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6,591 stories from Stage and Cinema

Off-Broadway Review: ANTIGONE (THIS PLAY I READ IN HIGH SCHOOL) (The Public Theater) by Gregory Fletcher

ANCIENT MYTH, MODERN BODY POLITIC A classical tragedy is boldly reframed through a contemporary moral crisis, giving Antigone's defiance startling new urgency Celia Keenan-Bolger, Haley Wong…

SOURCE: Stage and Cinema at 10:00pm on March 11, 2026

Deep Dive into "Death Becomes Her" on Broadway: Review, Tickets, and Everything You Need to Know by Tony Frankel

The wait is finally over for fans of the dark, fantastical comedy as "Death Becomes Her" on Broadway officially makes its immortal entrance. The musical adaptation of the 1992 cult classic, …

SOURCE: Stage and Cinema at 3:00am on March 11, 2026

Cabaret & Theater Review: GREY ARIAS (The Flea) by Paola Bellu

OPERA, DRAG, AND THE POLITICS IN BETWEEN Adrienne Truscott and Le Gateau Chocolat gleefully explore identity, allyship, and the "grey areas" where ideology and performance collide Grey Arias…

SOURCE: Stage and Cinema at 10:30pm on March 10, 2026

Off-Broadway Review: MARCEL ON THE TRAIN (Classic Stage Company) by Paulanne Simmons

SILENT RESISTANCE A wartime journey inspired by Marcel Marceau's resistance work becomes an overlong and uneven theatrical ride Marcel Marceau was not only a mime; he was one of the most fam…

SOURCE: Stage and Cinema at 9:21pm on March 10, 2026

Off-Broadway Review: SPARE PARTS (Theater Row) by Gregory Fletcher

SPARE PARTS, FULLY LOADED QUESTIONS Glass's brainy biotech thriller delivers ideas, surprises, and genuine theatrical punch Jonny-James Kajoba, Rob McClure, Matt Walker and Michael Genet I s…

SOURCE: Stage and Cinema at 11:00pm on March 9, 2026

Theater Review: THE MALTESE FALCON (World Premiere at North Coast Rep) by Dan Zeff

THREE FELLAS, TWO DAMES, ONE BIRD, AND A LOT OF DOUBLE-CROSSING North Coast Rep's five-actor adaptation of The Maltese Falcon mixes mystery with nimble theatrical trickery The North Coast Re…

SOURCE: Stage and Cinema at 3:47pm on March 9, 2026

Theater Review: THE SHARK IS BROKEN (Laguna Playhouse in Laguna Beach) by Michael M. Landman-karny

THREE MEN IN A BOAT, WAITING FOR A FISH At Laguna Playhouse, the making of a blockbuster becomes a chamber piece about ego, craft, and survival Gildart Jackson, Will Block, and Adam Poole Th…

SOURCE: Stage and Cinema at 4:00am on March 9, 2026

Theater Review: THE BRIEF WONDROUS LIFE OF OSCAR WAO (Goodman Theatre) by C.j. Fernandes

NOT QUITE WONDROUS A Pulitzer winner takes a bumpy trip to the Goodman stage Fans of Junot Díaz's Pulitzer-Prize-winning novel The Brief Wondrous Life of Oscar Wao are in for a bit of a s…

SOURCE: Stage and Cinema at 1:30pm on March 8, 2026

HOW "VIEW FROM SEAT" CAN HELP BOOK THE BEST BROADWAY THEATRE SEATS AT THE BEST PRICES by Susan Hall

There are 41 theatres in Broadway with a seating capacity of between 500 and over 1900. Gershwin Theatre (originally called The Uris Theatre) on the second floor of the Paramount Plaza offic…

SOURCE: Stage and Cinema at 3:05am on March 8, 2026

DESIGNING STAGE SPACES: THE ROLE OF VISUAL DISPLAYS AND SIGNAGE by John Todd

Stage design plays a central role in shaping how audiences experience performances, presentations, and live events. Whether the setting is a concert, conference, theater production, or commu…

SOURCE: Stage and Cinema at 1:50am on March 8, 2026

Cabaret Review: BILLY JOEL SONGBOOK (Tony DeSare at Birdland Theater) by Rob Lester

PIANO MAN BY PROXY Tony DeSare salutes Billy Joel with polish, power, and plenty of affection Special thanks go to Billy Joel for changing the career path of the terrifically talented Tony D…

SOURCE: Stage and Cinema at 8:06pm on March 7, 2026

Off-Broadway Review: OUR HOUSE (TOSOS at A.R.T./New York Theatres) by Gregory Fletcher

ACTIVISM, FAMILY, AND A BACKYARD BATTLE The new play at TOSOS revisits the legacy of ACT UP and the uneasy quiet that followed CJ DiOrio & Nancy Slusser TOSOS, New York City's oldest pro…

