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4,024 stories from http://www.theaterscene.net

The Gospel According to Thomas Jefferson, Charles Dickens and Count Leo Tolstoy: Discord by Victor Gluck, Editor-in-chief

Although director Kimberly Senior who also piloted the Chicago production has staged the play with elegance, she never really turns up the heat so that there are not many sparks in Carter's …

SOURCE: www.theaterscene.net at 11:29am on October 10, 2017

Kafka and Son by David Kaufman

With only a metal-mesh cage, bed-frame, and a gate--and gobs of black feathers that ultimately litter the stage--Nashman cavorts around the black box set (scenic design is by Marysia Bucholc…

SOURCE: www.theaterscene.net at 11:49pm on October 9, 2017

Bach + Glass, with Simone Dinnerstein and A Far Cry by Jean Ballard Terepka

Because the first three pieces of the program had established an intellectual across-time dialogue between Bach and Glass and an examination of Glass' Bach 'ancestry,' the unabashedly Romant…

SOURCE: www.theaterscene.net at 10:52pm on October 8, 2017

Mesquite, NV by Joseph Pisano

Most of the humor is at the expense of the Mesquite City Council and its steely-eyed mayor Linda Hadley (Liz Amberly) who could be accurately described as a Margaret Thatcher wannabe, if she…

SOURCE: www.theaterscene.net at 3:57pm on October 8, 2017

Cool! The 60th Anniversary and Reunion Event: West Side Story by Joel Benjamin

Each was asked about their first audition. Marilyn D'Honau couldn't remember, although she clearly made an impression on Robbins who subsequently used her in "Gypsy." Tony Mordente, just an …

SOURCE: www.theaterscene.net at 2:42pm on October 7, 2017

Mette Ingvartsen: 7 Pleasures by Joel Benjamin

Ingvartsen has a record of intellectualizing her work taking all the juice out of them in the process. "7 Pleasures""a misnomer if there ever was one"takes her dry, over thinking to the extr…

SOURCE: www.theaterscene.net at 12:13pm on October 7, 2017

Basement by Darryl Reilly

Mr. Hagins has crafted an involving and affective take of a perennial scenario that captures the nostalgic essence of wartime films and plays of the past.  There's the spirit of "Casablan…

SOURCE: www.theaterscene.net at 12:25am on October 7, 2017

Stephen Sondheim's A LITTLE NIGHT MUSIC

The St. Bart's Players, NYC's award-winning, longest running community theater group, proudly presents A Little Night Music as the final show of its 90th Anniversary Season The post Stephen …

SOURCE: www.theaterscene.net at 4:56pm on October 6, 2017

The Show-Off by Victor Gluck, Editor-in-chief

The central character is actually Mrs. Fisher who worries about her children and plots to open Amy's eyes to her husband's faults. Unfortunately, Annette O'Toole has been directed to play he…

SOURCE: www.theaterscene.net at 11:42pm on October 5, 2017

No Wake by Darryl Reilly

In 85 minutes, we really don't learn much Rebecca, Nolan or Sukey as Mr. Donnelly imparts scant biographical details about them, but strangely does for Padgett. Donnelly takes the perennial …

SOURCE: www.theaterscene.net at 11:37am on October 5, 2017

Puffs, or: Seven Increasingly Eventful Years at a Certain School of Magic and Magic by Victor Gluck, Editor-in-chief

The new story concerns Wayne Hopkins, an American boy whose parents die tragically and his Uncle Dave informs him that he is a wizard and must attend a special school in England. Wayne is so…

SOURCE: www.theaterscene.net at 4:53pm on October 4, 2017

Mary Jane by David Kaufman

The ambiguities in Mary Jane's character seem to stem more from the writing than the acting: though her behavior remains dubious or questionable, Mary Jane comes to real life as enacted by C…

