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1,126 stories by "Victor Gluck, Editor-In-Chief"

Paris (Company XIV) by Victor Gluck, Editor-in-chief

Company XIV has applied its inimitable Baroque-Burlesque style to the Greek myth of the Judgement of Paris for the second time and come up with Paris, an exotic and erotic adults-only entert…

SOURCE: www.theaterscene.net at 4:23pm on October 27, 2016☆⚑

What We're Up Against by Victor Gluck, Editor-in-chief

The play is both satiric and trenchant. The conversations of the men are laced with profanity much like David Mamet's real estate men in Glengarry Glen Ross. Eliza is called everything in th…

SOURCE: www.theaterscene.net at 11:23pm on October 25, 2016☆⚑

The Cherry Orchard by Victor Gluck, Editor-in-chief

Directed by high profile new British director Simon Godwin, associate director of the U.K.'s National Theatre, making his New York debut, this "Cherry Orchard" seems to have no interpretatio…

SOURCE: www.theaterscene.net at 1:05pm on October 25, 2016☆⚑

Funny Face by Victor Gluck, Editor-in-chief

Aside from the syncopated, bouncy score, the single best element is the sensational choreography by director Colgan whose dances also impressed in his revival of Oh, Kay! last year. While th…

SOURCE: www.theaterscene.net at 3:27pm on October 24, 2016☆⚑

End of Summer by Victor Gluck, Editor-in-chief

While S. N. Behrman was one of the leading Broadway playwrights from the twenties through the early sixties, he went into an eclipse after his death in 1973. Since 2000, however, there have …

SOURCE: www.theaterscene.net at 10:59pm on October 22, 2016☆⚑

Th New York Pops: The Musical World of Lerner and Loewe by Victor Gluck, Editor-in-chief

Music Director/Conductor Steven Reineke chose three fine singers, Colin Donnell, Laura Osnes and Nathan Gunn, to animate the Lerner and Loewe songbook, along with the terrific choir, Essenti…

SOURCE: www.theaterscene.net at 11:04am on October 18, 2016☆⚑

Public Enemy by Victor Gluck, Editor-in-chief

Ibsen's "An Enemy of the People" is a classic of modern drama but at times it can seem musty in a poor translation. David Harrower's "Public Enemy" is not only a shrewd, accessible adaptatio…

SOURCE: www.theaterscene.net at 6:36pm on October 16, 2016☆⚑

The Clearing by Victor Gluck, Editor-in-chief

Playwright Helen Edmundson whose stage plays have been mostly adaptations of famous literature ("The Mill on the Floss," "War and Peace," "Anna Karenina," as well as "Coram Boy" and "Thérè…

SOURCE: www.theaterscene.net at 12:16am on October 16, 2016☆⚑

Kurios: Cabinet of Curiosities (Cirque du Soleil) by Victor Gluck, Editor-in-chief

Cirque du Soleil's "Kurios: Cabinet of Curiosities" has a wonderful premise and an eye-filling mise en scène. However, without the needed narration or program notes, the idea remains still …

SOURCE: www.theaterscene.net at 11:49pm on October 10, 2016☆⚑

Divine Comedy by Victor Gluck, Editor-in-chief

The problem with Peter Dobbins' productions is not the quaint spiritual underpinnings of the plays but the fact that they are directed too leisurely and consequently do not generate any laug…

SOURCE: www.theaterscene.net at 11:35pm on October 9, 2016☆⚑

Twenty Thousand Leagues under the Sea by Victor Gluck, Editor-in-chief

The live action elements of the show are performed on various platforms and screens on which are projected Deco Dawson's designs which give the dramatization a 3-D look. In addition to 2 -D …

SOURCE: www.theaterscene.net at 1:58pm on October 6, 2016☆⚑

Marie and Rosetta by Victor Gluck, Editor-in-chief

The two women size each other up, first by Sister Rosetta singing such gospel numbers as "This Train," "Rock Me" and "Sit Down," while Marie demonstrates her style with "Were You There When …

SOURCE: www.theaterscene.net at 3:13pm on September 30, 2016☆⚑

Hamlet (Mobile Unit 2016) by Victor Gluck, Editor-in-chief

The single disadvantage of director Patricia McGregor's approach is that in cutting so much text, the events of the play seem to occur one on top of each other, making the play a bit melodra…

