Spalding Gray 1941-2004
Remembering an artist who relied mostly on his own story by Mark Russell
Remembering an artist who relied mostly on his own story by Mark Russell
In the Belly of the Beast Revisited
DMV musical tries to spring free of a Kafkaesque premise by Angela Ashman
Kim Hughes's Ministry of Progress
Alice Tuan's Jacobean retread goes out with nary a whimper by Daniel Mufson
The Roaring Girle by Alice Tuan
Keeping even Plummer un-plummy, Jonathan Miller makes Shakespeare make sense by Michael Feingold
King Lear by William Shakespeare
Papp's restive ghost haunts the search for Wolfe's replacement
Thanks to American Theater Web for the link.
Bridge & Tunnel
All-star cast can't bring Weitz's theatrical gamble to life by Ed Park
Roulette
Drowning Crow
New(?)-style gay heroes: Gurney and McNally display queer guys for the straight eye by Michael Feingold
Big Bill; The Stendhal Syndrome
The Bard's late romance founders but magically survives by Alexis Soloski
Pericles
Agamemnon
With Cole Porter in command of the music, if you get a kick, you've got no kick coming by Michael Feingold
Cole Porter and Abe Burrows's Can-Can; Max Morath: Ragtime and Again
Mother Courage and Her Children
Do you know the question to which '9W' is the answer? Betcha the author of this play does. by Michael Feingold
Valhalla
Will Eno's infectious new play provokes hot and cold flashes by Alexis Soloski
The Flu Season
Jackie Hoffman's The Kvetching Continues
Alice in Wonderland: What if you made a porno and nobody came?
Two chatty new Irish plays venture into unspeakable terrain by Charles McNulty
Eden by Eugene O'Brien; The Pillowman by Martin McDonagh
Adam Bock sends his avian words flying up into the sky by Alexis Soloski
Adam Bock's Five Flights
Have legs, will travel: Ute Lemper offers a worldly cabaret by Charles McNulty
Voyage by Ute Lemper
Seeking identity in Ph.D. garbage by Michael Feingold
Suitcase or, Those That Resemble Flies From a Distance by Melissa James Gibson
The Mysteries' two acts are like apples and oranges, but which is the fruit of knowledge? by Michael Feingold
The Mysteries
The Architecture of Loss by Julia Cho
Recovering addict Mark Lundholm works his solo program by Alexis Soloski
Addicted: A Comedy of Substance by Mark Lundholm