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6,804 stories from Stage and Cinema

Off-Broadway Review: ||: GIRLS :||: CHANCE :||: MUSIC :|| (Vineyard Theatre) by Alex Simmons

JANGLED JAM SESSION This coming-of-age ensemble never quite finds its rhythm In an age where most pre-teens and teens have the world in the palm of their hand via their smartphone, growing u…

SOURCE: Stage and Cinema at 2:59am on May 31, 2026

Theater Review: THE EMPORIUM (Classic Stage Company / Off-Broadway) by Gregory Fletcher

SHOPPING FOR MEANING Thornton Wilder’s long-lost play arrives decades late, still reaching for something just beyond its grasp Seventy-five years is a long time to wait for a world premier…

SOURCE: Stage and Cinema at 2:59am on May 31, 2026

Theater Review: ALWAYS…PATSY CLINE (American Blues Theater / Chicago) by Tony Frankel

CRAZY FOR PATSY A warm-hearted tribute lets Patsy Cline’s music do most of the talking American Blues Theater closes out its 40th season with a rather left-field choice: the 1988 revue Alw…

SOURCE: Stage and Cinema at 2:45am on May 31, 2026

Theater Review: PRIMARY TRUST (Mark Taper Forum / Los Angeles) by Michael M. Landman-karny

SLIGHTLY TOO BIG FOR HIS WORLD Eboni Booth’s Pulitzer-winning drama offers comfort, compassion, and just enough unease beneath the surface A bell rings before the lights come up. Out of th…

SOURCE: Stage and Cinema at 1:05am on May 31, 2026

Theater Review: DRACULA: A FEMINIST REVENGE FANTASY, REALLY (San Francisco Playhouse) by Chuck Louden

BITE MARKS AND BATTLE CRIES Kate Hamill’s revisionist take offers a few fresh ideas, but Dracula remains the real attraction Since its publication in 1897, Bram Stoker’s gothic horror no…

SOURCE: Stage and Cinema at 7:39pm on May 30, 2026

Off-Broadway Review: WELL, I’LL LET YOU GO (Studio Seaview) by Carol Rocamora

LETTING GO, HOLDING ON A beautifully observed portrait of grief anchored by Quincy Tyler Bernstine’s extraordinary performance If only someone would paint a portrait of Quincy Tyler Bernst…

SOURCE: Stage and Cinema at 5:27pm on May 30, 2026

Opera Review: THE BARBER OF SEVILLE (San Francisco Opera) by Chuck Louden

 FIGARO TO THE RESCUE Rossini’s evergreen comedy launches San Francisco Opera’s summer season with charm and style The summer season of San Francisco Opera is officially underway, and t…

SOURCE: Stage and Cinema at 4:00am on May 30, 2026

Theater Review: MY HOME ON THE MOON (CHUANG Stage / Boston) by Lynne Weiss

HOME IS WHERE THE PHO IS Looking for a real life amidst the demands of AI Directed by cara hinh and written by Minna Lee, this East Coast premiere is alternately hilarious and joyous and, at…

SOURCE: Stage and Cinema at 2:00am on May 30, 2026

Theater Review: OTHELLO (Shakespeare Theatre Company / Washington, DC) by Lisa Troshinsky

IAGO’S GAME A terrifyingly gripping production driven by a mesmerizing villain and a devastating descent into jealousy Who can resist a good villain? Shakespeare Theatre Company’s curren…

SOURCE: Stage and Cinema at 2:00am on May 30, 2026

Cabaret Review: 54 SINGS THE SECOND BARBRA STREISAND ALBUM (54 Below / New York) by Rob Lester

SECOND HELPINGS OF STREISAND A talented roster of singers at 54 Below revisit an early Streisand classic with style, affection, and plenty of bonus treats “My new album is called The Secon…

SOURCE: Stage and Cinema at 7:27pm on May 28, 2026

Theater Review: AIN’T MISBEHAVIN’ (Ebony Rep / Los Angeles) by Michael M. Landman-karny

THE JOINT IS JUMPIN’, IT’S REALLY JUMPIN’ Ebony Rep finds the joy, sorrow, and swing hidden inside Fats Waller’s enduring revue Ain’t Misbehavin’ does not tell the story of Fats …

SOURCE: Stage and Cinema at 2:58am on May 28, 2026

Off-Broadway Review: THE MAIDS (St. Ann’s Warehouse / Brooklyn) by Gregory Fletcher

MIRROR, MIRROR, ON THE WALL Kip Williams delivers a visually stunning assault on the senses, even when the drama struggles to keep pace A co-production with London’s Donmar Warehouse, The …

SOURCE: Stage and Cinema at 2:51am on May 28, 2026

Theater Review: AN ENEMY OF THE PEOPLE (TimeLine Theatre / Chicago) by C.j. Fernandes

