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1,126 stories by "Victor Gluck, Editor-In-Chief"

Marlowe's Fate by Victor Gluck, Editor-in-chief

Hodges' play is quite lively with each scene dramatizing one point and the cast of characters made up entirely of real people, not all of them still famous. The real problem is with the unsu…

SOURCE: www.theaterscene.net at 5:59pm on May 21, 2018☆⚑

The Gentleman Caller by Victor Gluck, Editor-in-chief

Every once in a while the exactly right actor is matched with the right role and magic occurs. Such is the case with Juan Francisco Villa as the 34-year-old Tennessee Williams (before he bec…

SOURCE: www.theaterscene.net at 11:20pm on May 20, 2018☆⚑

A Brief History of Women by Victor Gluck, Editor-in-chief

Although the title covers part of the plot, the play is really a trenchant social history of Britain from 1925 " 1985 in four short sequences, showing the changes that take place in one hous…

SOURCE: www.theaterscene.net at 5:08pm on May 17, 2018☆⚑

The Jewish King Lear by Victor Gluck, Editor-in-chief

Aside from being a tight domestic drama, The Jewish King Lear has several other differences from Shakespeare's tragedy. Gordin's Lear has a wife who is sorely put upon and under her husband'…

SOURCE: www.theaterscene.net at 11:35pm on May 14, 2018☆⚑

Travesties by Victor Gluck, Editor-in-chief

The play is narrated by Carr through his memories as an doddering 80-year-old man, returning him (and us) to his days as a 30-year-old resident of Zurich. As such he both unreliable, alterin…

SOURCE: www.theaterscene.net at 11:32pm on May 8, 2018☆⚑

Transfers by Victor Gluck, Editor-in-chief

As Cristofer, Juan Castano is riveting in his honesty and his assurance. You could hear a pin drop during several of his monologue confessions as to why he didn't do as well as he might have…

SOURCE: www.theaterscene.net at 1:33pm on May 1, 2018☆⚑

Miss You Like Hell by Victor Gluck, Editor-in-chief

What makes the storytelling riveting are the performances by the talented cast. As the free-spirited Beatriz fighting for her life, Rubin-Vega is at her fiercest and she is a memorable three…

SOURCE: www.theaterscene.net at 4:51pm on April 27, 2018☆⚑

Mean Girls by Victor Gluck, Editor-in-chief

Fey has made two successful changes to theatricalize her original screenplay. The story is now cast as a flashback narrated by best friends Goth Janis (Barrett Wilbert Weed) and Damian (Grey…

SOURCE: www.theaterscene.net at 11:50pm on April 24, 2018☆⚑

One Thousand Nights and One Day by Victor Gluck, Editor-in-chief

In performance, "One Thousand Nights and One Day" is a like a play with songs shoehorned in as none of them forward the story but take the emotional temperature of the characters instead. Wi…

SOURCE: www.theaterscene.net at 5:13pm on April 23, 2018☆⚑

King Lear (Royal Shakespeare Company) by Victor Gluck, Editor-in-chief

The Royal Shakespeare Company's latest "King Lear," as directed by Gregory Doran, is one that needs no explanation and no program notes. At one and the same time both medieval and contempora…

SOURCE: www.theaterscene.net at 3:19pm on April 20, 2018☆⚑

ms. estrada by Victor Gluck, Editor-in-chief

The Q Brothers Collective (made up of GQ, JQ, Jackson Doran and Postell Pringle) is best known in New York for their hip hop variations on Shakespeare: "Othello: The Remix" in 2016 and "The …

SOURCE: www.theaterscene.net at 4:41pm on April 18, 2018☆⚑

Lobby Hero by Victor Gluck, Editor-in-chief

Ethical integrity versus moral turpitude is the theme of Kenneth Lonergan's "Lobby Hero" now having its Broadway debut at The Second Stage's newly renovated home, The Helen Hayes Theater. Al…

