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1,126 stories by "Victor Gluck, Editor-In-Chief"

American Psycho The Musical by Victor Gluck, Editor-in-chief

Stylish and stylized, the stage design includes Es Devlin's white box of a set which transforms instantaneously into apartments, offices, restaurants, discos, a health club, a locker room, a…

SOURCE: www.theaterscene.net at 11:10pm on May 16, 2016☆⚑

Port Cities NYC by Victor Gluck, Editor-in-chief

On the ferry, audience members listen to a previously downloaded soundscape which includes a voice-over by Katie (played by Emma Meltzer) who has always seen ghosts and ends up investigating…

SOURCE: www.theaterscene.net at 11:42pm on May 10, 2016☆⚑

Tuck Everlasting The Musical by Victor Gluck, Editor-in-chief

The problem with the new show with a libretto by first timers Claudia Shear and Tim Federle now at the Broadhurst Theatre is that it is all so bland - which is not true of the novel which ha…

SOURCE: www.theaterscene.net at 3:46pm on May 8, 2016☆⚑

Dido and Aeneas by Victor Gluck, Editor-in-chief

Staged by director/choreographer Doug Varone, "Dido and Aeneas" was amusingly presented in modern dress with Varone's dancers playing the ensemble in both operas and pantomiming unseen props…

SOURCE: www.theaterscene.net at 10:24pm on May 7, 2016☆⚑

The School for Scandal by Victor Gluck, Editor-in-chief

Red Bull Theater which has specialized in Elizabethan and Jacobean tragedies has moved on to the 18th century with Marc Vietor's exquisite and stylish revival of "The School for Scandal," Ri…

SOURCE: www.theaterscene.net at 11:38am on April 30, 2016☆⚑

The Dingdong by Victor Gluck, Editor-in-chief

Shanahan's adaptation has a great many delicious one-liners and double-entendres ("I don't go out for mutton when I can have filet mignon at home;" "Keep referring to me as a plate of food a…

SOURCE: www.theaterscene.net at 1:59pm on April 29, 2016☆⚑

Revolt. She Said. Revolt Again. by Victor Gluck, Editor-in-chief

While many of the scenes are right on target, others seem too metaphoric and anarchic to make much impression, while others take on too many targets to make their point. The best ones deal w…

SOURCE: www.theaterscene.net at 3:52pm on April 26, 2016☆⚑

When I Was a Girl I Used to Scream and Shout by Victor Gluck, Editor-in-chief

You might wonder why Morag, Fiona's mother, in Sharman Macdonald's groundbreaking Scottish play, "When I Was a Girl I Used to Scream and Shout," is so repressive about sex. What the program …

SOURCE: www.theaterscene.net at 11:45pm on April 21, 2016☆⚑

King and Country: Shakespeare's Great Cycle of Plays by Victor Gluck, Editor-in-chief

The Royal Shakespeare Company's "King and Country: Shakespeare's Great Cycle of Kings" is a magnificent achievement and a fitting tribute in this 400th anniversary of the bard's death. Not o…

SOURCE: www.theaterscene.net at 11:02pm on April 20, 2016☆⚑

The Crucible by Victor Gluck, Editor-in-chief

Van Hove sets his version in a modern classroom. When the curtain goes up we first see the girls who will later accuse various people in Salem, Massachusetts, of having bewitched them, seate…

SOURCE: www.theaterscene.net at 10:10pm on April 20, 2016☆⚑

The Father by Victor Gluck, Editor-in-chief

Florian Zeller is the most famous French playwright you probably never heard of. He won France's highest theatrical honor, the Moliere Award, in 2011 for his play, "The Mother," and the Moli…

SOURCE: www.theaterscene.net at 4:35pm on April 18, 2016☆⚑

Blackbird by Victor Gluck, Editor-in-chief

The problem with the staging begins from the outset. Daniels' Ray, tense and rigid, pushes demanding, triumphant Una into a corporate break room. He is upset to see her, and she is all confi…

