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1,097 stories by "Victor Gluck, Editor-In-Chief"

Garside's Career by Victor Gluck, Editor-in-chief

While Dickson's production is elegant and pitch-perfect for its 1914 era, the characterizations are partly satiric and off base. While Daniel Marconi is fine as the designing, unprincipled a…

SOURCE: www.theaterscene.net at 4:41pm on February 28, 2025

Liberation by Victor Gluck, Editor-in-chief

Bess Wohl's latest play is the ambitious and engrossing "Liberation," her attempt to investigate the roots of the Women's Liberation Movement back in the 1970s from a decidedly contemporary …

SOURCE: www.theaterscene.net at 11:10am on February 25, 2025

My Man Kono by Victor Gluck, Editor-in-chief

The world premiere of Philip W. Chung's My Man Kono tells the fascinating but little known true story of Toraichi Kono, chauffeur, valet and private secretary to Charlie Chaplin, who was cau…

SOURCE: www.theaterscene.net at 9:19pm on February 18, 2025

No Reservation by Victor Gluck, Editor-in-chief

Conceived, written and directed by Elizabeth Hess, "No Reservation" is a celebration of "the lost feminine to give voice to all who have been discarded, silenced and overlooked." The perform…

SOURCE: www.theaterscene.net at 6:12pm on February 16, 2025

The Antiquities by Victor Gluck, Editor-in-chief

Kristen Sieh and Amelia Workman in a scene from Jordan Harrison's "The Antiquities" at Playwrights Horizons (Photo credit: Emilio Madrid) Jordan Harrison's plays like Marjorie Prime and Log …

SOURCE: www.theaterscene.net at 6:09pm on February 15, 2025

Still by Victor Gluck, Editor-in-chief

Mark Moses and Melissa Gilbert in a scene from Lia Romeo's "Still" at The Sheen Center for Thought & Culture's Loreto Theatre (Photo credit Maria Baranova) Lia Romeo's bittersweet Still …

SOURCE: www.theaterscene.net at 10:51pm on February 13, 2025

Mrs. Loman by Victor Gluck, Editor-in-chief

The play is not very consistent with life in 1949. It is unlikely that middle class married women cursed, smoked marijuana, quoted Simone de Beauvoir or engaged in affairs with other women. …

SOURCE: www.theaterscene.net at 5:25pm on February 9, 2025

Kowalski by Victor Gluck, Editor-in-chief

Robin Lord Taylor as Tennessee Williams and Brandon Flynn as Marlon Brando in a scene from Gregg Ostrin's "Kowalski" at The Duke on 42nd Street (Photo credit: Russ Rowland) Tennessee William…

SOURCE: www.theaterscene.net at 2:15pm on January 31, 2025

Mindplay by Victor Gluck, Editor-in-chief

When the audience enters the theater, they are asked to fill out a slip of paper with one word that has been on their mind. Part of the show is made up of audience participation and these sl…

SOURCE: www.theaterscene.net at 9:42pm on January 21, 2025

300 Paintings by Victor Gluck, Editor-in-chief

Not only are the paintings massive but they also cover all sorts of modern periods of art without Kissajukian having known their work (abstract work by Picasso, Matisse, Joan Miró, Jackso…

SOURCE: www.theaterscene.net at 11:41pm on January 20, 2025

Show/Boat: A River by Victor Gluck, Editor-in-chief

If only he had carried through on that idea. We will never know if this staging might have worked as Herskovits has sabotaged all that is best in the original and made it both more confusing…

SOURCE: www.theaterscene.net at 3:26pm on January 17, 2025

Gypsy by Victor Gluck, Editor-in-chief

Audra McDonald in a scene from George C. Wolfe's production of "Gypsy" at the Majestic Theatre (Photo credit: Julia Cervantes) Mama Rose in the musical Gypsy, the 1959 collaboration of Arthu…

SOURCE: www.theaterscene.net at 6:01pm on January 14, 2025

Cult of Love by Victor Gluck, Editor-in-chief

Must you love your immediate family unconditionally if you know they drive you crazy? And must you show up for family gatherings like Christmas if it always evolves into a vicious fighting m…

