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1,126 stories by "Victor Gluck, Editor-In-Chief"

Jerry Springer " The Opera by Victor Gluck, Editor-in-chief

"Jerry Springer - The Opera" is not for opera purists nor is for people who are easily offended by four letter words and other bad language of which there is a multitude. However, its irreve…

SOURCE: www.theaterscene.net at 4:51pm on March 9, 2018☆⚑

A Marriage Contract by Victor Gluck, Editor-in-chief

Originally titled "A Test Case" when the play had its premiere in New York in 1892, it is one of Daly's many adaptations of European successes, this one based on a German comedy of Blumentha…

SOURCE: www.theaterscene.net at 11:35pm on March 7, 2018☆⚑

The Amateurs by Victor Gluck, Editor-in-chief

Jordan Harrison's "The Amateurs" is certainly an ambitious new play acted to the hilt by its cast of six. However, at times it bites off more than it can handle, at other times its anachroni…

SOURCE: www.theaterscene.net at 10:43pm on March 3, 2018☆⚑

Subways Are for Sleeping by Victor Gluck, Editor-in-chief

"Subways Are for Sleeping" is a valentine to New York and projection designer Lacey Erb has created atmospheric slides and streaming video of such iconic locations as Grand Central Station, …

SOURCE: www.theaterscene.net at 1:48pm on March 1, 2018☆⚑

A Walk With Mr. Heifetz by Victor Gluck, Editor-in-chief

Although an interesting idea, James Inverne's "A Walk With Mr. Heifetz" has lofty ambitions which it is unable to fulfill. While the advertisement proclaims that these two encounters "change…

SOURCE: www.theaterscene.net at 3:13pm on February 22, 2018☆⚑

X: Or, Betty Shabazz V. the Nation by Victor Gluck, Editor-in-chief

Marcus Gardley's "X: Or, Betty Shabazz V. The Nation" is a powerful indictment of forces within a movement which help to destroy it. Performed by The Acting Company under the direction of Ia…

SOURCE: www.theaterscene.net at 11:27pm on February 20, 2018☆⚑

The Boys from Syracuse by Victor Gluck, Editor-in-chief

The cast seems to have been mostly chosen for their comic skills rather than their singing skills. Nevertheless, Josh Waldren and Matthew Fairless as the visiting travelers turn "Dear Old Sy…

SOURCE: www.theaterscene.net at 11:53pm on February 18, 2018☆⚑

[Porto] by Victor Gluck, Editor-in-chief

Stop me if you've heard this one before: three people walk into a bar where they are known by the drinks they order. Only in Kate Benson's new play "[Porto]," the unnamed bar is in a gentrif…

SOURCE: www.theaterscene.net at 7:29pm on February 16, 2018☆⚑

Bar Mitzvah Boy by Victor Gluck, Editor-in-chief

"Bar Mitzvah Boy" may not be a top-drawer Jule Styne musical, but Jack Rosenthal's original story and David Thompson's new book are excellently observed to have the ring of truth. The family…

SOURCE: www.theaterscene.net at 3:43pm on February 15, 2018☆⚑

Miles for Mary by Victor Gluck, Editor-in-chief

Playwrights Horizons has a real winner with the first entry in its new Redux Series bringing back worthy Off Off Broadway plays for a longer run Off Broadway. First up is "Miles for Mary," a…

SOURCE: www.theaterscene.net at 4:40pm on February 9, 2018☆⚑

Imperfect Love by Victor Gluck, Editor-in-chief

We are never told the name of the play being rehearsed or who the characters in the play within the play are. In the second act, the performers dressed in their costumes for Gabriele's play …

SOURCE: www.theaterscene.net at 3:10pm on February 7, 2018☆⚑

He Brought Her Heart Home in a Box by Victor Gluck, Editor-in-chief

Whereas Kennedy became famous with plays that use myth, history, surrealism and Theater of the Absurd to tell their stories, this play tells a realistic tale in poetic form, its very brevity…

SOURCE: www.theaterscene.net at 3:40pm on February 6, 2018☆⚑

Hindle Wakes by Victor Gluck, Editor-in-chief

Stanley Houghton's once controversial "Hindle Wakes" explodes everything you have ever been taught about the double standard and the place of women in society. The irrefutable logic of the c…

