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3,374 stories from onstagepittsburgh.com

Transcending Conventions, Transforming Theatrical Expectations: Carnegie Mellon 2018-2019 Season by Ghoover

Multiplicity. Energy. Purposeful provocation. Diversity and individuality which uplifts harmony.   The vibrancy of technology that allows both transcendence and timelessness. An outstandin…

SOURCE: onstagepittsburgh.com at 12:39pm on August 28, 2018

Funny Money by Tiffany Raymond

Director Rick Campbell chooses to open Ray Cooney’s play, Funny Money, at the South Park Theatre with the song “Love and Marriage.” The tune provides a peppy backdrop as housewife Jean…

SOURCE: onstagepittsburgh.com at 11:55am on August 28, 2018

Corningworks 10th Anniversary Season by Ghoover

Beth Corning’s dance “company” Corningworks launches its tenth season with The Waiting Room. I say a company in quotes because Corningworks doesn’t own a theatre, doesn’t have a st…

SOURCE: onstagepittsburgh.com at 3:20pm on August 26, 2018

Queer: New American Tall Tales by Ghoover

Imagine being at the end of the world with absolutely nothing to wear. Imagine being an intergalactic exotic dancer whose cyber-dreams crackle simultaneously with the enormity of the univers…

SOURCE: onstagepittsburgh.com at 5:04pm on August 23, 2018

Something for the End of Summer by Ghoover

The summer theatre season is starting to wind down. Here are two ideas for something different for your wind down this weekend with the added bonus of free admission! The CLO sponsored Show …

SOURCE: onstagepittsburgh.com at 4:17pm on August 23, 2018

Grey Gardens by George Hoover

Based on the 1975 documentary film, Grey Gardens is the mostly non-fiction dramatized story of the decline of two of America’s aristocratic royalty and their descent into ruin. They are a…

SOURCE: onstagepittsburgh.com at 6:04pm on August 18, 2018

The Inspector General by Tiffany Raymond

Director Connor McCanlus’ deep experience as a comedian and improv artist shines in Throughline Theatre Company’s uproarious production of The Inspector General. McCanlus doesn’t limit…

SOURCE: onstagepittsburgh.com at 3:28pm on August 14, 2018

The Little Mermaid by Ghoover

As someone who was reared in the golden era of Disney, I stand out as one of the anomalies who has never seen The Little Mermaid. Part of this exclusion from the canon was my mother’s reno…

SOURCE: onstagepittsburgh.com at 11:26am on August 14, 2018

Mama Won’t Fly by George Hoover

Apple Hill Playhouse’s latest production, Mama Won’t Fly, opened to a full house of loyal followers on Thursday. (The show had its world premiere at Stage Right in 2011.) Written by Jess…

SOURCE: onstagepittsburgh.com at 11:57am on August 11, 2018

Pittsburgh CLO’s “Millie” is Thoroughly Enjoyable by Ghoover

Tuesday night the Pittsburgh CLO opened its final show of the season, Thoroughly Modern Millie at the Benedum Center for The Performing Arts in Pittsburgh and I have to say, I “thoroughly…

SOURCE: onstagepittsburgh.com at 5:46pm on August 8, 2018

Steel Magnolias by Ghoover

The playbill for Little Lake Theatre Company’s Production of Steel Magnolias proclaims that the show is “a Little Lake favorite,” making it a great selection for their 70th anniversary…

SOURCE: onstagepittsburgh.com at 4:52pm on August 8, 2018

Catch Me If You Can by George Hoover

South Park Theatre’s production of Catch Me If You Can has more plot twists and turns than a Parkway West construction detour! However, before we go any further, this show bears no similar…

SOURCE: onstagepittsburgh.com at 5:03pm on August 3, 2018

Beauty and the Beast by Ghoover

The CLO’s latest offering of Disney’s Beauty and the Beast is an ebullient production, full of color, energy, magic, and fun. The show celebrates vintage Disney and vintage musicals wit…

SOURCE: onstagepittsburgh.com at 7:57pm on August 1, 2018

Stupid F*cking Bird by Ghoover

“Start the f*cking play!” As an audience member and a (usually) willing spectator in the events that unfold before you, there is a certain element of participation and responsibility tha…

SOURCE: onstagepittsburgh.com at 11:24am on July 31, 2018

PNME Wraps Summer Season with “The Gray Cat and the Flounder” by George B Parous

PNME Theatre of Music concluded its summer this weekend with well-attended performances of The Gray Cat and the Flounder. Based on a true story (the life of Bernadette Gabrielly Callery, the…

SOURCE: onstagepittsburgh.com at 5:49pm on July 30, 2018

Heathers the Musical by Megan Grabowski

The Summer Company production of  Heathers: The Musical opened to a sold-out audience at Duquesne University’s Genesius Theatre on June 26th.  From the moment the Big Fun Band begins the…

SOURCE: onstagepittsburgh.com at 9:34pm on July 29, 2018

Brigadoon by Ghoover

There are some musicals that people want to go see for the clever lyrics, thrilling plot, and complex characters. Then there are some that people want to see to enjoy pretty dancing and sing…

SOURCE: onstagepittsburgh.com at 8:37pm on July 29, 2018

The Wiz by George Hoover

For their fiftieth production, The Alumni Theatre Company reprises their first show. The Wiz is a retelling of L. Frank Baum’s classic 1900 children’s novel The Wonderful Wizard of Oz in…

SOURCE: onstagepittsburgh.com at 4:38pm on July 28, 2018

Gloria by Tiffany Raymond

For anyone who has ever experienced office life, Branden Jacobs-Jenkins’ play Gloria, presented by Hatch Arts Collective, is both funny and relatable. There’s a host of recognizable char…

SOURCE: onstagepittsburgh.com at 9:21am on July 25, 2018

To love and be loved by Ghoover

Week 3 of Pittsburgh New Music Ensemble’s 2018 season was graced by the practically perfect performance entitled To love and be loved, a collection of art songs compiled to create the stor…

SOURCE: onstagepittsburgh.com at 4:29pm on July 24, 2018

Arabella – Pittsburgh Festival Opera by George B Parous

Pittsburgh Festival Opera presented the local premiere of Richard Strauss and Hugo von Hofmannsthal’s Arabella Friday night, in the company’s ongoing commitment to give performances of …

SOURCE: onstagepittsburgh.com at 11:24am on July 22, 2018

Dirty Rotten Scoundrels by George Hoover

The musical version of Dirty Rotten Scoundrels first premiered on stage in 2004, an offshoot of the movie by the same name. The story revolves around two con artists. Lawrence Jameson lives …

SOURCE: onstagepittsburgh.com at 12:01am on July 21, 2018

Big Fish by Ghoover

There often isn’t the emotional or pragmatic space anymore to dedicate the time to storytellers and fantastically capricious tales. Deeply nostalgic in nature, plays and films and books th…

SOURCE: onstagepittsburgh.com at 9:24am on July 19, 2018

A Streetcar Named Desire by Ghoover

Tennessee Williams’ A Streetcar Named Desire is a troubling and troublesome play. Troubling because it is still, even at 71 years old, emotionally harrowing and often deeply disturbing. It…

SOURCE: onstagepittsburgh.com at 7:00pm on July 18, 2018

The Complete Works of William Shakespeare (abridged) by Ghoover

Propped upon a music stand, “The Complete Works of William Shakespeare” resembles a holy text and its spartan backdrop, a reliquary. The Complete Works of William Shakespeare (Abridged) …

SOURCE: onstagepittsburgh.com at 10:34am on July 17, 2018
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