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10,593 stories from A Younger Theatre

Review: Ink, Duke of York's by Jessica Handscomb

“It's just a bit of fun” – a phrase that almost always justifies and precedes a bad idea, a phrase that Larry Lamb (Richard Coyle) exclaims in numerous ways, on various occ…

SOURCE: A Younger Theatre at 2:06pm on October 16, 2017

Review: Man Up! Camden People's Theatre by Rachael Head

'(Don't) Objectify Me!'  For the Come As You Are festival at the Camden People's Theatre, Camilla Harding and Alexandra Sinclair rework and perform their self-written piece Man Up! The de…

SOURCE: A Younger Theatre at 12:42pm on October 16, 2017

Review: Kinder K, The Bunker Theatre by Helen Long

The room is soaked in a cold, blue hue. A young woman cradles a bouquet as she drops to her knees. Like a lonely child lining up her toys, she begins to lower each rose to the ground. A part…

SOURCE: A Younger Theatre at 12:42pm on October 16, 2017

Review: Wings by Frey Kwa Hawking

The Young Vic's new production of Arthur Kopit's Wings, the first one to take place in London for 30 years, is a perfectly-pitched production in which Juliet Stevenson's performance as Emily…

SOURCE: A Younger Theatre at 6:04am on October 15, 2017

Review: nitroBEAT Pit Party " Suckerpunch Boom Suite by Helen Long

A revolutionary icon in New York street art, American artist Jean-Michel Basquiat grew into a startling young powerhouse in the world of enigmatic neo-expressionism. Graffiti artist, painter…

SOURCE: A Younger Theatre at 3:04pm on October 14, 2017

Review: Drag me to Love by Amelia Curran

Who can resist a bit of drag? Fun, flirty and full of classic musical hits, Drag Me to Love is a short but sweet production recounting star and writer Cameron Sharp's personal journey to dra…

SOURCE: A Younger Theatre at 1:33pm on October 14, 2017

Feature: Knee Deep In Debt: The Unfortunate Lifestyle of British Millennials by Iqra Choudhry

Britain has a huge debt problem. As of May 2017, the average UK household debt was £56,731, and this is only going up. 14 properties are repossessed each day. The picture painted for the …

SOURCE: A Younger Theatre at 7:06am on October 10, 2017

Review: Requardt and Rosenberg's DeadClub, The Place by Tricia Wey

Calling all dance aficionados and lovers of the weird and wonderful, you may be eligible for membership to the ever exclusive DeadClub. Being performed at The Place, you would be forgiven fo…

SOURCE: A Younger Theatre at 3:18pm on September 27, 2017

Review: Oslo, National Theatre by Lucy Russell

You'd be forgiven for thinking that a 3-hour play about creation of The Oslo Accords might not be the most exciting. However, JT Rogers' 'intellectual thriller', currently on at the National…

SOURCE: A Younger Theatre at 3:18pm on September 27, 2017

Review: Salvation: Shamanic Striptease, Camden People's Theatre by Charlotte Irwin

White guilt. That's the shame at the core of the Salvation: Shamanic Striptease. In just under an hour White African performance artist Daniel P. Cunningham seeks to confront his past with h…

SOURCE: A Younger Theatre at 2:12pm on September 27, 2017

Review: And the Rest of Me Floats, The Rose Lipman Building by Saskia Coomber

Devised by its cast, And The Rest Of Me Floats brings us into the very personal worlds of the actors and their individual, sometimes funny, sometimes tragic, journeys of becoming who they ar…

SOURCE: A Younger Theatre at 2:12pm on September 27, 2017

Review: Boudica, Shakespeare's Globe by Alice Devoy

All eyes are on Emma Rice, the Artistic Director of Shakespeare's Globe, who is stepping down in the new year, and the new play under her management, Boudica, is nothing short of pure braver…

SOURCE: A Younger Theatre at 2:12pm on September 27, 2017

Review: The March on Russia, Orange Tree Theatre by Alice Devoy

The March on Russia is the story of an old couple and their three middle-aged children on their 60th Wedding Anniversary. Set in the playwright's (David Storey) hometown in Yorkshire, a defi…

