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10,593 stories from A Younger Theatre

Review: Medea, Central Hall by Rosie Hilton

Warren Central High School Theatre's production of 'Medea' for the American High School Theatre Festival takes a largely traditional approach to the Greek tragedy. It is a play which boasts …

SOURCE: A Younger Theatre at 7:24am on August 21, 2017

Review: Monster, Pleasance Courtyard by Rosie Hilton

Written by Joe Sellman-Leava and directed by Yaz Al- Shaater, Monster is an original and ambitious play which takes hold of its audience in the first lines, and does not lose its grip until …

SOURCE: A Younger Theatre at 7:24am on August 21, 2017

Review: Undercover Refugee, theSpace on the Mile by Rosie Hilton

Karen Houge's Undercover Refugee is a telling of her journey through Europe following a group of Syrian Refugees. Her intention is clear; to cast a new and humanising light on a group of peo…

SOURCE: A Younger Theatre at 7:24am on August 21, 2017

Review: Hear Me Raw, Underbelly George Square by Rosie Hilton

Daniella Isaacs' autobiographical play 'Hear Me Raw' is an important, emotional and sharply clever exploration of the many disturbing layers of 'wellness' and 'healthy' living. Isaacs begins…

SOURCE: A Younger Theatre at 5:24am on August 21, 2017

Review: Jack Rooke: Happy Hour, Underbelly Cowgate by Rosie Hilton

Jack Rooke is the comedian behind the award winning Good Grief on Radio 4, and the recent BBC Three documentary 'Happy Man'. In both, he explores the subjects of mental health and loss, brin…

SOURCE: A Younger Theatre at 5:24am on August 21, 2017

Review: The Unmarried, Underbelly Med Quad by Rosie Hilton

Given a fitting late night time slot, and set in an intensely lit room with the feel of a sweaty club, The Unmarried is an essential part of a big night out at the fringe. Using poetic story…

SOURCE: A Younger Theatre at 5:24am on August 21, 2017

Review: Pageant, London Irish Centre by Olivia Gibbs-fairley

Drag has always been prominent within the performing arts. In recent years, with drag culture becoming more and more celebrated and mainstream, thanks to RuPaul's Drag Race an…

SOURCE: A Younger Theatre at 10:42am on August 20, 2017

Review: FREAK, The Space by Charlotte Irwin

FREAK is undeniably provocative. Juxtaposing lap dancing club orgies with first time sexual experiences, Anna Jordan's sex-focused play seeks entry to the growing canon of flawed female char…

SOURCE: A Younger Theatre at 9:36am on August 20, 2017

Review: Olympilads, Theatre N16 by Alice Devoy

Anyone who was around in 2012 (or indeed most of 2011) will remember the HYPE that surrounded the London Olympic games. Stepping through the doors at Theatre N16 and seeing copious amounts o…

SOURCE: A Younger Theatre at 9:36am on August 20, 2017

Review: The Cambridge Footlights International Tour: Dream Sequence, Pleasance Dome by Beatrix Swanson Scott

The Cambridge Footlights might be Britain's most famous sketch comedy troupe. The university society claim such alumni as Stephen Fry and Sue Perkins and are a regular presence at the Fringe…

SOURCE: A Younger Theatre at 8:24am on August 20, 2017

Review: Sleepwalkers, theSpace on the Mile by Beatrix Swanson Scott

Sleepwalkers takes place simultaneously in Berlin before the outbreak of World War II and in a sinister post-Brexit Britain which has reached warzone conditions. At the heart of this play, w…

SOURCE: A Younger Theatre at 8:24am on August 20, 2017

Review: Wishing on a Stopgap, theSpace on the Mile by Beatrix Swanson Scott

In Wishing on a Stopgap, a retired teacher, spending his days giving away his paperback collection to 'anyone without a kindle', begins to examine his many past relationships and wonder why …

SOURCE: A Younger Theatre at 6:33am on August 20, 2017

Review: The Marriage of Kim K, C Venues by Beatrix Swanson Scott

The Marriage of Kim K (the title is a play " pun intended " on The Marriage of Figaro) marries reality TV with classic opera and explores how people overcome differences in relationships, th…

