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1,097 stories by "Victor Gluck, Editor-In-Chief"

Maddie: A New Musical by Victor Gluck, Editor-in-chief

The show at The Players Theatre is not exactly the same show that played in London's West End with book by Shaun McKenna and Steven Dexter which like the original novel was set in San Franci…

SOURCE: www.theaterscene.net at 10:36pm on May 14, 2025

Real Women Have Curves by Victor Gluck, Editor-in-chief

Not only is the show authentically written with Spanish sprinkled throughout, (much of it perfectly obvious as to its meaning,) but Sergio Trujillo's superb production which he has both dire…

SOURCE: www.theaterscene.net at 1:55pm on May 9, 2025

Pirates! The Penzance Musical by Victor Gluck, Editor-in-chief

Not seen on Broadway since 1982 but racking up 26 productions up to that time since its New York premiere in 1879, the Roundabout Theatre Company's new version of the Gilbert and Sullivan cl…

SOURCE: www.theaterscene.net at 11:31pm on May 6, 2025

Ceremonies in Dark Old Men by Victor Gluck, Editor-in-chief

At this vantage point 55 years after its premiere, like the Wilson plays which intentionally cover the previous 100 years, "Ceremonies in Dark Old Men" feels like an historical play wedded t…

SOURCE: www.theaterscene.net at 1:32pm on April 30, 2025

Floyd Collins by Victor Gluck, Editor-in-chief

Unfortunately, while the carnival atmosphere in the field above the cave increases, the musical is mostly a waiting game: if and when Floyd Collins will be brought up from the deteriorating …

SOURCE: www.theaterscene.net at 12:31pm on April 29, 2025

Smash by Victor Gluck, Editor-in-chief

At times the show directed by Stroman seems to be a satire or a parody, while the choreography by Bergasse mostly looks like ersatz Bob Fosse which seems inappropriate for the Marilyn Monroe…

SOURCE: www.theaterscene.net at 11:30pm on April 26, 2025

Glass. Kill. What If If Only. Imp. by Victor Gluck, Editor-in-chief

The cumulative effect of the four plays is greater than the sum of its parts. The quartet of plays seems to demonstrate Caryl Churchill in a new mode. While the plots are slight, the themes …

SOURCE: www.theaterscene.net at 11:37am on April 22, 2025

John Proctor Is the Villain by Victor Gluck, Editor-in-chief

While Belflower's play is clever and insightful, it is also contrived and manipulative attempting to shoehorn almost every feminist hot button topic into one story overlaying "The Crucible":…

SOURCE: www.theaterscene.net at 1:06am on April 19, 2025

The Picture of Dorian Gray by Victor Gluck, Editor-in-chief

However, it is not just the remarkable video design which uses sometimes up to six screens to convey the action of the story plus live action, but we get inside of the head of protagonist Do…

SOURCE: www.theaterscene.net at 1:21pm on April 16, 2025

Purpose by Victor Gluck, Editor-in-chief

The Steppenwolf Theatre Company production of Branden Jacobs-Jenkins' "Purpose" follows on the heels of their magnificently staged "August: Osage County," but unlike that dysfunctional famil…

SOURCE: www.theaterscene.net at 11:41pm on April 12, 2025

According to Howard by Victor Gluck, Editor-in-chief

Except for a couple of main characters, the people in his life seem to come and go making it a little bit difficult to follow. While the opening of each act is in the form of a Technicolor m…

SOURCE: www.theaterscene.net at 10:11am on April 11, 2025

Good Night, and Good Luck. by Victor Gluck, Editor-in-chief

If only film star George Clooney and his co-script writer Grant Heslov had hired an actual playwright to adapt their acclaimed screenplay for the 2005 film "Good Night, and Good Luck." for t…

SOURCE: www.theaterscene.net at 11:25pm on April 7, 2025

Humpty Dumpty by Victor Gluck, Editor-in-chief

Eric Bogosian's "Humpty Dumpty" was first written 25 years ago and premiered at the McCarter Theatre Center, Princeton, in 2002. At that time the idea of quarantining due to a local or natio…