SOURCE: www.theaterscene.net at 8:38pm on September 24, 2016☆⚑

Fiorello! by Victor Gluck, Editor-in-chief

Under Bob Moss' vigorous and energetic direction, the cast of 20 young actors grab hold of the show and never let up for a moment playing a multitude of colorful New York types with energy a…

SOURCE: www.theaterscene.net at 5:36pm on September 24, 2016☆⚑

A Taste of Honey by Victor Gluck, Editor-in-chief

Director Austin Pendleton made some choices which don't help the now creaky play. Although Peter is described as ten years younger than Helen, Pendleton has cast the ever reliable Bradford C…

SOURCE: www.theaterscene.net at 3:56pm on September 22, 2016☆⚑

What Did You Expect? " Play 2 of The Gabriels: Election Year in the Life of One Family by Victor Gluck, Editor-in-chief

Like his "Apple Family Plays," Nelson's "The Gabriel" cycle all take place in a kitchen on a specific day in almost real time using the same six actors to play the family members. These are …

SOURCE: www.theaterscene.net at 5:36pm on September 21, 2016☆⚑

The Birds by Victor Gluck, Editor-in-chief

Unlike the original short story which was set on a rural farm in Cornwall, England, and the film which was reset in Bodega Bay, California, the play takes place entirely in the main room of …

SOURCE: www.theaterscene.net at 11:48pm on September 16, 2016☆⚑

Aleko & Pagliacci (New York City Opera) by Victor Gluck, Editor-in-chief

While the New York City Opera's staging of "Aleko" could not be called a major rediscovery, it was an admirable attempt to offer a non-standard repertory work that had probably not been seen…

SOURCE: www.theaterscene.net at 2:52pm on September 12, 2016☆⚑

Toruk " The First Flight (Cirque du Soleil) by Victor Gluck, Editor-in-chief

The show includes pole vaulting, giant flowers that rise up out of the ground, the building of the bone structure of the totemic Thanator, the high flying of the Toruk, a flock of birds play…

SOURCE: www.theaterscene.net at 9:50pm on September 10, 2016☆⚑

The Layover by Victor Gluck, Editor-in-chief

Following "Bachelorette" and "Assistance," Leslye Headland's latest play, The Layover, is a taut psychological thriller told in an updated film noir style. Trip Cullman, who has directed all…

SOURCE: www.theaterscene.net at 11:52pm on September 6, 2016☆⚑

Twelfth Night (Public Works) by Victor Gluck, Editor-in-chief

Taub's eclectic score to original lyrics includes jazz, rhythm and blues, pop, Broadway and ragtime. Among Kwei-Armah's ingenious touches were his use of a series of community cameo groups p…

SOURCE: www.theaterscene.net at 11:00pm on September 5, 2016☆⚑

The Trojan Women by Victor Gluck, Editor-in-chief

Written in 415 B.C. as a criticism of the Athenian capture of Melos and the subjugation of its population earlier that year, "The Trojan Women" has remained relevant throughout the last 2,50…

SOURCE: www.theaterscene.net at 6:26pm on September 4, 2016☆⚑

A Day by the Sea by Victor Gluck, Editor-in-chief

Now that we have been through all the angry play movements, literate writers like N.C. Hunter and Terence Rattigan are once again ripe for revival. While in his own time, Hunter was criticiz…

SOURCE: www.theaterscene.net at 3:09pm on August 30, 2016☆⚑

Touch by Victor Gluck, Editor-in-chief

Toni Press-Coffman's "Touch" is a rather challenging play both in that a great deal of it is narrated in recollection and also that it deals with much naked emotion. The cast led by Peter Mc…

SOURCE: www.theaterscene.net at 8:19pm on August 27, 2016☆⚑

LUNT AND FONTANNE: "The Celestials of Broadway" (The New York International Fringe Festival 2016) by Victor Gluck, Editor-in-chief

While "LUNT AND FONTANNE: The Celestials of Broadway" is a fine and concise review of their careers for people who have never heard of them, Murphy and Lang make them seem more superficial t…

SOURCE: www.theaterscene.net at 10:11pm on August 20, 2016☆⚑
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