SOURCE: www.theaterscene.net at 8:19pm on February 4, 2018☆⚑

Cardinal by Victor Gluck, Editor-in-chief

Greg Pierce, the author of "Slowgirl" and "Kid Champion," has often tackled hot button issues. Here in Cardinal being given its world premiere at Second Stage Theater, he takes on urban rene…

SOURCE: www.theaterscene.net at 9:49am on February 2, 2018☆⚑

Hallelujah, Baby! by Victor Gluck, Editor-in-chief

While the new cut-down version (performed concert style with book in hand) with nine actors instead of the original 36, now covers 100 years, rather than the sixty in the original show, it s…

SOURCE: www.theaterscene.net at 4:45pm on January 31, 2018☆⚑

Party Face by Victor Gluck, Editor-in-chief

The best reason to see Isobel Mahon's "Party Face" is to see the ever-lovely Hayley Mills who used to play mischievous teens and now is playing busy-body mothers. The play is diverting thoug…

SOURCE: www.theaterscene.net at 12:30pm on January 31, 2018☆⚑

Jericho by Victor Gluck, Editor-in-chief

The problem with Laura Braza's production is the lack of chemistry between Vasile Flutur's Jericho and Hannah Sloat's Julie. While Jericho should be charming and seductive, Flutur is only si…

SOURCE: www.theaterscene.net at 11:54am on January 26, 2018☆⚑

Disco Pigs by Victor Gluck, Editor-in-chief

John Haidar's energized production turns this material into a tour de force for Campbell and Lynch who are continually moving about spewing volumes of words, almost choreographed by movement…

SOURCE: www.theaterscene.net at 11:41pm on January 18, 2018☆⚑

BrouHaHa by Victor Gluck, Editor-in-chief

Washington, D.C.'s acclaimed Happenstance Theater is making is New York debut with its 2015 show "BrouHaHa," which has been seen previously in Baltimore, Maine and New Haven. Taking for its …

SOURCE: www.theaterscene.net at 12:48am on January 8, 2018☆⚑

H.M.S. Pinafore (NYGASP) by Victor Gluck, Editor-in-chief

Along with some contemporary updating which always gets a laugh, Albert Bergeret's direction is sharp and shrewd and his conducting of Sullivan's sprightly and animated score is equally assu…

SOURCE: www.theaterscene.net at 9:59pm on December 30, 2017☆⚑

Farinelli and the King by Victor Gluck, Editor-in-chief

Giving a performance of the caliber of his earlier Shakespeare's Globe portrayals of the Countess Olivia in "Twelfth Night" and the title role of "Richard III" which also played Broadway's B…

SOURCE: www.theaterscene.net at 12:12am on December 23, 2017☆⚑

Twelfth Night, or What You Will (Fiasco Theater) by Victor Gluck, Editor-in-chief

While not as memorable as several previous Fiasco Theater productions, this "Twelfth Night" takes a while to get where it is going. After winding up the plot in the first half, it settles do…

SOURCE: www.theaterscene.net at 9:55pm on December 21, 2017☆⚑

Bulldozer: The Ballad of Robert Moses by Victor Gluck, Editor-in-chief

Moses' famously crowded and contentious career is glossed over except for his final battle with Jacobs over the Lower Manhattan Expressway. "Bulldozer" doesn't even give a good summary of hi…

SOURCE: www.theaterscene.net at 5:42pm on December 20, 2017☆⚑

Describe the Night by Victor Gluck, Editor-in-chief

The themes of Rajiv Joseph's latest political play are not only valid but relevant in today's climate. However, "Describe the Night" is too convoluted for its own good and attempts to make c…

SOURCE: www.theaterscene.net at 4:20pm on December 15, 2017☆⚑

Downtown Race Riot by Victor Gluck, Editor-in-chief

Anton Chekhov once advised that if you show an audience a gun you are required to have it go off. Set on September 8, 1976, Seth Zvi Rosenfeld's new play, "Downtown Race Riot," being given i…

SOURCE: www.theaterscene.net at 3:18pm on December 15, 2017☆⚑
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