SOURCE: Stage and Cinema at 7:36pm on March 7, 2026

Theater Review: ONCE (Berkeley Playhouse) by Chuck Louden

Few musicals capture the intimacy of music-making quite like Once, and Berkeley Playhouse's new production reminds us why the show became a Broadway sensation in 2012, winning eight Tony Awa…

SOURCE: Stage and Cinema at 11:29am on March 6, 2026

Off-Broadway Review: BURNOUT PARADISE (Astor Place Theatre) by Paola Bellu

FULL SPEED AHEAD Pony Cam turns burnout, chaos, and cardio into delirious theater Dominic Weintraub, Claire Bird, Hugo Williams, William Strom Are you, perhaps, missing the wild energy of Bl…

SOURCE: Stage and Cinema at 3:00am on March 5, 2026

Theater Review: ALL MY SONS (Berkeley Rep) by Chuck Louden

A POSTWAR MORAL RECKONING INSIDE A FAMILY HOME Arthur Miller's classic still asks uncomfortable questions about responsibility and denial Jimmy Smits Berkeley Repertory Theatre is revivin…

SOURCE: Stage and Cinema at 1:45am on March 5, 2026

Concert Review: FROM MOZART TO MAHLER (Pacific Symphony) by Michael M. Landman-karny

INTIMACY AND ENORMITY: MOZART AND MAHLER IN COSTA MESA Mozart's Piano Concerto No. 23 in A major, K. 488, is a peculiar piece to a classical program. It omits oboes entirely, replacing them …

SOURCE: Stage and Cinema at 9:10pm on March 4, 2026

Theater Review: ALL MY SONS (Antaeus Theatre) by Judson Feder

THE POSTWAR AMERICAN NIGHTMARE STILL RESONATES A gripping Antaeus revival reminds us how easily communities excuse the unforgivable A successful small-town businessman, a distraught wife, a …

SOURCE: Stage and Cinema at 8:16pm on March 4, 2026

Theater Review: DESTROYING DAVID (Dezart Performs) by Jason Mannino

There is a profound beauty in watching something fragile survive. In Dezart Performs' breathtaking West Coast Premiere of Jason Odell Williams' Destroying David, that fragility is everywhere…

SOURCE: Stage and Cinema at 3:00am on March 4, 2026

Theater Review: MORNING, NOON, AND NIGHT (Shattered Globe at Theater Wit) by C.j. Fernandes

A POST-PANDEMIC RECKONING WITH ISOLATION AND MENTAL HEALTH A moving character study elevated by a nuanced central performance The oddest thing about Kirsten Greenidge's Morning, Noon, and Ni…

SOURCE: Stage and Cinema at 3:00am on March 4, 2026

Theater Review: HAMNET (Royal Shakespeare Company at Chicago Shakespeare Theater) by C.j. Fernandes

SHAKESPEARE'S NAME, SOMEONE ELSE'S STORY A generic weepie that gloms onto the prestige of Shakespeare while offering nothing of substance in return Rory Alexander and Kemi-Bo Jacobs as Willi…

SOURCE: Stage and Cinema at 12:34am on March 4, 2026

Theater Review: POT GIRLS (The Story Theater at The Raven) by C.j. Fernandes

A SMART, PLAYFUL SPIN ON A FEMINIST CLASSIC Paul Michael Thomson's witty homage to Top Girls is dazzling"if occasionally too clever for comfort Myah Bridgewater and Laney Rodriguez A world p…

SOURCE: Stage and Cinema at 12:04am on March 4, 2026

Theater Review: BARTLEBY (Fiasco Theater at The Old Globe) by Dan Zeff

A SCRIVENER WHO PREFERS NOT TO A minimalist Melville adaptation turns quiet resistance into compelling theater Andy Grotelueschen as The Lawyer and Michael Crane as Bartleby Fiasco Theater i…

SOURCE: Stage and Cinema at 11:40pm on March 3, 2026

Off-Broadway Review: CHINESE REPUBLICANS (Roundabout Theatre Company) by Paola Bellu

A POWER LUNCH WITH KNIVES UNDER THE TABLE Ambition, rivalry, and assimilation simmer in Alex Lin's sharp corporate comedy There are ordinary lunches, and then there are Chinese Republicans l…

SOURCE: Stage and Cinema at 10:43pm on March 3, 2026

Cabaret Review: JOHN PIZZARELLI TRIO (Album Release "Dear Mr. Bennett" at Birdland) by Rob Lester

A BENNETT SONGBOOK WITH PIZZARELLI SWING The singer-guitarist and his trio offer solid entertainment and a nostalgic stroll through a legend's songbook There may not be many things you can c…

SOURCE: Stage and Cinema at 10:23pm on March 3, 2026

Theater Review: GOD OF CARNAGE (South Coast Repertory in Costa Mesa) by Tony Frankel

CIVILITY CRUMBLES, BUT THE COMEDY NEVER BUILDS South Coast Rep's revival exposes how thin satire needs sharper direction to truly sting Melinda Page Hamilton and Kim Martin-Cotten The first …

SOURCE: Stage and Cinema at 2:56am on March 3, 2026
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