SOURCE: www.theaterscene.net at 1:19pm on April 16, 2018☆⚑

The Edge of Our Bodies by Victor Gluck, Editor-in-chief

Rapp's plays are so different from each other that it is difficult to classify him. As of now he has written conventional dramas, experimental plays, futuristic and science fiction plays, an…

SOURCE: www.theaterscene.net at 2:35pm on April 12, 2018☆⚑

Frozen by Victor Gluck, Editor-in-chief

Disney Theatrical Productions' long anticipated stage version of the beloved animated film "Frozen" has arrived on Broadway in a lavish and faithful version of the screenplay by Jennifer Lee…

SOURCE: www.theaterscene.net at 1:35pm on April 10, 2018☆⚑

Feeding the Dragon by Victor Gluck, Editor-in-chief

Under the assured direction of Maria Mileaf in a production which started at the Hartford Stage earlier this year, Sharon Washington is a captivating and entertaining presence both as she na…

SOURCE: www.theaterscene.net at 11:34pm on April 8, 2018☆⚑

The Stone Witch by Victor Gluck, Editor-in-chief

Lauria, best known for his work on "The Wonder Years," makes Simon an immensely private and enigmatic figure. His erratic behavior changes by the moment, keeping Peter (and us) guessing. We …

SOURCE: www.theaterscene.net at 4:31pm on April 6, 2018☆⚑

Bedlam's Pygmalion by Victor Gluck, Editor-in-chief

Scenic designer John McDermott has turned the black box space at the Sheen Center into an intimate amphitheater with the audience sitting around three sides of Higgins' laboratory/study with…

SOURCE: www.theaterscene.net at 12:30am on April 4, 2018☆⚑

Babette's Feast by Victor Gluck, Editor-in-chief

aithful to the story and like the film, this stage adaptation uses narration from Dinesen's story. However, not only are the actors used as storytellers, some of the characters also narrate …

SOURCE: www.theaterscene.net at 4:16pm on April 2, 2018☆⚑

Admissions by Victor Gluck, Editor-in-chief

"Admissions" is often very funny like when Sherri has to try to explain why Melville's Moby Dick is not being taught anymore (a book about a white whale by a dead white guy) and when Charlie…

SOURCE: www.theaterscene.net at 3:16pm on March 27, 2018☆⚑

Education by Victor Gluck, Editor-in-chief

"Education," Brian Dykstra's new play, is an incendiary investigation into censorship, free speech and responsibility in electric theater. It purports to be about Art as a Weapon but its the…

SOURCE: www.theaterscene.net at 11:29pm on March 26, 2018☆⚑

The Low Road by Victor Gluck, Editor-in-chief

Bruce Norris' plays are so different from each other that you have to take his fingerprints to recognize his hand. His recent New York plays have dealt with racism and gentrification ("Clybo…

SOURCE: www.theaterscene.net at 4:32pm on March 20, 2018☆⚑

Calamity Jane by Victor Gluck, Editor-in-chief

It would be a pleasure to say that Musicals Tonight! is going out on a high but that would not be accurate. While the book by Ronald Hanmer and Phil Park based on the play by Charles K. Free…

SOURCE: www.theaterscene.net at 7:26pm on March 18, 2018☆⚑

Is God Is by Victor Gluck, Editor-in-chief

On the basis of "Is God Is," Aleshea Harris is a new voice in the American theater whose work bears watching in the future. The play is the latest in a long line of revenge stories from the …

SOURCE: www.theaterscene.net at 11:50pm on March 14, 2018☆⚑

Amy and the Orphans by Victor Gluck, Editor-in-chief

Casting of Brewer (best known for her several roles on "American Horror Story"), an individual with Down syndrome, is a real coup as she doesn't have to be inventing a role she knows intimat…

SOURCE: www.theaterscene.net at 12:35pm on March 13, 2018☆⚑

Good for Otto by Victor Gluck, Editor-in-chief

Except for the frustration level of the characters, there does not seem to be a movement towards change or catharsis which may partly explain why the play seems so long. Harris and Madigan r…

SOURCE: www.theaterscene.net at 5:58pm on March 12, 2018☆⚑
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