SOURCE: www.theaterscene.net at 11:46pm on December 26, 2024

Bashevis's Demons: 3 Tales by Isaac Bashevis Singer by Victor Gluck, Editor-in-chief

Typical of Singer stories about 19th century Polish Jewry, these three dramatizations combine Jewish mysticism and demonology with Baker as the narrator of two of the stories while also play…

SOURCE: www.theaterscene.net at 5:33pm on December 25, 2024

A Guide for the Homesick by Victor Gluck, Editor-in-chief

Director Shira Milikowsky keeps increasing the tension as the 85-minute play peels away revelation after revelation. Each man has a guilty secret and may have betrayed a friend which is eati…

SOURCE: www.theaterscene.net at 5:57pm on December 17, 2024

Duality by Victor Gluck, Editor-in-chief

If one did not read Laura's extensive program notes in the Playbill given out at the Jeffrey and Paula Gural Theatre at the A.R.T./New York Theatres, it would not be until three quarters of …

SOURCE: www.theaterscene.net at 11:30pm on December 11, 2024

Mama, I'm a Big Girl Now! by Victor Gluck, Editor-in-chief

The trio demonstrates that their voices are as supple and fine as they ever were. Each gets to play their best suit: Winokur's loud, clarion voice, Bundy's wry wit and Butler's recounting he…

SOURCE: www.theaterscene.net at 6:39pm on December 4, 2024

The Blood Quilt by Victor Gluck, Editor-in-chief

Katori Halls' "The Blood Quilt" is fine as a family drama about warring sisters who both love and resent the mother who has just died. However, as a story of secrets and revelations it takes…

SOURCE: www.theaterscene.net at 11:38pm on December 2, 2024

The Merchant of Venice (Arlekin Players Theatre) by Victor Gluck, Editor-in-chief

There is much rewriting and updating plus uncalled for interpolation like speeches from 'Romeo and Juliet" for Jessica and one of Shakespeare's sonnets ("My Mistress' eyes are nothing like t…

SOURCE: www.theaterscene.net at 3:41pm on November 30, 2024

Tammy Faye by Victor Gluck, Editor-in-chief

Katie Brayben in a scene from Elton John's new musical "Tammy Faye" at the Palace Theatre (Photo credit: Matthew Murphy) Tammy Faye, the new Broadway musical arriving at the recently renovat…

SOURCE: www.theaterscene.net at 10:43pm on November 27, 2024

Swept Away by Victor Gluck, Editor-in-chief

Besides the fact that many know the story of the Essex (later told in Melville's "Moby Dick") or the Mignonette told in The Avett Brothers' album of the same name, Logan has made his main ch…

SOURCE: www.theaterscene.net at 10:55pm on November 26, 2024

Strategic Love Play by Victor Gluck, Editor-in-chief

How can you make a new play about a couple on a blind date in a bar interesting for today's jaded audience? In "Strategic Love Play," British playwright Miriam Battye makes them play games a…

SOURCE: www.theaterscene.net at 9:56pm on November 24, 2024

Babe by Victor Gluck, Editor-in-chief

Arliss Howard and Marisa Tomei in a scene from The New Group's production of Jessica Goldberg's "Babe" at The Pershing Square Signature Center (Photo credit: Monique Carboni) If you don't kn…

SOURCE: www.theaterscene.net at 7:53pm on November 23, 2024

Maybe Happy Ending by Victor Gluck, Editor-in-chief

Helen J Shen and Darren Criss in a scene from the new musical "Maybe Happy Ending" at the Belasco Theatre (Photo credit: Matthew Murphy & Evan Zimmerman) The new musical Maybe Happy Endi…

SOURCE: www.theaterscene.net at 3:26pm on November 20, 2024

King Lear (The Shed) by Victor Gluck, Editor-in-chief

Firstly, the play has been shortened to two hours without any intermissions, when most recent productions have been three and a half hours with one intermission. This makes all of the events…

SOURCE: www.theaterscene.net at 9:28pm on November 17, 2024
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