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1,126 stories by "Victor Gluck, Editor-In-Chief"

Popcorn Falls by Victor Gluck, Editor-in-chief

However, the play's humor is very mild. The jokes are on the level of "My steeple is drooping! I swear this never happened to me before," from Pastor Peters, and "George Washington dined on …

SOURCE: www.theaterscene.net at 10:47pm on October 17, 2018☆⚑

Girl From the North Country by Victor Gluck, Editor-in-chief

Set in a dark time, "Girl From the North Country" creates a community on stage as do the best plays and musicals. Its tale of lost souls attempting to keep their heads above water is univers…

SOURCE: www.theaterscene.net at 12:45am on October 12, 2018☆⚑

The Winning Side by Victor Gluck, Editor-in-chief

In dramatizing the story of Wernher von Braun, James Wallert's "The Winning Side" makes compelling the concept of ethics in science: should we admire a mathematical genius who has had antith…

SOURCE: www.theaterscene.net at 1:02pm on October 11, 2018☆⚑

Final Follies by Victor Gluck, Editor-in-chief

It would be a pleasure to report that A.R. Gurney's last play entitled "Final Follies" performed with two early works, is one of his best, but that is not the case. As directed by David Sain…

SOURCE: www.theaterscene.net at 4:19pm on October 10, 2018☆⚑

Bernhardt/Hamlet by Victor Gluck, Editor-in-chief

"Bernhardt/Hamlet" is structured as a backstage comedy. Sarah rehearses with French stage star Constant Coquelin playing both The Ghost and Polonius, worries that she is losing 29-year-old l…

SOURCE: www.theaterscene.net at 11:54pm on October 3, 2018☆⚑

A Lovely Sunday for Creve Coeur by Victor Gluck, Editor-in-chief

What gives "A Lovely Sunday for Creve Coeur" its special cachet in the Williams canon is that its storyline and heroine called Dorothea very much suggest a prequel to A Streetcar Named Desir…

SOURCE: www.theaterscene.net at 4:34pm on October 1, 2018☆⚑

Uncle Romeo Vanya Juliet by Victor Gluck, Editor-in-chief

Previous experiments from this adventurous theater group helmed by artistic director Eric Tucker include two versions of Twelfth Night performed in repertory, Hamlet and Saint Joan performed…

SOURCE: www.theaterscene.net at 6:09pm on September 30, 2018☆⚑

Because I Could Not Stop: An Encounter with Emily Dickinson by Victor Gluck, Editor-in-chief

Stranger still is the choice of Angelica Page to play Dickinson who looks rather too healthy to be the famously thin and sallow-faced writer known from the one famous photograph. She makes D…

SOURCE: www.theaterscene.net at 4:03pm on September 28, 2018☆⚑

The True by Victor Gluck, Editor-in-chief

If these characters sound familiar, they are based on real people who populated Albany politics four decades ago. "The True," a world premiere play by Sharr White ("The Other Place," "The Sn…

SOURCE: www.theaterscene.net at 1:35am on September 27, 2018☆⚑

Spin Off by Victor Gluck, Editor-in-chief

Considering the repetitiveness of the material and the fancifulness of the play, Megan McQueen as Rosie Ramirez and Kevin Rico Angulo as Det. Jimmy Marks make a great deal more of their char…

SOURCE: www.theaterscene.net at 3:42pm on September 25, 2018☆⚑

Collective Rage: A Play in 5 Betties by Victor Gluck, Editor-in-chief

The actual subtitle of Silverman's play gives one pause: "In Essence, A Queer and Occasionally Hazardous Exploration; Do You Remember When You Were in Middle School and You Read About Shackl…

SOURCE: www.theaterscene.net at 11:42pm on September 19, 2018☆⚑

You and I by Victor Gluck, Editor-in-chief

While Barry was to become famous writing plays about the very rich, the Whites are of the middle class and live on earned money. In the play's second act, eight months have passed, and money…

SOURCE: www.theaterscene.net at 10:42pm on September 17, 2018☆⚑

Heartbreak House by Victor Gluck, Editor-in-chief

Gingold Theatrical Group's "Heartbreak House" is an interesting but misguided attempt to update Shaw's Edwardian masterpiece and make it seem more relevant to our times. Despite the stellar …

