William and the Tradesmen reviewed by Mark Peikert
This new one-man musical is like a pretty, disingenuous girl begging for 90 minutes to be told she's attractive
This new one-man musical is like a pretty, disingenuous girl begging for 90 minutes to be told she's attractive
Don't be fooled by the title of Billy Eichner's new one-man show at Joe's Pub, because this gay comic isn't terrified of anything.
Five one-acts deliver the message that any period, no matter how fondly remembered, can be fraught with difficulties.
For an antidote to workweek weariness, see Cynthia Hopkins' astonishing and sweet space-opera-cum-self-discovery journey.
Director Austin Pendelton and an intense ensemble illuminate the lonely souls of a New Orleans boarding house in this neglected Tennessee Williams work.
Lillian Hellman's rarely-revived first play receives a sturdy production in Queens.
This dramatization of the Lincoln-Douglas debates at Irish Repertory Theatre demonstrates the power of speeches.
A few mild chuckles is all you can expect from this revue on senior citizens.
An evening of five one-acts is a mixed bag.
English actor Jonathan Cake on his non-Method method and the role confidence plays in an acting career
The Boys: The Sherman Brothers' Story is an insightful documentary that tells of these two estranged tunesmiths-who have managed to make beautiful music together for half a century yet nail …
An actor looks at his generation and asks,'Where's the revolution?'
Writer-director-choreographer Austin McCormick delivers a wildly flamboyant take on the Biblical story of Adam and Eve.
Lindsey Hope Pearlman and Randi Rivera's adaptation ofGertrude Stein's 1936 novel is, well, novel.
The playwright Yasmina Reza would not only recognize but probably salute A Play on Words, Brian Dykstra's corrosively funny two-hander.
Lloyd Suh's American Hwangap offers a sensitive, thought-provoking glimpse into family relationships and coming-of-age angst.
Making its New York debut, this newest bit of pop playfulness from Les Freres Corbusier is a silly-smart entertainment that feels like a fifth-grade pageant hatched under the tutelage of The…
Ian Bruce's play presented by The New Group is a tense look at post-apartheid South Africa.
Despite the garish trappings of this production, the original play comes through.
"Mel & El" is a hoot, but it's crying for a final rewrite.
Chiori Miyagawa's play makes brittle poetry of unimaginable horror.
"Squiggy and the Goldfish" has a beautiful romance buried beneath layers of flabby slapstick and stale farce.
With book and lyrics by Robert McElwaine, original music by Bob Bain, and direction by Pamela Hall, this tuner covers less ground than Martin Gottfried's biography, "Nobody's Fool," but danc…
It's a play about the rich core of fear; how the simple folk who symbolize America's goodness are so easily made vulnerable by the guileful and crafty. Ric Sechrest's production puts all of …
"The Dishwashers" is a flimsy comedy that has trouble making up its mind what kind of a play it wants to be.