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1,097 stories by "Victor Gluck, Editor-In-Chief"

Walden by Victor Gluck, Editor-in-chief

Nevertheless, the play is one of several interesting takes on climate change in the theater recently like "Deep History." As the play evolves we are more and more immersed in the problems of…

SOURCE: www.theaterscene.net at 10:29pm on November 12, 2024

Romeo+Juliet by Victor Gluck, Editor-in-chief

This is another one of those cut down versions of Shakespeare with only ten actors in total. As result, seven of the ten actors double (one triples). The problem is that almost all of the ac…

SOURCE: www.theaterscene.net at 6:08pm on November 11, 2024

Strike Up the Band by Victor Gluck, Editor-in-chief

David Pittu, Victoria Clark and John Ellison Conlee in a scene from the MasterVoices concert production of the Gershwins' "Strike Up the Band" at Carnegie Hall on October 29, 2024 (Photo cre…

SOURCE: www.theaterscene.net at 6:50pm on November 3, 2024

The Big Gay Jamboree by Victor Gluck, Editor-in-chief

Following her star turn as "Celine Dion" in "Titaníque" which she co-wrote, Marla Mindelle has a new role in "The Big Gay Jamboree," another parody musical which she co-wrote with Jonatha…

SOURCE: www.theaterscene.net at 4:38pm on October 31, 2024

Hold on to Me Darling by Victor Gluck, Editor-in-chief

Adam Driver in a scene from Kenneth Lonergan's "Hold on to Me Darling" at the Lucille Lortel Theatre (Photo credit: Julieta Cervantes) Film and stage star Adam Driver has stepped into the ro…

SOURCE: www.theaterscene.net at 3:54pm on October 29, 2024

Left on Tenth by Victor Gluck, Editor-in-chief

Although the play is graceful and appealing, it is mainly presented in narrative form with Delia played by Julianna Margulies in New York and Peter Gallagher playing Dr. Peter Rutter, her su…

SOURCE: www.theaterscene.net at 11:21pm on October 27, 2024

Our Town by Victor Gluck, Editor-in-chief

Wilder's experimental play uses no scenery except for two tables, some chairs, a piano and usually two ladders for the upstairs bedroom windows of the young people. Here, however, Leon and s…

SOURCE: www.theaterscene.net at 11:45pm on October 26, 2024

Deep History by Victor Gluck, Editor-in-chief

Directed by Annette Mees, "Deep History" is a real eye opener but it is not depressing. Finnigan is so upbeat and compelling a storyteller it is not possible not be pulled into events as he …

SOURCE: www.theaterscene.net at 1:32pm on October 23, 2024

Franklinland by Victor Gluck, Editor-in-chief

Lloyd Suh writes quirky historical plays from a unique perspective as ironic comedies. In "Franklinland," the latest entry in the EST/Sloan Project, commissioning and developing plays about …

SOURCE: www.theaterscene.net at 2:17pm on October 22, 2024

Good Bones by Victor Gluck, Editor-in-chief

James Ijames' new play now at The Public Theater is quite different from his satiric Pulitzer Prizing-winning "Fat Ham" which appeared there two years ago.  "Good Bones" is a realistic de…

SOURCE: www.theaterscene.net at 12:55pm on October 21, 2024

Sump'n Like Wings by Victor Gluck, Editor-in-chief

While "Sump'n Like Wings" is a lovely little play about a feisty 16-year-old girl who wants her independence in the 1913-16 period just after Oklahoma became a state, unfortunately Raelle My…

SOURCE: www.theaterscene.net at 3:47pm on October 17, 2024

McNeal by Victor Gluck, Editor-in-chief

As in Ayad Akhtar's plays "Disgraced," "JUNK" and "The Who and the What," all of which have been produced by the Lincoln Center Theater, "McNeal" is always interesting, always arresting. Unf…

