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10,593 stories from A Younger Theatre

Review: Slut, Summerhall by Rosie Hilton

Slut is a developing yet impressive piece of physical theatre and dance by Amina Kayyam Dance Co. It aims to explore and challenge perceptions of female sexuality, and the way it is often…

SOURCE: A Younger Theatre at 3:36pm on August 31, 2017

Review: The Durham Review: Laugh Actually, Underbelly Cowgate by Beatrix Swanson Scott

The Durham Revue's show is called Laugh Actually. The university sketch comedy group are quick to tell us that their act has nothing to do with Love Actually. This isn't strictly true, as it…

SOURCE: A Younger Theatre at 3:36pm on August 31, 2017

Review: 1984, Greenside @ Infirmary Street by Rosie Hilton

During a year of politics in which George Orwell's 1984 has been constantly referenced and drawn parallels with, an adaptation of the novel for the stage is always an intriguing prospect.…

SOURCE: A Younger Theatre at 3:36pm on August 31, 2017

Review: An Evening With An Immigrant, Traverse Theatre by Rosie Hilton

An Evening with An Immigrant is an hour-and-a-half of stories, anecdotes and poems from Inua Ellams. He tells us of his experiences of childhood in Nigeria; of being forced to flee, and o…

SOURCE: A Younger Theatre at 3:36pm on August 31, 2017

Review: Girls, Pleasance Courtyard by Afshan D'souza-lodhi

Theresa Ikoko, winner of the Alfred Fagon and George Devine Award, presents the theatrical masterpiece that is Girls, alongside Talawa Theatre Company, HighTide and Soho Theatre productio…

SOURCE: A Younger Theatre at 2:33pm on August 31, 2017

Review: How To Win Against Humanity, Assembly George Square by Katie Smith

How to Win Against History is one of those plays at the Fringe that has the double-edged curse of "hype". Last year, it played in the tiny Box at Assembly George Square " this year, it's pla…

SOURCE: A Younger Theatre at 10:48am on August 31, 2017

Review: This Is Not Culturally Significant, Gilded Balloon by Katie Smith

Hinging on a brilliant central performance by Adam Scott-Rowley, This is Not Culturally Significant is a dizzying one-man show jump-cutting from character to character. Over the course of an…

SOURCE: A Younger Theatre at 10:48am on August 31, 2017

Review: Safe Space, Gilded Balloon at Rose Theatre by Rosie Hilton

Safe Place is a play which brings together the personal and the bigger picture. It explores the conflict between trans rights and third wave feminism through the lens of a relationship betwe…

SOURCE: A Younger Theatre at 10:48am on August 31, 2017

Review: London Hughes: Superstar, C venues by Afshan D'souza-lodhi

London Hughes Superstar (it’s just nobody's realised it) is a witty, relatable show about race, boys and superstardom. Hughes, with perfect comedic timing, talks about how she couldn't…

SOURCE: A Younger Theatre at 10:48am on August 31, 2017

Review: The Offering (Guru Dakshina), C venues by Afshan D'souza-lodhi

Aditya Roy, with the help of Teamwork Arts India @70, showcases The Offering (Guru Dakshina) at Edinburgh. Roy, from Delhi, trained in multiple forms of martial arts which he pairs with danc…

SOURCE: A Younger Theatre at 10:48am on August 31, 2017

Review: The Black That I Am, Upper Church at Summerhall by Afshan D'souza-lodhi

Coming in at under an hour, The Black That I Am sought to look at black (specifically Jamaican) identities and the way in which different people exist and see the world. The set felt a littl…

SOURCE: A Younger Theatre at 10:48am on August 31, 2017

Review: Pike St, Roundabout at Summerhall by Afshan D'souza-lodhi

Nilaja Sun's one woman show Pike St. features just under a dozen different characters and she plays every single one of them; from the anti-immigration neighbour, to a little boy, to a soldi…

SOURCE: A Younger Theatre at 10:48am on August 31, 2017

Review: Out of Love, Summerhall by Katie Smith

The title of Elinor Cook's latest play, with its double-meaning akin to Enduring Love, signifies a play that cruxes on duality. Best friends Lorna and Grace are two sides of a coin, doing th…

