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35,653 stories from The Guardian

The New Real review " facts are an illusion in David Edgar's post-truth political play by Gareth LlÅ·r Evans

The Other Place, Stratford-upon-AvonTwo strategists from the US and New Labour are recruited to help win a ruthless election in a former Russian colony The New Real is bookended by scenes wh…

SOURCE: The Guardian at 4:06pm on October 13, 2024

Reverberation review " Matthew López's romcom is rooted in violence and rejection by Clare Brennan

Bristol Old VicFussy filmic visuals hobble fine performances in the European premiere of the Inheritance writer's study of three characters struggling for connection London-based American wr…

SOURCE: The Guardian at 4:06pm on October 13, 2024

The week in theatre: Juno and the Paycock; The Other Place " review by Tim Adams

Gielgud theatre; Lyttelton theatre, LondonMark Rylance goes to fabulous extremes in an enjoyable if unbalanced revival of O'Casey's Irish civil war drama. And a grieving family confronts its…

SOURCE: The Guardian at 6:12am on October 13, 2024

Girls Don't Play Guitars review " Liverbirds musical is just ho-hum by Matt Barton

Royal Court, LiverpoolStaged in their hometown, the true story of one of the first all-female rock bands is told with low stakes, though the singing is great Despite being one of the world's…

SOURCE: The Guardian at 6:12am on October 13, 2024

Dance Umbrella: Mamela Nyamza: Hatched Ensemble; The Featherstonehaughs Draw on the Sketchbooks of Egon Schiele " review by Sarah Crompton

Barbican, London; onlineThis year's festival opens with a formally rigorous work from the South African choreographer and a film premiere from Lea Anderson London's annual international Danc…

SOURCE: The Guardian at 8:18am on October 12, 2024

'It's a tragedy because everyone dies " not because he's disabled': the creatives casting Richard III in a new light by Lucy Webster

The Lyric theatre Belfast's new take on Richard III is produced by, and stars, disabled people. But bringing fresh authenticity to Shakespeare's storied tragedy was not without its challenge…

SOURCE: The Guardian at 9:18am on October 11, 2024

Saturday Night Live: the 20 greatest sketches ever by Zach Vasquez

The comedy show reaches its 50th anniversary this week and to celebrate, a look back to its funniest moments ever With the season premiere this past weekend, Saturday Night Live celebrated i…

SOURCE: The Guardian at 4:54am on October 11, 2024

The Fear of 13 review " Adrien Brody lacks space to shine in death row drama by Arifa Akbar

Donmar Warehouse Oscar winner makes London debut in Lindsey Ferrentino's busy play that sometimes lacks intensity As true crime stories go, Nick Yarris's tale is stranger than fiction and a …

SOURCE: The Guardian at 8:06pm on October 10, 2024

18 treated for severe nausea in Stuttgart after opera of live sex and piercing by Philip Oltermann European Culture Editor

Florentina Holzinger's bloody Sancta was criticised by Austrian bishops and is now a sellout in Germany Eighteen theatregoers at Stuttgart's state opera required medical treatment for severe…

SOURCE: The Guardian at 7:02pm on October 10, 2024

Filumena review " Felicity Kendal and Matthew Kelly go toe to toe in Naples by Chris Wiegand

Theatre Royal WindsorEduardo de Filippo's ode to the family is revived with a stylish design but does not reach enough comical or emotional peaks A quirk of Eduardo de Filippo's 1946 Neapoli…

SOURCE: The Guardian at 4:42pm on October 10, 2024

Mamela Nyamza: Hatched Ensemble review " The Dying Swan in fine feather by Lyndsey Winship

Barbican, LondonOpening this year's Dance Umbrella festival, the South African company deliver a distinctive show by the non-conformist choreographer At times, Mamela Nyamza's Hatched Ensemb…

SOURCE: The Guardian at 4:42pm on October 10, 2024

Brace Brace review " high-stakes plane hijack drama is bumpy ride by Arifa Akbar

Royal Court, LondonOli Forsyth's play about a honeymooning couple caught up in a disaster is let down by unconvincing dilemmas and characterisations In its setup, this is an edge-of-the-seat…

SOURCE: The Guardian at 9:18am on October 10, 2024

Too much theatre memorabilia is being lost to private collectors, says David Hare by Lanre Bakare Arts and Culture Correspondent

