All Aboard the Marriage Hearse - Reviewed by ROBERT WINDELER
This play is as charmless as its title.
This play is as charmless as its title.
"Pretty Theft" may not be beautiful, but at least its talented ensemble gives it a great personality.
I will attempt to describe the evening as simply as possible, which will still make it seem more interesting than it is.
A bunch of local carnies have taken mediocre tricks, bad jokes, and a thoroughly unnecessary plot and turned them into a rather charming evening.
"There are no coincidences" is not just the mantra of Craig Lucas' dense and deeply felt 'The Singing Forest' ; it's also the three-act play's organizing structural principle.
For much of its first act, Linda Faigao-Hall's 'God, Sex & Blue Water'has the makings of a warm, revealing exploration of a little-chronicled immigrant subculture, the devotedly Catholic Fil…
Despite the striking design elements and some smartly stylized fight scenes and chase sequences, "Noir" is dramatically a bore.
About the only thing that doesn't work in John Lithgow's one-man show 'Stories by Heart' is the title.
'A Nervous Smile' is an affecting cry of the heart from playwright John Belluso.
As he did with his groundbreaking 1999 revival of'Death of a Salesman', Robert Falls shatters expectations and forces us to rethink an American classic.
A visit to this Philanthropist is like playing word games with a group of unpleasant new acquaintances. You get some mild mind exercise, but you don't really want to know your fellow players.
Playwright and director Joe Pintauro spins a tangled but probing web of faith, sexuality, and religion in 'Cathedral'.
In 'Exit Cuckoo', playwright-performer Lisa Ramirez gives voice to the voiceless.
Playwright Ashlin Halfnight thankfully eschews clunky exposition in his post-apocalyptic play 'Artifacts of Consequence.'
Six journeymen share tips for choreographing a career in dance.
A new documentary looks at the making of 'A Chorus Line' and its 2006 revival.
The creators at Cirque du Soleil maintain consistently high standards of inventiveness and execution. With their new show "Kooza," they prove that simple can also be sensational.
It's proving to be a stellar year for revivals on the Great White Way, but none packs as much comic punch as the Old Vic Theatre Company's splendid production of Alan Ayckbourn's "The Norman…
Feuer's spoken wit is echoed in the title of Bipolar's CD, Euphrates, Me Jane, and also accounts for the wit behind the music. And believe me, wit in a cabaret room these days is nothing to …
Librettist-lyricist-composer Douglas J. Cohen's cult hit receives a buoyant L.A. premiere rendition, stylishly co-directed by West Hyler and Shelley Butler.
Author-actor Anna Gutto's new piece seems to want to be a harrowing look at one woman's darkest moment, but it fails to enliven or inspire much investment from its audience.
Is the controversial technique still relevant for today's actor?
Laura Benanti keeps a straight face in a wild comedy.
Vocal coach Seth Rudetsky on how Broadway divas defy gravity
Maude Maggart could be considered the thinking man's (or thinking woman's) cabaret artist.