SOURCE: A Younger Theatre at 5:24am on August 29, 2017

Review: Ed Night: Anthem for Doomed Youth, Pleasance Courtyard by Beatrix Swanson Scott

Ed Night is something else. He's not in his late twenties, he's not from a cushy background and he doesn't dress in button-up shirts (at least, not on the night I attended his show), and the…

SOURCE: A Younger Theatre at 5:24am on August 29, 2017

Review: Power Ballad, Summerhall by Daniel Perks

Julia Croft is a contemporary performance artist, first manipulating her own body in an effort to take hold of the microphone, then the sound of her voice to add emphasis on a distorted soun…

SOURCE: A Younger Theatre at 5:24am on August 29, 2017

Review: An Act of Kindness, C Cubed by Beatrix Swanson Scott

An Act of Kindness by new London theatre company Rascal Theatre takes place at a London bus stop. This is where Leila and Martin meet. Leila, a waitress, takes the bus to work here every day…

SOURCE: A Younger Theatre at 8:18am on August 28, 2017

Review: Love, Bombs and Apples, Summerhall by Afshan D'souza-lodhi

Everything about this show exudes confidence. Asif Khan as an actor and Hassan Abdulrazzak as a writer know how to use mannerisms and words to play their audience. Khan took on 3 characters …

SOURCE: A Younger Theatre at 8:18am on August 28, 2017

Review: Eve, Traverse Theatre by Rosie Hilton

Eve is an autobiographical play by Jo Clifford, a woman here to tell us about a story of growing up and of realisation. She uses this play to explore her lived experience of what is means to…

SOURCE: A Younger Theatre at 7:06am on August 28, 2017

Review: The North! The North!, Summerhall by Rosie Hilton

This dark new myth is brought to us by Christopher Harrison, who uses his unique storytelling ability to bring to life a reimagined England full of mystery and fear. As the audience arrives …

SOURCE: A Younger Theatre at 7:06am on August 28, 2017

Review: Lists for the End of the World, Summerhall by Beatrix Swanson Scott

Lists for the End of the World by fanSHEN theatre company sounds, on paper, deceptively simple. The production's creators have compiled hundreds of crowdsourced lists and during the show, th…

SOURCE: A Younger Theatre at 7:06am on August 28, 2017

Review: Séance, Summerhall by Beatrix Swanson Scott

One thing most of the Fringe's audience probably have in common is that they have never had a desire to spend 15 minutes in the pitch-black darkness inside a shipping container. And yet Summ…

SOURCE: A Younger Theatre at 7:04pm on August 27, 2017

Review: The Picture of Dorian Gray, Underbelly by Rosie Hilton

The defining wit of Oscar Wilde shines through brightly in this subtle yet inventive adaptation of the novel, The Picture of Dorian Gray from Boxtale Soup. The novel is the well-known and fr…

SOURCE: A Younger Theatre at 5:48pm on August 27, 2017

Review: Goblin Market, Greenside at Royal Terrace by Rosie Hilton

Jenifer Jewell's adaptation of Goblin Market, fresh from Off Broadway in New York, is a retelling of the beloved poem by Christina Rossetti that breathes new life into the story by setting i…

SOURCE: A Younger Theatre at 5:48pm on August 27, 2017

Review: Dickens for Dinner, C Venues by Beatrix Swanson Scott

Dickens for Dinner is probably one of the funniest, silliest Fringe shows for grown-ups out there (though it's appropriate for children as well). In what seems like the result of a bizarre b…

SOURCE: A Younger Theatre at 5:48pm on August 27, 2017

Review: Testosterone, Pleasance Courtyard by Beatrix Swanson Scott

Wiry, tattooed and dressed like a boxer, a short, slim man appears onstage and begins to sing the Jungle Book's 'I Wanna Be Like You' into a warped mirror: 'You see it's true/ an ape like me…

SOURCE: A Younger Theatre at 8:06am on August 26, 2017
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