SOURCE: A Younger Theatre at 6:33am on August 20, 2017

Review: How to Win Against History, Assembly George Square by Katie Smith

How to Win Against History is one of those plays at the Fringe that has the double-edged curse of "hype". Last year, it played in the tiny Box at Assembly George Square " this year, it's pla…

SOURCE: A Younger Theatre at 6:33am on August 20, 2017

Review: Hotter, Paradise in Augustines by Beatrix Swanson Scott

Hotter, a two-hander devised and performed by Mary Higgins and Ell Potter, is a kaleidoscope of song, dance, verbatim theatre, sketch comedy and heartfelt monologues. It explores wo…

SOURCE: A Younger Theatre at 6:33am on August 20, 2017

Review: All The King's Men, C Venues by Beatrix Swanson Scott

This is the 7th year that collegiate a capella group All The King's Men have performed at the Fringe. After almost winning the first BCC 'Pitch Battle', they return this year with even more …

SOURCE: A Younger Theatre at 7:33am on August 19, 2017

Review: The Improv Musical, C Venues by Beatrix Swanson Scott

The Improv Musical just does what it says on the cover " the audience give suggestions, and a troupe of University of Warwick students improvise a wholly original musical on the spot. They h…

SOURCE: A Younger Theatre at 7:33am on August 19, 2017

Review: Into the Woods, Assembly Hall by Beatrix Swanson Scott

Stephen Sondheim's musicals are never easy to put on. His music is difficult " it doesn't often provide memorable showstopper numbers and can quickly go obviously wrong if not performed extr…

SOURCE: A Younger Theatre at 7:33am on August 19, 2017

Review: From the Ground Up, Assembly Roxy by Beatrix Swanson Scott

From the Ground Up is an interactive show developed by the Almeida Theatre Young Company. It is an unusual, exciting but slightly disconcerting experience which involves the audience being a…

SOURCE: A Younger Theatre at 7:33am on August 19, 2017

Review: Funeral Meats, King's Head Theatre by Amelia Curran

A piece from the King’s Head Theatre Queer Festival, which commemorates fifty years since the decriminalisation of homosexuality, Funeral Meats tackles the legacies of same-sex marriag…

SOURCE: A Younger Theatre at 9:12am on August 18, 2017

Review: Apologia, Trafalgar Studios by Jessica Handscomb

Apologia, noun: a formal written defence of one's opinions or conduct, not to be confused with an apology. Directed by Jamie Lloyd, Apologia is a volatile family drama set in 2009 in the Eng…

SOURCE: A Younger Theatre at 6:54am on August 18, 2017

Review: Consumables, King's Head Theatre by Alice Devoy

'Sex is the loneliest thing you can do.' These words, spoken poignantly by young porn star, Blaize (Michael Hanratty), drill right into the heart of this fantastic play by Matthew Kyne Basko…

SOURCE: A Younger Theatre at 6:54am on August 18, 2017

Review: Opera in the City Double Bill, Bridewell Theatre by Alice Devoy

If you have ever read The Wasteland by T.S. Eliot you probably have a good idea of how it felt to watch the first piece in this double bill. Certain lines, such as 'Here is water and only ro…

SOURCE: A Younger Theatre at 6:54am on August 18, 2017

Review: Red Button, theSpace on North Bridge by Josephine Balfour-oatts

Formed in 2009 by Fumi Gomez and Juan Echenique, Horatio Theatre Company specialise in Science Fiction theatre, giving particular focus to new writing and original storytelling. In bringing …

SOURCE: A Younger Theatre at 11:24am on August 17, 2017

Review: Cow, Underbelly by Samson Hawkins

Cow is billed as a rural tragi-comedy with songs, though it is more of a one person show about rural life. A woman leaves her liberal, metropolitan, elite London life to help out on he…

SOURCE: A Younger Theatre at 10:36am on August 17, 2017
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