 14, 2017

Review: Jess and Joe Forever, Traverse Theatre by Joseph Winer

I have been trying to see this show for a while. This meant I was hyped. I had high expectations. And oh how well they were met with this absolute joy of a show. Jess and Joe (Nicola Coughla…

SOURCE: A Younger Theatre at 12:12pm on August 14, 2017

Review: Space Rocket Oddity Man, Zoo Southside by Joseph Winer

A spaceman (Lewis Garvey) is in a spaceship on a mission. We later find out that he actually started off as the scullery cook, but became commander on the spaceship via a series of unfortuna…

SOURCE: A Younger Theatre at 9:48am on August 14, 2017

Review: Paris de Nuit, Assembly George Square Gardens by Josephine Balfour-oatts

Founded in Budapest in 2012 by director and choreographer Bence Vági, Recirquel Company Budapest is a unique circus outfit that fuel its fusion of physical theatre and dance with the cult…

SOURCE: A Younger Theatre at 9:48am on August 14, 2017

Review: You've Changed, Northern Stage at Summerhall by Joseph Winer

You’ve Changed, an auto-biographical story produced by Trans Creative and Contact, written and performed by Kate O'Donnell, is a personal account of one woman’s journey from havi…

SOURCE: A Younger Theatre at 7:33am on August 14, 2017

Review: What If I Told You, Army at The Fringe by Josephine Balfour-oatts

Choreographer and theatre-maker Pauline Mayers invites you to take a moment and breathe. Stories of her past suspend the present and consider the future within a careful balance of dance and…

SOURCE: A Younger Theatre at 7:33am on August 14, 2017
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