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10,593 stories from A Younger Theatre

Review: The Unsung, Roundhouse by A Younger Theatre

Described as a "funeral party for the forgotten fallen heroes of music" and with its expert use of music and poetry The Unsung is a stunning achievement.  Dressed in black on a stage deco…

SOURCE: A Younger Theatre at 12:24pm on September 17, 2017

Review: Zigger Zagger, Wilton's Music Hall by Saskia Coomber

When met with the actors already onstage as you enter the space for the 50th anniversary of the National Youth Theatre’s first writing commission, the energy exuding from them is almos…

SOURCE: A Younger Theatre at 12:24pm on September 17, 2017

Review: Hyem, Theatre 503 by Charlotte Irwin

As the name suggests, Philip Correia's debut is an exploration of the home – or as his Northumberland-native characters' say, hyem. Set in a dysfunctional patchwork 'family', HYEM (yem…

SOURCE: A Younger Theatre at 9:42am on September 17, 2017

Review: Wait Until Dark, Richmond Theatre by Olivia Gibbs-fairley

Psychological thrillers often work well in theatrical environments " Agatha Christie's The Mousetrap is the world's longest running play currently in its 64th year. W…

SOURCE: A Younger Theatre at 9:42am on September 17, 2017

Review: F*ckboys for Freedom, Sweet Grassmarket by Rosie Hilton

F*ckboys for Freedom is a crude and surreal romp that sets out to explore and satirise the modern day notion of 'The Fuckboy'; the adolescent male with little respect or knowledge of women, …

SOURCE: A Younger Theatre at 6:24am on September 16, 2017

Review: Adam and Eve, Brockley Jack Theatre by Saskia Coomber

In the truly intimate space such as the black box studio that is The Brockley Jack Theatre, we as an audience are brought into the equally intimate production that is Adam & Eve by Tim C…

SOURCE: A Younger Theatre at 6:24am on September 16, 2017

Review: Me and Robin Hood, Royal Court by Frances Higgs

The legend of Robin Hood is the most famous story about the distribution and redistribution of wealth " robbing from the rich to give to the poor. And that is why he is the central character…

SOURCE: A Younger Theatre at 6:24am on September 16, 2017

Review: Hot Mess, Lion and Unicorn Theatre by Jessica Handscomb

 Twins Polo (Timothy Renouf) and Twitch (Katrina Allen) are celebrating their 25th birthday. Born with only one heart between them, the twins are something of an unexplained medical mirac…

SOURCE: A Younger Theatre at 4:12am on September 16, 2017

Review: Dear Home Office 2: Still Pending by Rosie Hilton

In 2016 Phosphoros Theatre brought Dear Home Office to the fringe. It told the story of its actor's experiences as unaccompanied young refugees travelling to the UK to seek asylum, and copin…

SOURCE: A Younger Theatre at 4:12am on September 16, 2017

Review: Bin Laden, The One Man Show, C venues by Afshan D'souza-lodhi

Bin Laden, The One Man Show begins by disarming us. We've come to a show about Bin Laden, and that's what we expect. Everything that Knaive Theatre does, from the moment we step inside the s…

SOURCE: A Younger Theatre at 6:06am on September 15, 2017

Feature: Caravan of Love: Mobile homes as the space of familial storytelling by Rachel Kevern

Who are you? How do you see yourself? What has formed your identity, and how does that identity affect your opportunities and the way in which you experience the world? Big questions, yes ; …

SOURCE: A Younger Theatre at 8:06am on September 13, 2017

Review: The B*easts, Underbelly Cowgate by Rosie Hilton

This dark and gripping play, written and performed by Monica Dolan, explores the sinister potential of what parents will do to answer their childrens' demands. It is one, tense monologue whi…

SOURCE: A Younger Theatre at 6:48am on September 9, 2017

Review: Mia: Daughters of Fortune by Rosie Hilton

Mind The Gap is one of Europe's leading disability theatre companies, and its most recent production at the Fringe proves why. Mia: Daughters of Fortune is an exceptionally original piece of…