SOURCE: www.theaterscene.net at 2:53pm on October 15, 2024

InunDATEd by Victor Gluck, Editor-in-chief

The problem with the show is two-fold: first, it doesn't have anything new to say about dating other than trying to turn it into a cabaret commentary, and visually the show looks the same th…

SOURCE: www.theaterscene.net at 12:57pm on October 9, 2024

Fatherland by Victor Gluck, Editor-in-chief

While the play is compelling, the question is what is the message? Is the play asking would we have done what the son did? The father is quoted by the son as calling him a traitor while the …

SOURCE: www.theaterscene.net at 12:05pm on October 3, 2024

Forbidden Broadway: Merrily We Stole a Song by Victor Gluck, Editor-in-chief

The spate of Sondheim shows both this past season and opening this fall is given prime place in this musical revue. Unsurprisingly, the new "Merrily We Roll Along" which ran all of last seas…

SOURCE: www.theaterscene.net at 6:13pm on September 30, 2024

Medea Re-Versed by Victor Gluck, Editor-in-chief

Quintero who obviously knows his Greek plays and Greek mythology is extremely faithful to the original myth and to Euripides' play. What he has added is a contemporary vernacular all in rhym…

SOURCE: www.theaterscene.net at 6:53pm on September 26, 2024

Monte Cristo by Victor Gluck, Editor-in-chief

However, in the sweeping new musical epic retitled Monte Cristo, canny and adept librettist Peter Kellogg ("Desperate Measures," "Penelope") has streamlined the story, reduced the number of …

SOURCE: www.theaterscene.net at 10:56am on September 25, 2024

That Parenting Musical by Victor Gluck, Editor-in-chief

While "That Parenting Musical" will not tell you anything you didn't already know, it is a pleasant and undemanding way to spend an evening. The six attractive performers four of whom appear…

SOURCE: www.theaterscene.net at 3:06pm on September 23, 2024

The Roommate by Victor Gluck, Editor-in-chief

Of course, with Farrow and LuPone under the direction of six-time Tony Award winner Jack O'Brien, this is an occasion for cheering although this comedy drama, a cross between a female versi…

SOURCE: www.theaterscene.net at 10:44pm on September 19, 2024

Beyond the Horizon (Teatro Grattacielo) by Victor Gluck, Editor-in-chief

The libretto by the composer and musicologist Walter Simmons is very faithful to the O'Neill play, almost entirely dialogue taken from the original script. Unfortunately, they chose to short…

SOURCE: www.theaterscene.net at 10:06pm on September 17, 2024

Counting and Cracking by Victor Gluck, Editor-in-chief

While "Counting and Cracking" is an unforgettable epic of a family and a country, it is also a study of the fight for democracy and the lengths people will go to fight for their beliefs. The…

SOURCE: www.theaterscene.net at 10:00pm on September 14, 2024

Twist of Fate by Victor Gluck, Editor-in-chief

Levin's lyrics have unusual and surprising rhyme patterns which add to their interest. The powerful score with music by Ron Abel (who also plays a mean piano with the orchestra of five which…

SOURCE: www.theaterscene.net at 11:05pm on September 10, 2024

Lifeline by Victor Gluck, Editor-in-chief

However, instead of telling Fleming's story in chronological order, it travels backwards and forwards in time beginning with Fleming's Nobel Prize acceptance speech in Stockholm in 1945, the…

SOURCE: www.theaterscene.net at 9:47pm on September 5, 2024

Now Comes the Fun Part by Victor Gluck, Editor-in-chief

The revue alternates between skits by James Hindman and Lynne Halliday and songs with music by Jeffrey Lodin (who is also the music director at the piano) and lyrics by Mark Waldrop, the int…

SOURCE: www.theaterscene.net at 6:16pm on September 2, 2024

Hurricane Season by Victor Gluck, Editor-in-chief

"Hurricane Season" is the sort of vanity production in which one assumes that the author thinks he or she has invented the next step in the avant-garde. Unfortunately, Estes' production will…

SOURCE: www.theaterscene.net at 7:07pm on August 26, 2024
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