DESKTOP
Contact
The Season
On Broadway
Login

Search BroadwayStars

Search:
Author:
Source:
Date Range: From: To:
Sort by: Most Recent   Most Relevant
142 stories by "Zoë Anderson, Zoë Anderson"

The Creation, Garsington Opera, Wormsley, review: 'Baldwin's choreography is sculptural and focused' by Zoë Anderson, Zoë Anderson

The natural world flows through Haydn's oratorio The Creation, from new-made landscapes to darting birds and a roaring lion. In Garsington Opera's new staging, a collaboration with…

SOURCE: The Independent at 2:58pm on July 18, 2016[SHARE]

L.A. Dance Project, Sadler's Wells, review: Founder Benjamin Millepied's new works are 'underpowered' by Zoë Anderson, Zoë Anderson

SOURCE: The Independent at 4:46am on June 27, 2016[SHARE]

Jekyll and Hyde, The Old Vic, dance review: 'Danced with gusto by a stylish cast' by Zoë Anderson, Zoë Anderson

Drew McOnie's new Jekyll and Hyde both confirms him as a strong theatrical talent, while suffering from a lack of emotional depth. This production zips along, danced with gusto by a sty…

SOURCE: The Independent at 7:01am on May 29, 2016[SHARE]

Murder, Mystery and a Party, Sadler's Wells, dance review: A new triple bill from the Rambert dance company by Zoë Anderson, Zoë Anderson

Rambert, the UK's biggest contemporary dance company, present Macbeth, mystery, samba and skateboards

SOURCE: The Independent at 8:19am on May 12, 2016[SHARE]

Frankenstein, Royal Opera House, ballet review: 'Impressive confidence' by Zoë Anderson, Zoë Anderson

It's the world premiere of Liam Scarlett's new work and the first evening-length ballet he's made for The Royal Ballet

SOURCE: The Independent at 6:56am on May 5, 2016[SHARE]

Breakin' Convention, Sadler's Wells, dance review: 'Dazzling' by Zoë Anderson, Zoë Anderson

Breakin' Convention is a festival of international hip-hop dance theatre

SOURCE: The Independent at 11:54am on May 3, 2016[SHARE]

She Said, dance review: 'A marvellous image of creativity and power' - ballerina Tamara Rojo plays artist Frida Kahlo by Zoë Anderson, Zoë Anderson

She Said, Sadler's Wells, London

SOURCE: The Independent at 11:40am on April 14, 2016[SHARE]

If You Kiss Me, Kiss Me, Young Vic, review: A self-conscious plunge into torch song territory by Zoë Anderson, Zoë Anderson

Jane Horrocks sings a group of new wave songs that she's loved since she was a teenager

SOURCE: The Independent at 9:03am on March 17, 2016[SHARE]

Golgota, Sadler's Wells, review: A strange mixture of pompous theatre and horsey skill by Zoë Anderson, Zoë Anderson

The ritual imagery feels empty, a series of poses that aren't improved by being on horseback

SOURCE: The Independent at 8:20am on March 15, 2016[SHARE]

Aakash Odedra Company, The Place, review: Impressive star and important subject don't add up to strong work by Zoë Anderson, Zoë Anderson

Odedra's exploration of his own dyslexia gets bogged down in elaborate staging

SOURCE: The Independent at 12:06pm on November 21, 2015[SHARE]

The Royal Ballet Monotones/The Two Pigeons, Royal Opera House, review: Sweet as sugar and danced to the hilt by Zoë Anderson, Zoë Anderson

The 'green' trio of Emma Maguire, Yasmine Naghdi and Tristan Dyer were particularly strong

SOURCE: The Independent at 8:09am on November 19, 2015[SHARE]

Sasha Waltz & Guests, Sadler's Wells, review: Stylised production shows fierce purpose by Zoë Anderson, Zoë Anderson

The 28 dancers crawl out of darkness, moving with a thump and shuffle on the music's jagged beats

SOURCE: The Independent at 11:14am on November 12, 2015[SHARE]

Rambert, Sadler's Wells, review: Miguel Altunaga was in firecracker form by Zoë Anderson, Zoë Anderson

Rambert's handsomely danced triple bill swoops from love stories to the rock'n'roll swagger of Rooster

SOURCE: The Independent at 4:33pm on November 4, 2015[SHARE]

Hussein Chalayan's Gravity Fatigue, Sadler's Wells, review: At last, movement and a sense of theatre take the spotlight by Zoë Anderson, Zoë Anderson

Chalayan and Jalet do have fun with transformations, clothes and sets that aren't quite what they seem

SOURCE: The Independent at 10:07am on October 30, 2015[SHARE]

Carmen, Royal Opera House, review: A clunky ending to a sleek mixed bill by Zoë Anderson, Zoë Anderson

It's an elaborate, expensive staging, but Carlos Acosta's choreography is derivative

SOURCE: The Independent at 10:19am on October 27, 2015[SHARE]

Of Riders and Running Horses, NCP Car Park Farringdon, London, review: It's high energy, but the mood is relaxed by Zoë Anderson, Zoë Anderson

The dancing is cheerful and spontaneous, with skips and runs and hip hop twitches

SOURCE: The Independent at 8:34am on October 18, 2015[SHARE]

Paradise Lost (lies unopened beside me), The Place, London, review: An enchanting and very funny show by Zoë Anderson, Zoë Anderson

The comedy is divine, but the images of love and loss are achingly human

SOURCE: The Independent at 9:08am on October 12, 2015[SHARE]
« Previous 25   Page 6 of 6