SOURCE: A Younger Theatre at 6:48am on September 9, 2017

Review: Window, The Bread and Roses Theatre by Charlotte Irwin

Watching. That is the essence behind the voyeuristic Window. A young couple "Grace and Jimmy " are settling into their life together and find unexpected escape by watching the sex life of th…

SOURCE: A Younger Theatre at 6:48am on September 9, 2017

Review: Limits, Southbank Centre by Amelia Curran

Ah, the circus. A melting pot of obscure, at times inexplicable yet utterly compelling talents and abilities that never fail to elicit childlike delight. Limits, the latest production by Sca…

SOURCE: A Younger Theatre at 8:24am on September 7, 2017

Review: King Lear, Shakespeare's Globe by Jessica Handscomb

Written in 1606, King Lear is Shakespeare's classic tale of the titular mad monarch. George Bernard Shaw wrote of the play 'No man will ever write a better tragedy than Lear', and Nancy Meck…

SOURCE: A Younger Theatre at 7:04am on September 7, 2017

Review: Eclipsed, The Space by Jade Cayton-toole

Anybody who knows the subject matter of this play knows that it is not an easy read or watch. It is, however, incredibly powerful and poignant, and more relevant in 2017 than we might like t…

SOURCE: A Younger Theatre at 7:06am on September 6, 2017

Review: Against, Almeida Theatre by Amelia Curran

Ben Whishaw delivers a winning performance in this flawed but captivating production that raises pertinent questions about violence, fame and moral culpability. Silicon Valley tech billionai…

SOURCE: A Younger Theatre at 7:06am on September 6, 2017

Review: Knives in Hens, Donmar Warehouse by Amy Merrigan

Knives in Hens and I are almost exactly the same age, right down to the month. David Harroway's play was first performed in Edinburgh in 1995 " so I can't pretend to have been there, however…

SOURCE: A Younger Theatre at 7:06am on September 6, 2017

Review: Give Me Your Love, Summerhall by Afshan D'souza-lodhi

Give Me Your Love is a show about a man suffering from PTSD, who tries a novel method of taking MDMA to help with his therapy. The concept of the show is rather interesting, with a set that …

SOURCE: A Younger Theatre at 3:36pm on August 31, 2017

Review: Elixir, Underbelly Circus Hub by Afshan D'souza-lodhi

The phrase “on the edge of your seat” was invented for shows just like this. I spent the majority of the piece either praying that nobody would fall and/or die on stage, and chee…

SOURCE: A Younger Theatre at 3:36pm on August 31, 2017

Review: Kat Bond: Loo Roll, Pleasance Courtyard by Afshan D'souza-lodhi

To be wholly honest with you, I'm not sure why I was expecting a show called Loo Roll to be about anything but loo roll. The comedy piece begins with Bond, or rather her alter ego, …

SOURCE: A Younger Theatre at 3:36pm on August 31, 2017

Review: Polyphone, theSpace @ Jury's Inn by Afshan D'souza-lodhi

Ola Aralepo's Polyphony was an incredibly engaging piece of storytelling. Dressed in a traditional Niergerian agbada, he greets us all and begins to tell us his story. Aralepo, a clinical ps…

SOURCE: A Younger Theatre at 3:36pm on August 31, 2017

Review: A Great Fear of Shallow Living, Zoo Southside by Rosie Hilton

A Great Fear of Shallow Living is a modern reimagining of the legends of selkies, mythical creatures who live as seals in the sea but can shed their skin on land to live in human form. We wa…

SOURCE: A Younger Theatre at 3:36pm on August 31, 2017

Review: Mae Martin: Dope, Laughing Horse at City Cafe by Beatrix Swanson Scott

Mae Martin's show is called Dope for, I think, two reasons. One, she talks a lot about drugs, and two, she sometimes likes to give a teenager-y, attention-seeking vibe, the vibe of someone w…

SOURCE: A Younger Theatre at 3:36pm on August 31, 2017
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