Show Showdown: The Man Who Ate Michael Rockefeller
The Man Who Ate Michael Rockefeller is, on one hand, a romp of a show and on the other a serious examination of how humans interact, how our assumptions color our view of the world, and how …
The Man Who Ate Michael Rockefeller is, on one hand, a romp of a show and on the other a serious examination of how humans interact, how our assumptions color our view of the world, and how …
If you look up the word lovely in the dictionary, there she is: Kate Baldwin.
In A.R. Gurney's stilted, unconvincing play Black Tie, middle-aged Curtis is thrilled at the prospect of wearing dinner clothes and giving a traditional speech at the rehearsal dinner for hi…
Peter and the Starcatcher, at the New York Theatre Workshop, is story theatre of the highest order.
Star power comes in two varieties. In the first, a person is born with enough charisma to mesmerize everyone in the vicinity.
Hello Again, Michael John LaChuisa's musicalization of Arthur Schnitzle's 1900 play La Ronde, is often glorious.