SOURCE: www.theaterscene.net at 4:24pm on September 14, 2018☆⚑

Hershey Felder as Irving Berlin by Victor Gluck, Editor-in-chief

Using a format that has worked for him before in his George Gershwin and Leonard Bernstein evenings, Hershey Felder has returned to 59E59 Theaters in a charming biographical musical as legen…

SOURCE: www.theaterscene.net at 9:03pm on September 9, 2018☆⚑

Smokey's Joe's Café: The Songs of Leiber & Stoller by Victor Gluck, Editor-in-chief

Although "Smokey Joe's Café" has been seen in New York before, the new production now at Stage 42 is an entirely different incarnation of the show that still holds the record for Broadway m…

SOURCE: www.theaterscene.net at 3:14pm on August 31, 2018☆⚑

1969: The Second Man by Victor Gluck, Editor-in-chief

The mellow sound of Brandt's score proves to be easy listening, but the individual musical numbers do not build to any dramatic climaxes so that the show seems tamer than material concerning…

SOURCE: www.theaterscene.net at 5:41pm on August 30, 2018☆⚑

Days to Come by Victor Gluck, Editor-in-chief

"Days to Come" fills in the gap in Hellman's career between her first play, the controversial "The Children's Hour," and the immediate successors, the hugely commercial hit and often revived…

SOURCE: www.theaterscene.net at 4:40pm on August 29, 2018☆⚑

Be More Chill by Victor Gluck, Editor-in-chief

"Be More Chill" is an impressive musical version of Ned Vizzini's cult novel. Not only does it reproduce the plot on stage, it also gives it a high tech look that dramatizes the story where …

SOURCE: www.theaterscene.net at 10:58am on August 27, 2018☆⚑

Neurosis by Victor Gluck, Editor-in-chief

The clever invention is that each of them has a best friend who only they can see and hear: Neurosis (Brennan Caldwell) is Frank's best buddy, a more cautious, nervous version of Frank, and …

SOURCE: www.theaterscene.net at 2:08pm on August 23, 2018☆⚑

Gettin' the Band Back Together by Victor Gluck, Editor-in-chief

If the show plays like it was written by a committee, in fact, it has been. The book is by producer/ writer Ken Davenport and The Grundleshotz who turn out to be a group of performers and wr…

SOURCE: www.theaterscene.net at 6:03pm on August 20, 2018☆⚑

The New One by Victor Gluck, Editor-in-chief

Comedian/monologist Mike Birbiglia, best known for "Sleepwalk with Me," has the remarkable knack of finding humor in autobiographical crises that shouldn't be funny but in his hands are upro…

SOURCE: www.theaterscene.net at 10:05pm on August 17, 2018☆⚑

Twelfth Night 2018 (Free Shakespeare in the Park & Public Works) by Victor Gluck, Editor-in-chief

Shaina Taub's joyful and sunny updated musical version of Shakespeare's comedy, "Twelfth Night," is back in a full production courtesy of Free Shakespeare in the Park and Public Works which …

SOURCE: www.theaterscene.net at 10:58pm on August 10, 2018☆⚑

Head Over Heels by Victor Gluck, Editor-in-chief

Under Michael Mayer's fast-paced direction, "Head Over Heels" starts badly and busily but eventually slows down to a delightful Elizabethan parody on love and gender. While not all of The Go…

SOURCE: www.theaterscene.net at 12:00pm on August 9, 2018☆⚑

Summer Shorts 2018 " Festival of New American Plays: Series A by Victor Gluck, Editor-in-chief

Along with its twists and turns, Bohjalian's "Grounded" is so fully explored that it is hard to believe that it is a first play. On the long wait on the runway at Kennedy Airport for a fligh…

SOURCE: www.theaterscene.net at 5:12pm on August 8, 2018☆⚑

The House That Will Not Stand by Victor Gluck, Editor-in-chief

Gardley makes use of a little known piece of American history: while Louisiana was under Spanish and later French rule, it had a three-tiered racial system. Aside from white settlers and bla…

SOURCE: www.theaterscene.net at 12:57am on August 7, 2018☆⚑
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