TRUTH, CONSEQUENCES, AND CONTAMINATED WATER A superb production of Ibsen’s classic finds unsettling echoes in the present day There are plays that endure because their themes and character…

SOURCE: Stage and Cinema at 2:50am on May 28, 2026

Theater Review: THE SOUND OF MUSIC (Civic Theatre / Broadway in San Diego) by Dan Zeff

THE HILLS ARE ALIVE AND WELL This polished national tour reminds audiences why the Rodgers and Hammerstein classic still resonates The national touring production of The Sound of Music is pl…

SOURCE: Stage and Cinema at 5:00am on May 27, 2026

Off-Broadway Review: HEATED RIVALRY: THE UNAUTHORIZED MUSICAL PARODY (6th Floor Theater at The Culture Club) by Gregory Fletcher

PUCK BUNNIES AND POWER PLAYS Knowing exactly who it’s playing to, this gleefully ridiculous send-up shoots and scores There are fandoms, and then there are fandoms. The kind that inspires …

SOURCE: Stage and Cinema at 8:59pm on May 26, 2026

Theater Review: LE BAL (Trap Door Theatre / Chicago) by C.j. Fernandes

DANCING THROUGH THE DECADES A mesmerizing theatrical collage that rewards surrender over analysis One never quite knows what to expect from the good folks at Trap Door Theatre, and I’m sur…

SOURCE: Stage and Cinema at 6:45pm on May 26, 2026

Theater Review: OEDIPUS EL REY (Huntington Theatre Company / Boston) by Jacques Fleury

Oedipus El Rey, playwright Luis Alfaro’s reimagining of the Greek myth, transforms the familiar tale of fate and tragedy into an urban contemporary story about incarceration, identity, and…

SOURCE: Stage and Cinema at 6:13pm on May 26, 2026

Theater Review: TARTUFFE, OR, THE CHARLATAN (The Conspirators / Chicago) by Tony Frankel

PUNK, PRAYER, AND PURE CHAOS The Conspirators’ neo-commedia take on Molière finds fresh mischief in a timeless satire What could be better than a saucy, irreverent, seventeenth-century Fr…

SOURCE: Stage and Cinema at 6:55am on May 26, 2026

Theater Review: ASCENT (Skylight Theatre / L.A.) by Ernest Kearney

REACHING FOR THE AMERICAN DREAM Henry Ong’s final play transforms one man’s remarkable life into a timely cautionary tale Ascent is a small gem. It is not ostentatious enough to be affix…

SOURCE: Stage and Cinema at 6:55am on May 26, 2026

Broadway Review: CELEBRITY AUTOBIOGRAPHY (Shubert Theatre) by Alex Simmons

READING BETWEEN THE LINES OF FAME Broadway’s funniest staged reading proves that truth is often stranger —and funnier—than fiction Yevgeny Yevtushenko famously wrote, “A poet’s aut…

SOURCE: Stage and Cinema at 6:55am on May 26, 2026

Theater Review: PIPPIN (Signature Theatre / Arlington) by Barbara Papendorp

CORNER OF THE SKY, CENTER OF THE RING Signature’s dazzling revival embraces Pippin‘s whimsy, darkness, and enduring search for meaning A sort of ninth-century, one-ring circus crammed wi…

SOURCE: Stage and Cinema at 6:55am on May 26, 2026

Theater Review: AIN’T TOO PROUD (Ogunquit Playhouse / Ogunquit, Maine) by Lynne Weiss

TRAGEDY AND TEMPTATIONS The rise and fall of a hit machine Ain’t Too Proud tells the story of the rise of The Temptations, a musical group comprised of young Black men who came together in…

SOURCE: Stage and Cinema at 6:55am on May 26, 2026

Theater Review: SILVER FOXES (Revolution Stage Company / Palm Springs) by Stan Jenson

THE GOLDEN BOYS A sitcom-worthy comedy finds surprising heart beneath the laughs The Palm Springs stage has long been fertile ground for stories about reinvention, friendship, and chosen fam…

SOURCE: Stage and Cinema at 6:55am on May 26, 2026

Theater Review: THEATER OF THE MIND (Goodman Theatre at the Reid Murdoch Building) by Emma S. Rund

A THEATRICAL EXPERIENCE FOR THE SCIENCE-MINDED Theater of the Mind created by David Byrne and Mala Gaonkar and directed by Andrew Scoville is an interactive neuroscience experiment tied toge…

SOURCE: Stage and Cinema at 6:55am on May 26, 2026

Dance Preview: SPECTACULAR BALANCHINE! (American Contemporary Ballet / Los Angeles) by Tony Frankel

WHEN BALLET BECAME AMERICAN American Contemporary Ballet celebrates the choreographer who traded princes and swans for jazz, swagger, and pure fun Before George Balanchine arrived in America…

SOURCE: Stage and Cinema at 6:55am on May 26, 2026
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