SOURCE: www.theaterscene.net at 12:37pm on October 4, 2017

Twyla Tharp Dance: 2017 Season by Joel Benjamin

Twyla Tharp (Photo credit: Robert Whitman) Joel Benjamin, Critic "The more things change, the more they stay the same," goes the old French proverb.  That describes the Twyla Tharp Dance …

SOURCE: www.theaterscene.net at 9:05am on October 3, 2017

As You Like It (CSC) by Victor Gluck, Editor-in-chief

Known as the Shakespeare play with the most song lyrics, the production also includes a deliciously bouncy new score by Stephen Schwartz in different musical styles from the 1920's " 1950's,…

SOURCE: www.theaterscene.net at 8:40pm on October 2, 2017

The Red Letter Plays: Fucking A & In the Blood by Joel Benjamin

Having spent nearly five hours in the company of Ms. Parks' parade of these beautifully written characters I find myself conflicted about these plays. She is brilliant at generating fire wit…

SOURCE: www.theaterscene.net at 12:11pm on October 2, 2017

A Soldier's Play by Darryl Reilly

Director Charles Weldon acted in the 1983, Mark Taper Forum's Los Angeles production, and besides his meticulous casting he has perfectly rendered this revival. Mr. Weldon's physical staging…

SOURCE: www.theaterscene.net at 1:57pm on October 1, 2017

Outside Paducah: The Wars at Home by Darryl Reilly

In terms of the atmospherically detailed writing and Mr. Moad's enjoyably intense performance that recalls a Sam Shepard hero, "Quittin' Meth" is the most powerful of the program and its con…

SOURCE: www.theaterscene.net at 2:52pm on September 29, 2017

Faustin Linyekula: In Search of Dinozord by Joel Benjamin

Faustin Linyekula in a scene from "In Search of Dinozord" (Photo credit: Agathe Poupeney) Joel Benjamin, Critic It takes chutzpah"or artlessness"to begin a show with five minutes of torturou…

SOURCE: www.theaterscene.net at 1:48pm on September 29, 2017

Charm by Victor Gluck, Editor-in-chief

Chicago playwright Philip Dawkins makes a memorable New York debut with an involving and engrossing play which at the performance under review you could have heard a pin drop, so rapt was th…

SOURCE: www.theaterscene.net at 4:33pm on September 28, 2017

Breeders by Darryl Reilly

There are plentiful comic one-liners and also sharp observations in Mr. Giles' well-crafted dialogue.  Giles perfectly renders all four characters with personality details and traits. …

SOURCE: www.theaterscene.net at 1:00am on September 28, 2017

A Clockwork Orange by David Kaufman

The only color in the predominantly black-and-white show is orange, which appears as a pair of high heels, a hat and a cape, an apron, books, and various other odd items. There's also a larg…

SOURCE: www.theaterscene.net at 12:56pm on September 27, 2017

The Treasurer by Darryl Reilly

With her slim physique, flawless diction, melodiously husky voice and imperious bearing, Dunagan is commanding. She conveys the character's arrogance, selfishness and harrowing mental declin…

SOURCE: www.theaterscene.net at 12:07am on September 27, 2017

Up the Rabbit Hole by Joseph Pisano

Besides harboring a dwindling dream to become a dancer, thanks to a leg injury, Halliday's dramatic stand-in, Jack (Tyler Jones), an adoptee, also has to contend with the overwhelming reperc…

SOURCE: www.theaterscene.net at 12:05am on September 27, 2017

Appreciation of Peter Hall by Stephen Unwind

This was a man who loved words, the exact turn of the phrase, its cadence and where the stress falls, whether in Shakespeare or Pinter, Beckett or Stoppard, and his commitment to the nuance …

SOURCE: www.theaterscene.net at 7:30am on September 25, 2017

Small World by David Kaufman

Both as written by Stroppel and portrayed by Stephen D'Ambrose (Stravinsky) and Mark Shanahan (Disney), it also becomes clear that they are equally imperious--at first. Though they're both m…

SOURCE: www.theaterscene.net at 6:02pm on September 23, 2017
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