SOURCE: www.theaterscene.net at 4:22pm on April 14, 2016☆⚑

Head of Passes by Victor Gluck, Editor-in-chief

Tarell Alvin McCraney's "Head of Passes" is an advance over his earlier work seen in New York ("The Brother/Sister Plays," "Wig Out," "Choir Boy") in its attempt to take on bigger themes and…

SOURCE: www.theaterscene.net at 11:45pm on April 12, 2016☆⚑

The Effect by Victor Gluck, Editor-in-chief

"The Effect" investigates the emotional, physical and ethical effects of drug testing, certainly a hot button issue in our time when we have come to expect a pill to solve all of our problem…

SOURCE: www.theaterscene.net at 11:29pm on April 8, 2016☆⚑

Wonderful Town by Victor Gluck, Editor-in-chief

"Wonderful Town" is one of those musical comedies which seem to get better as they age due in this case to the classic quality of the Bernstein/ Comden & Green score and the witty book …

SOURCE: www.theaterscene.net at 3:55pm on April 8, 2016☆⚑

Dry Powder by Victor Gluck, Editor-in-chief

Thomas Kail (one of the geniuses behind Hamilton) has staged the world premiere of Sarah Burgess' riveting "Dry Powder" in as cool a fashion as Rachel Hauck's cobalt blue set with its cubes …

SOURCE: www.theaterscene.net at 11:55pm on April 3, 2016☆⚑

Stupid Fu**ing Bird by Victor Gluck, Editor-in-chief

Posner has turned Chekhov's four-act play into two-part meta-theater: not only do the actors acknowledge the audience and solicit our participation, but they each have a monologue addressed …

SOURCE: www.theaterscene.net at 9:35pm on April 1, 2016☆⚑

Hold On to Me Darling by Victor Gluck, Editor-in-chief

In the hands of someone other than Timothy Olyphant, Strings McCabe might be a self-pitying monster too extreme to take seriously. However, this brilliantly accomplished actor has just the r…

SOURCE: www.theaterscene.net at 4:47pm on March 31, 2016☆⚑

Straight by Victor Gluck, Editor-in-chief

The authors of "Straight" would have you believe that in 2016 26-year-old straight- acting investment banker Ben, living in Boston where same sex marriages have been legal for the last eight…

SOURCE: www.theaterscene.net at 4:04pm on March 31, 2016☆⚑

The Royale by Victor Gluck, Editor-in-chief

The staging is unusual in that no punches are thrown. When the actors are supposed to be delivering their blows, they stamp their feet which is actually more sinister and startling. The cast…

SOURCE: www.theaterscene.net at 3:33pm on March 27, 2016☆⚑

Wolf in the River by Victor Gluck, Editor-in-chief

Directed by the author, "Wolf in the River" is an environmental production as the audience is invited to sit in folding chairs around a mound of earth with forlorn flowers, garbage and debri…

SOURCE: www.theaterscene.net at 11:34pm on March 26, 2016☆⚑

Do Re Mi by Victor Gluck, Editor-in-chief

One problem with reviving musicals from the pre-Sondheim era is that they were often created around the talent of a big, unique star like Ethel Merman, Bob Hope, Mary Martin, Al Jolson, Fann…

SOURCE: www.theaterscene.net at 3:00pm on March 25, 2016☆⚑

Southern Comfort by Victor Gluck, Editor-in-chief

"Southern Comfort" is an ambitious and admirable attempt to depict a community that till now has been left off of our stages. Though the material at times seems tamer that the content would …

SOURCE: www.theaterscene.net at 9:55am on March 20, 2016☆⚑

Hungry: Play I of The Gabriels by Victor Gluck, Editor-in-chief

"Hungry" is both an occasional play (written for this moment in time) and a chamber play. Not much happens but a great deal is implied. It will not please all theatergoers. However, it will …

SOURCE: www.theaterscene.net at 9:16am on March 19, 2016☆⚑

Red Speedo by Victor Gluck, Editor-in-chief

The play is made up of a series of six confrontations in which the dialogue is delivered like bullets flying back and forth. While the story is engrossing, the individual conversations all g…

SOURCE: www.theaterscene.net at 8:39am on March 18, 2016☆⚑
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