64 stories from The Philly Post
Two local actors " one from Fishtown, one from South Philly " take home the top prize.
David Korins envisioned the Holiday Tree in Dilworth Park as a love letter to Philadelphia.
"It's tasteless and insensitive," says Oregon mass shooting hero-survivor Chris Mintz of the show, which uses that tragedy as a backdrop.
Maharaj's production of Don't Bother Me, I Can't Cope opens at Freedom Theatre on Thursday, July 21.
The King and I star and Tony Award winner performs with Seth Rudetsky at the Merriam Theatre on Tuesday, June 14.
Mike Daisey's stories about Apple led to a hugely embarrassing moment for This American Life.
The openly gay Afghan actor talks about his career and new role in The Invisible Hand.
The cofounder of the all-comedy theater company 1812 Productions talks about women in theater, favorite Prince songs, and a not-too-distant resemblance to her current role.
The in-demand Philly writer chatted with us about her new musically-infused work produced by Azuka Theatre.
The collective is committed to producing eight new plays by area writers over three seasons.
The leading player of Pippin chats about Fosse, Philly, and touring the globe.
The arts community mourns the passing of the Philly dancer, burlesque performer, actress and activist.
Bruce Graham's behind-the-scenes saga of Bert Lahr in Waiting for Godot is nowhere near as good as the real story.
The space will be a theatrical hub in Center City.
The end comes on April 1.
Eugene O'Neill's last completed play finds transcendent grandeur in its second half " and Walnut Studio's intimate production rises to meet it.
During her shining, campy set, the pint-sized diva dished on Wawa, her West Chester roots, and sang her most popular Wicked hit to an absent Donald Trump.
Thoroughly Modern Millie raised a backlash from students.
Michael Ogborn's musical is at its best when evoking the quirks and follies of our home city, especially the local accent.
The famed British playwright chats about theater's comeback, why he loves the Wilma, and offers one sentence of advice every young playwright should know.
Broadway stars Lauren Molina and Nick Cearley return to Philly with a new stripped-down holiday show.
She'll reveal the truth about dubbing some of Hollywood's biggest stars at the Bryn Mawr Film Institute.
There are few works currently playing in Philly that are as thought-provoking and engaging.
Holiday cheer is in plentiful supply in 1812's beloved annual revue " and oh boy, do we need it.
A stream of banter chronicles Dr. Ruth's ups and downs, and the evening passes pleasantly. But only in the last few minutes do we get a glimpse of Westheimer's deeper side.