SOURCE: A Younger Theatre at 3:33pm on September 26, 2017

Review: Angel, Arcola Theatre by Josephine Balfour-oatts

Following The Collector and Echoes, Angel is the third play in the Arabian Nightmares series written by playwright Henry Naylor. Directed by Michael Cabot, the one-woman production premieres…

SOURCE: A Younger Theatre at 3:33pm on September 26, 2017

Review: The Knowledge, Charing Cross Theatre by Jessica Handscomb

Long before the days of Google maps and Satnavs, decades before Uber was even a twinkle in CEO Travis Kalanick's eye, and before we had access to the entire world via an oblong in our pocket…

SOURCE: A Younger Theatre at 2:12pm on September 26, 2017

Review: The Blinding Light, Jermyn Street Theatre by Frances Higgs

'I think you've got problems', Lola the maid says in this play. It is something of an understatement. The third collaboration between writer Howard Brenton, director Tom Littler and August S…

SOURCE: A Younger Theatre at 2:12pm on September 26, 2017

Review: Thebes Land, Arcola Theatre by Frey Kwa Hawking

There was a moment, during the interval of Thebes Land, in which Alex Austin, shooting hoops alone in the cage surrounded by the audience, missed the basket making the ball instead slam down…

SOURCE: A Younger Theatre at 5:33am on September 26, 2017

Review: The Provoked Wife, The Hope Theatre by Jessica Handscomb

'Restoration for the new generation' " a bold claim, but I think Marooned Theatre's production of The Provoked Wife pulls it off. It is the second of John Vanbrugh's comedies, after The Rela…

SOURCE: A Younger Theatre at 8:33am on September 21, 2017

Review: Ishq, Sadlers Wells by Lucy Russell

It is hard, almost impossible to review Ishq as a piece of theatre independent of the context from which is has come. Ishq is the first ever Sufi Anglo-Punjabi musical, and promises a fusion…

SOURCE: A Younger Theatre at 8:33am on September 21, 2017

Review: Medusa, The Crypt Gallery by Charlotte Irwin

The allure of redefining myth never fails to entice. It's a rite of passage for many theatre companies, and with Medusa the experimental and immersive 27 degrees try their hand at teaching t…

SOURCE: A Younger Theatre at 8:33am on September 21, 2017

Review: Eyes Closed, Ears Covered, Bunker Theatre by A Younger Theatre

The story of kids bunking off school in search of grand adventure is a common plot device visible in films such as Ferris Bueller’s Day Off and the fantasies of many teenagers. Alex Gw…

SOURCE: A Younger Theatre at 8:33am on September 21, 2017

Review: Doubt, A Parable, Southwark Playhouse by Steph J. Watkins

A beautifully, yet anguished metaphor of gossip being like a pillow being slashed open and feathers scattered all over the city perfectly describes the damages of which Doubt, A Parable demo…

SOURCE: A Younger Theatre at 8:33am on September 21, 2017

Feature: Adding the Zest of Youth to Brexit Theatre by Frey Kwa Hawking

Toby Ealden, artistic director of Zest Theatre and director of What Once Was Ours, is talking to me in a room with a high ceiling and a squiggly chandelier which reminds me of a child's draw…

SOURCE: A Younger Theatre at 5:18am on September 18, 2017

Review: Britney Spears The Cabaret, The Other Palace by Olivia Gibbs-fairley

Britney Jean Spears. She's the pop princess that the '00s generation grew up with long before the emergence of Taylor Swift, Katy Perry and Ariana Grande. She's one of those artists th…

SOURCE: A Younger Theatre at 12:24pm on September 17, 2017

Review: Follies, National Theatre by Josephine Balfour-oatts

For the first time, Stephen Sondheim's legendary musical Follies is being staged at the National Theatre. Created by Sondheim and bookwriter James Goldman, Follies premiered in 1971 and is n…

SOURCE: A Younger Theatre at 12:24pm on September 17, 2017
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