DESKTOP
Contact
The Season
On Broadway
Login

Search BroadwayStars

Search:
Author:
Source:
Date Range: From: To:
Sort by: Most Recent   Most Relevant
4,024 stories from http://www.theaterscene.net

Torch Song by David Kaufman

While superficially poignant, "Torch Song" remains what it always was: a fierce play about the need for respect as a gay person, when it was painfully more difficult to come by acceptance, l…

SOURCE: www.theaterscene.net at 12:00pm on October 28, 2017

Dolores Claiborne by Victor Gluck, Editor-in-chief

King's "Dolores Claiborne" would seem a strange choice for dramatization as the book is a monologue told entirely by its protagonist at a police interrogation over a murder on Little Tall Is…

SOURCE: www.theaterscene.net at 11:20am on October 26, 2017

Strange Interlude by Joel Benjamin

Martha Graham called her dancers "athletes of God."  Watching David Greenspan perform all the roles in a six-hour marathon performance of Eugene O'Neill's 1928 melodrama, Strange Interlud…

SOURCE: www.theaterscene.net at 1:30pm on October 24, 2017

Bells Are Ringing by Victor Gluck, Editor-in-chief

Boycott gets to sing a bounty of scintillating songs including "It's A Perfect Relationship," "Is It A Crime?," "I'm Goin' Back" and her duets with Heuser in "Better Than a Dream" (written f…

SOURCE: www.theaterscene.net at 1:00pm on October 24, 2017

Lonely Planet by Victor Gluck, Editor-in-chief

In Jonathan Silverstein's production, Arnie Burton and Matt McGrath as two friends who handle their fears of an unnamed epidemic in opposite ways do not seem to connect as real friends would…

SOURCE: www.theaterscene.net at 10:52pm on October 23, 2017

Time and the Conways by David Kaufman

Elizabeth McGovern, Charlotte Parry and Anna Baryshnikov in a scene from J.B.Priestley’s "Time and the Conways" (Photo credit: Jeremy Daniel) David Kaufman, Critic Much to New York's b…

SOURCE: www.theaterscene.net at 12:46pm on October 23, 2017

Fall for Dance " Program E by Joel Benjamin

The highlight of the program was watching the world-renowned premier danseur David Hallberg perform a work specially commissioned for him by Fall for Dance.  Mark Morris, the equally famo…

SOURCE: www.theaterscene.net at 1:04am on October 23, 2017

Measure for Measure (Elevator Repair Service) by Victor Gluck, Editor-in-chief

Director John Collins, founder of ERS, has set the play in an office or conference room with three long tables (in Jim Findlay's design which eventually grows tiresome)  and a great many …

SOURCE: www.theaterscene.net at 9:45am on October 21, 2017

Off the Meter, On the Record  by Darryl Reilly

Set designer Charlie Corcoran ingeniously has the small stage's walls adorned with sections of a yellow cab.  Off to the side is a piece containing the steering wheel from where McDonagh …

SOURCE: www.theaterscene.net at 12:24am on October 20, 2017

The Home Place by Victor Gluck, Editor-in-chief

It is possible to enjoy Brian Friel's "The Home Place" without knowing the background to this historical play set in rural Ireland in 1878 as a Chekhovian representation of a world about to …

SOURCE: www.theaterscene.net at 11:34pm on October 19, 2017

Mud by Victor Gluck, Editor-in-chief

While the acting is compelling, the threesome does not reveal many layers to their characters; they establish a persona and stick to it, without divulging any further information. As Mae, Ni…

SOURCE: www.theaterscene.net at 11:21pm on October 18, 2017

Burning Doors by Darryl Reilly

Nicolai Khalezin wrote Burning Doors with dramaturgy by him and Natalia Kaliada.  Their aim is to bring attention to currently jailed artists Petr Pavlensky and Oleg Sentsov by weaving…

SOURCE: www.theaterscene.net at 1:20pm on October 18, 2017

Tomorrow in the Battle by Joel Benjamin

Ruth Sullivan, Allison Threadgold and Patrick Hamilton in a scene from "Tomorrow in the Battle" (Photo credit: George McClintock) Joel Benjamin, Critic The flier for Kieron Barry's drama …