As hundreds of personal effects belonging to playwright John Osborne go up for sale, Hare laments that the V&A is not bidding The vital memorabilia and personal effects of our greatest p…

SOURCE: The Guardian at 6:18am on October 10, 2024

I Haven't Been Entirely Honest With You by Miranda Hart review " chronic illness and love at last by Fiona Sturges

After years of misery with undiagnosed Lyme disease, the entertainer shares her lessons for living Miranda Hart's latest book feels unexpected coming from a comic actor famed for her on-s…

SOURCE: The Guardian at 6:18am on October 10, 2024

Foreverland review " dystopian drama probes ethics of life extension by Chris Wiegand

Southwark Playhouse Borough, LondonA thirtysomething couple try a biotech breakthrough in Emma Hemingford's time capsule of hot button issues If you want to live longer, you could try exerci…

SOURCE: The Guardian at 6:18am on October 10, 2024

King Troll (The Fawn) review " this nerve-jangling thriller never lets up by David Jays

New Diorama theatre, LondonSisters navigating a harsh immigration process conjure up an unnerving helper in Sonali Bhattacharyya's drama Sonali Bhattacharyya's shivery new play begins with a…

SOURCE: The Guardian at 4:12pm on October 9, 2024

Julian Assange: new play about WikiLeaks founder's life to debut in 2025 by Dee Jefferson

Truth, by Australian playwright Patricia Cornelius, will feature multiple actors playing Assange as it probes questions about whistleblowers The WikiLeaks founder Julian Assange is the subje…

SOURCE: The Guardian at 12:24pm on October 9, 2024

Sophie Duker: But Daddy I Love Her review " desperately seeking 'delulu' by Brian Logan

Soho theatre, LondonInspired by joint therapy sessions with her father, the standup's joyful show has vivid portraits of her 'borderline-delusional' parents How would you describe my vibe, S…

SOURCE: The Guardian at 12:24pm on October 9, 2024

National Dance Company Wales: Frontiers review " a pair of puzzlers by Lyndsey Winship

The Place, LondonMoody masses of bodies, a gang of club kids like shamans at a stick-up … this company is always trying something new Matthew William Robinson, artistic director of Nationa…

SOURCE: The Guardian at 12:24pm on October 9, 2024

The Other Place review " a searing, gasp-inducing take on Sophocles by Arifa Akbar

Lyttelton theatre, LondonEvery performance is compelling in this rivetingly naturalistic modern-day reworking of Antigone, written by Alexander Zeldin This modern family psychodrama bills it…

SOURCE: The Guardian at 12:24pm on October 9, 2024

Enda Walsh delivers a five-star dazzler and Forced Entertainment make mischief at Dublin theatre festival by Helen Meany

Safe House is a haunting song cycle by Walsh and Anna Mullarkey while the experimental company's Signal to Noise pushes language to breaking point In a Dublin theatre festival programme jamm…

SOURCE: The Guardian at 12:24pm on October 9, 2024

'I was always the sexy tootsie': Kelly Bishop on Broadway hits, Gilmore Girls " and how to do the Dirty Dancing lift by Chris Wiegand

She was a Broadway hoofer then she helped inspire " and found fame in " A Chorus Line. As she releases her memoir, the great 'raconteuse' recalls her Dirty Dancing fears " and the sharp suit…

SOURCE: The Guardian at 10:55am on October 9, 2024

The Cat and the Canary review " 1920s mystery stuffed with preposterous pleasures by Chris Wiegand

Minerva theatre, ChichesterColourful characters gather for a will reading in this horror-comedy, given a larky update with stylish sequences If walls could talk you'd want to hear the rock'n…

SOURCE: The Guardian at 4:12pm on October 8, 2024

How the excavation of Shakespeare's Curtain theatre has changed stage history by Esther Addley

Recovery of stage foundations, which will be part of new London museum, has changed understanding of theatre development Three metres below ground in a newly developed square in Shoreditch, …

SOURCE: The Guardian at 8:32pm on October 7, 2024

'I was always the bit of totty': Emily Atack on tabloids, trolls and life after The Inbetweeners by Zoe Williams

The role of Charlotte 'Big Jugs' Hinchcliffe made her a star " then she spent years trying to get the respect and the roles she deserved. Now, at the age of 34, she's been having the time of…

SOURCE: The Guardian at 7:12am on October 7, 2024
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