Review: The Human Voice at The Gate Theatre
Nothing else on stage other than her pain: William Drew reviews Jean Cocteau's end-of-a-realtionship monologue. The post Review: The Human Voice at The Gate Theatre appeared first on Exeunt …
Nothing else on stage other than her pain: William Drew reviews Jean Cocteau's end-of-a-realtionship monologue. The post Review: The Human Voice at The Gate Theatre appeared first on Exeunt …
Ontroerend Goed artistic director Alexander Devriendt talks interactive theatre, gaming, and the death of capitalism. The post Ontroerend Goed: “If art isn’t challenging, why bot…
He wants to be heard: William Drew responds to American poet and rapper Saul Williams' appearance at The Last Word Festival. The post Review: Saul Williams at the Roundhouse appeared first o…
Tiny gods for a moment... and the source of highly acidic shit: William Drew reviews lots and lots of pigeons. The post Review: Fly by Night at LIFT 2018 appeared first on Exeunt Magazine.
This is sounding like a history lesson: Rob Icke's Almeida production offers contemporary parallels galore. The post Review: Mary Stuart at Duke of York’s Theatre appeared first on Exe…
Rage against the machine: Magali Rousseau is upstaged by her mechanical menagerie. The post Review: Lift Off at London International Mime Festival appeared first on Exeunt Magazine.
Nostalgic cliché: William Drew reviews Petit théâtre de gestes as part of the London International Mime Festival 2018. The post Review: Bêtes de foire at the Barbican appeared first …
Disarmingly virtuosic: Seiriol Davies' Edinburgh musical sensation transfers to London. The post Review: How to Win Against History at the Young Vic appeared first on Exeunt Magazine.
Your name is Ruby... William Drew goes on a binaural dinner date. The post Review: Binaural Dinner Date at Theatre Royal Stratford East (Gerry’s Bar) appeared first on Exeunt Magazine.
August Strindberg and Ingmar Bergman go to watch Ivo van Hove's double bill at the Barbican. The post Review: After the Rehearsal/Persona at Barbican appeared first on Exeunt Magazine.
Agree or disagree? William Drew reviews Rob Drummond's new play that gives the audience the chance to vote. The post Review: The Majority at the National Theatre appeared first on Exeunt Mag…
Extraordinary opportunity, extraordinary risk, ordinary outcome: William Drew reviews Gregory Doran's RSC production of The Tempest, made in collaboration with Imaginarium Studios. The post …
The here and now: William Drew reviews the transfer of Robert Icke's Hamlet to the Harold Pinter Theatre. The post Review: Hamlet at the Harold Pinter Theatre appeared first on Exeunt Magazi…
Canadian playwright Matthew Edison's award-winning 2003 play The Domino Heart receives its European premiere in rather reduced circumstances. As a Sunday to Tuesday production at the Finboro…