SOURCE: www.theaterscene.net at 12:14pm on October 18, 2017

Squeamish by David Kaufman

hough it's a one-woman show, Alison Fraser plays a number of characters by speaking in different voices with a certain technical prowess. The principal one is an upper West Side psychotherap…

SOURCE: www.theaterscene.net at 12:02am on October 17, 2017

Marc Bamuthi Joseph on His Artistic and Cultural Influences in "/peh-LO-tah/" by Courtney Marie

I've been playing soccer and have been exposed to soccer longer than I have been exposed to dance. Both of these things are part of my kinesthetic and the biography of my body. I can't reall…

SOURCE: www.theaterscene.net at 4:34pm on October 16, 2017

Arden/Everywhere by Joseph Pisano

Signaling that we're in for something different, Bauman has redubbed the play "Arden/Everywhere," a hint that home, and the emotional impact of losing it, is at the heart of her reimagining.…

SOURCE: www.theaterscene.net at 3:20pm on October 16, 2017

{my lingerie play} 2017: THE CONCERT AND CALL TO ARMS!!!!!!!!! THE FINAL INSTALLATION by David Kaufman

As the show progresses with intermittent songs, the other musicians/singers (Ryan McCurdy, Matt Park, and Rocky Vega) also strip down to their underwear/lingerie. The sounds they all make ar…

SOURCE: www.theaterscene.net at 11:57pm on October 15, 2017

Only You Can Prevent Wildfires by Darryl Reilly

The audience sitting on three sides of the airy playing area on wooden benches is part of Clifton Chadick's super, environmental scenic design.  The floor is covered with wood chips, logs…

SOURCE: www.theaterscene.net at 10:55pm on October 14, 2017

Desperate Measures by Victor Gluck, Editor-in-chief

While not all musicals from Shakespeare have worked and updates are particularly risky, "Desperate Measures" avoids all of the pitfalls and is a refreshing and satisfying work in its own rig…

SOURCE: www.theaterscene.net at 11:14pm on October 13, 2017

Androboros: Villain of the State by Victor Gluck, Editor-in-chief

Director Ralph Lewis, apparently not trusting the material " or finding the play too dated " has staged a carnival-esque version (adapted by S.M. Dale in June 2016) which includes 16 songs a…

SOURCE: www.theaterscene.net at 3:37pm on October 13, 2017

Syncing Ink by Darryl Reilly

Mr. Njikam offers a witty take on the classic mythology of a hero's episodic journey with a lively African-American slant. There are a lot of high school and college scenes with wise teacher…

SOURCE: www.theaterscene.net at 8:20pm on October 11, 2017

The Apple Tree by Victor Gluck, Editor-in-chief

Part of the problem is the lack of innovation in Ray Roderick's staging in this show which calls out for invention and clever handling of sets and props. Devin Vogel's colorless stage design…

SOURCE: www.theaterscene.net at 9:40pm on October 10, 2017

…and then I meowed… by Darryl Reilly

Marinelli's performance also contributes to the ennui. Heavy set, possessing a sullen countenance, speaking in a light voice, and lethargically shuffling around, he's not the most charismati…

SOURCE: www.theaterscene.net at 3:41pm on October 10, 2017

Fall for Dance 2017 by Joel Benjamin

Michelle Dorrance, this troupe's director, has become a force in tap dance because she understands both its legacy and its future. She played Pied Piper to a large troupe of very talented da…

SOURCE: www.theaterscene.net at 1:29pm on October 10, 2017

Tym Moss: (A) Live!! Fun! Fabulous!! Flamboyant!!! by Darryl Reilly

Possessed of a soaring tenor baritone voice that forcefully hits every note, an immensely likeable persona and boundless energy as he dances with brio, Moss commands the stage for 70 minutes…

SOURCE: www.theaterscene.net at 11:32am on October 10, 2017
« Previous 25   Page 103 of 161   Next 25 »