A year on from #MeToo, Alice Saville looks at the theatre industry's response - and argues it's far from time to move on. The post A year on from #MeToo, it’s time for justice, not reh…
Signs of the times: Annegret Märten and Emilie Oléron Evans give a tutorial on Matthew Parker's production of Ionesco's absurdist play The post Review: The Lesson at The Hope Theatre appea…
Unafraid and magnificently surreal: Elevator Repair Service reimagines Albee's classic, as part of Dublin Theatre Festival. The post Review: Everyone’s Fine With Virginia Woolf at Dubl…
Uncomfortably familiar: Emily Holyoake writes on a revival of Mike Leigh's play, alongside Safiyya Ingar's one-woman response. The post Review: ‘Abigail’s Party’ and ‘…
'Gold, sinew and chicken fat': Nabilah Said reviews Annie Siddons' epic tribute to SE20 and its residents The post Review: Dennis of Penge at Ovalhouse Theatre appeared first on Exeunt Magaz…
Magic realism: Lilith Wozniak reviews Wassail Theatre's pub quiz-set tale of rural life. The post Review: Horses! Horses! at Bristol Beer Factory appeared first on Exeunt Magazine.
Phallocentricity gets a beating in Gina Moxley's interrogation of psychotherapy, and a betrayed female patient. The post Review: The Patient Gloria at Abbey Theatre appeared first on Exeunt …
Frey Kwa Hawking reviews Forward Arena's transporting adaptation of Virginia Woolf's 'slim, dense, irrepressible novel' The post Review: Mrs Dalloway at Arcola Theatre appeared first on Exeu…
Chris McCormack reviews Annie Ryan's topical adaptation of Arthur Miller's American-West novella The Misfits The post Review: The Misfits at Smock Alley Theatre, Dublin appeared first on Exe…
Desire is everything: Adena Jacobs' staging of Strauss's opera is full of ponytail-slick, sensuous, striking images. The post Review: Salome at the ENO appeared first on Exeunt Magazine.
Maddy Costa conducts an email dialogue with Annie Siddons about her new show Dennis of Penge, a triumphant narrative of addiction, recovery, and fighting the PIP system. The post Annie Siddo…
Memory loss: ANU and The Abbey Theatre take a lost Seán O'Casey play out for a walk. The post Review: The Lost O’Casey at Dublin Theatre Festival appeared first on Exeunt Magazine.
Invisible women: Josephine Balfour-Oatts reviews Annie-B Parson's feminist dance response to Samuel Pepys' Diary The post Review: 17c at The Old Vic appeared first on Exeunt Magazine.
Marriage and infidelity: Ed Nightingale reviews Jamie Lloyd's productions of The Lover and The Collection. The post Review: Pinter Two at the Harold Pinter Theatre appeared first on Exeunt M…
The foibles of the ruling classes: Lilith Wozniak reviews a satire based on Queen Victoria and Prince Albert. The post Review: Parlour Games at The Wardrobe Theatre, Bristol appeared first o…
The common soldiers, the everyday heroes: Ava Davies reviews Alice Oswald's elegy to the dead of the Iliad. The post Review: Memorial at the Barbican appeared first on Exeunt Magazine.
All aboard the Hades Express: Freddie Machin reviews an immersive dining experience promising to take you to hell and back. The post Review: Journey to the Underworld at Pedley Street Stati…
Let the doors be locked: Rosemary Waugh reviews Yaël Farber's Hamlet, starring Ruth Negga. The post Review: Hamlet at the Gate Theatre, Dublin appeared first on Exeunt Magazine.
The question of ownership: Frey Kwa Hawking reviews Debris Stevenson's autobiographical ode to grime. The post Review: Poet in da Corner at Royal Court appeared first on Exeunt Magazine.
Building community: Catherine Love writes on a quietly radical performance, part of a series of public interventions by Common Wealth. The post Review: Radical Acts at Bradford Club appeared…
A frozen horizon: Josephine Balfour-Oatts writes on a dance-theatre piece about life on a remote lighthouse. The post Review: The Point of Echoes at The Place appeared first on Exeunt Magazi…
A modern take on an old story: Nabilah Said reviews Nessah Muthy's version of One Thousand and One Nights. The post Review: Arabian Nights at Hoxton Hall appeared first on Exeunt Magazine.
Excruciating silences: Peter Brook's drama is an exercise in painfully slow abstraction. The post Review: The Prisoner at National Theatre appeared first on Exeunt Magazine.
Nothing else on stage other than her pain: William Drew reviews Jean Cocteau's end-of-a-realtionship monologue. The post Review: The Human Voice at The Gate Theatre appeared first on Exeunt …
Working class people are hugely underrepresented in theatre at all levels. Adam Hughes argues that it's time for the industry to dig deeper. The post Class Might Be Invisible, But Theatres S…