SOURCE: www.theaterscene.net at 1:44pm on April 7, 2025

All Nighter by Victor Gluck, Editor-in-chief

While most of the audience will probably not have graduated in the last ten years (though you never know), the play speaks to all of us about the closeness and personal relationships of our …

SOURCE: www.theaterscene.net at 11:45pm on March 31, 2025

Operation Mincemeat by Victor Gluck, Editor-in-chief

The new musical attempts to out Monty Python "Monty Python" by creating a full-length show and story in their style, although its origins also go back to British Music Hall where there is al…

SOURCE: www.theaterscene.net at 4:51pm on March 31, 2025

Who is Jimmy Pants? by Victor Gluck, Editor-in-chief

The second in the York Theatre's Spring New2NY series is "Who Is Jimmy Pants?," an entertaining spoof of bio-jukebox musical, a genre that could use some taking down. Presented concert-style…

SOURCE: www.theaterscene.net at 7:07pm on March 28, 2025

We Had a World by Victor Gluck, Editor-in-chief

In fact, the play Harmon has written is mainly about the conflict between the grandmother and the mother. While we are never really certain why Ellen and Susan refuse to be in the same room,…

SOURCE: www.theaterscene.net at 4:22pm on March 26, 2025

Ghosts by Victor Gluck, Editor-in-chief

The new version by Irish playwright Mark O'Rowe uses contemporary and spare language but has made several events more literal as if not trusting modern audiences. The director has made the s…

SOURCE: www.theaterscene.net at 8:44pm on March 23, 2025

The Jonathan Larson Project by Victor Gluck, Editor-in-chief

Adam Chanler-Berat, Lauren Marcus, Taylor Iman Jones, Jason Tam and Andy Mientus in a scene from "The Jonathan Larson Project" at the Orpheum Theatre (Photo credit: Joan Marcus) Taylor Iman …

SOURCE: www.theaterscene.net at 4:46pm on March 19, 2025

Have You Met Jane Goodall and her Mother? by Victor Gluck, Editor-in-chief

Who knew that a biographical play could be so witty, entertaining and charming? The latest EST/Sloan Project science play, Michael Walek's "Have You Met Jane Goodall and Her Mother?" is one …

SOURCE: www.theaterscene.net at 11:33pm on March 16, 2025

Dakar 2000 by Victor Gluck, Editor-in-chief

The play moves by unexpected twists and turns which are both amusing and engrossing. We never do find out for certain if Dina is a spy or not. However, she does tell Boubs that she was stati…

SOURCE: www.theaterscene.net at 4:24pm on March 13, 2025

La Gota Fria: The Cold Sweat by Victor Gluck, Editor-in-chief

Anna Capunay has attempted to write a family drama in order to influence people to try alternatives to chemo and radiation. Unfortunately, in using her own family story, she has not thought …

SOURCE: www.theaterscene.net at 12:55am on March 10, 2025

Conversations with Mother by Victor Gluck, Editor-in-chief

While the characters do not change much, they roll through the years dealing with the various crises with various levels of success. However, the play is peppered with one liners and zingers…

SOURCE: www.theaterscene.net at 11:08pm on March 7, 2025

On the Evolutionary Function of Shame by Victor Gluck, Editor-in-chief

The author complicates the issue by bringing in autism (Margot) and Alzheimer's (the unseen father of Adam 2 and Eve 2.) When asked if she would want her autism cured, Margot answers: "I mig…

SOURCE: www.theaterscene.net at 10:30pm on March 4, 2025

The Price by Victor Gluck, Editor-in-chief

Arthur Miller has always been our major playwright of moral ambiguity, never more so than in his 1968 drama "The Price," now receiving its first Off Broadway revival. The metaphoric title re…

SOURCE: www.theaterscene.net at 6:28pm on March 2, 2025
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