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1,082 stories by "Victor Gluck, Editor-In-Chief"

The Book of Merman by Victor Gluck, Editor-in-chief

The witty score with music and lyrics by Schwartz is a collection of both pastiche songs based on numbers Merman made famous and new ones that fit her style that suggest other famous songs. …

SOURCE: www.theaterscene.net at 3:49pm on November 7, 2018[SHARE]

Mother of the Maid by Victor Gluck, Editor-in-chief

Jane Anderson's "Mother of the Maid" would probably not be very compelling without Glenn Close's Isabelle Arc as the play itself is following the dots in filling in the little that is known …

SOURCE: www.theaterscene.net at 5:47pm on November 1, 2018[SHARE]

Renascence by Victor Gluck, Editor-in-chief

In her own time, poet Edna St. Vincent Millay (1892 " 1950) was a rock star and a best-selling author until illness and postwar culture dimmed her luster. Still she fascinates with her bohem…

SOURCE: www.theaterscene.net at 1:06pm on October 30, 2018[SHARE]

Fireflies by Victor Gluck, Editor-in-chief

Although Donja R. Love describes his new play "Fireflies," his second world premiere in New York in 2018, as a "surrealistic voyage through Queer love during pivotal moments in Black History…

SOURCE: www.theaterscene.net at 11:53pm on October 28, 2018[SHARE]

Ordinary Days by Victor Gluck, Editor-in-chief

Adam Gwon's song cycle, "Ordinary Days," became a cult hit when it opened the Roundabout's Black Box Theatre in 2009 for a run of ten weeks. So successful was the show that it is one of the …

SOURCE: www.theaterscene.net at 3:48pm on October 24, 2018[SHARE]

Emma and Max by Victor Gluck, Editor-in-chief

Solondz's mordant wit makes this the darkness of tragicomedies. Brooke and Jay's delusions so typical of white entitlement are entire their own. When we finally hear from Brittany, she turns…

SOURCE: www.theaterscene.net at 4:57pm on October 19, 2018[SHARE]

Popcorn Falls by Victor Gluck, Editor-in-chief

However, the play's humor is very mild. The jokes are on the level of "My steeple is drooping! I swear this never happened to me before," from Pastor Peters, and "George Washington dined on …

SOURCE: www.theaterscene.net at 10:47pm on October 17, 2018[SHARE]

Girl From the North Country by Victor Gluck, Editor-in-chief

Set in a dark time, "Girl From the North Country" creates a community on stage as do the best plays and musicals. Its tale of lost souls attempting to keep their heads above water is univers…

SOURCE: www.theaterscene.net at 12:45am on October 12, 2018[SHARE]

The Winning Side by Victor Gluck, Editor-in-chief

In dramatizing the story of Wernher von Braun, James Wallert's "The Winning Side" makes compelling the concept of ethics in science: should we admire a mathematical genius who has had antith…

SOURCE: www.theaterscene.net at 1:02pm on October 11, 2018[SHARE]

Final Follies by Victor Gluck, Editor-in-chief

It would be a pleasure to report that A.R. Gurney's last play entitled "Final Follies" performed with two early works, is one of his best, but that is not the case. As directed by David Sain…

SOURCE: www.theaterscene.net at 4:19pm on October 10, 2018[SHARE]

Bernhardt/Hamlet by Victor Gluck, Editor-in-chief

"Bernhardt/Hamlet" is structured as a backstage comedy. Sarah rehearses with French stage star Constant Coquelin playing both The Ghost and Polonius, worries that she is losing 29-year-old l…

SOURCE: www.theaterscene.net at 11:54pm on October 3, 2018[SHARE]

A Lovely Sunday for Creve Coeur by Victor Gluck, Editor-in-chief

What gives "A Lovely Sunday for Creve Coeur" its special cachet in the Williams canon is that its storyline and heroine called Dorothea very much suggest a prequel to A Streetcar Named Desir…

SOURCE: www.theaterscene.net at 4:34pm on October 1, 2018[SHARE]

Uncle Romeo Vanya Juliet by Victor Gluck, Editor-in-chief

Previous experiments from this adventurous theater group helmed by artistic director Eric Tucker include two versions of Twelfth Night performed in repertory, Hamlet and Saint Joan performed…

SOURCE: www.theaterscene.net at 6:09pm on September 30, 2018[SHARE]

Because I Could Not Stop: An Encounter with Emily Dickinson by Victor Gluck, Editor-in-chief

Stranger still is the choice of Angelica Page to play Dickinson who looks rather too healthy to be the famously thin and sallow-faced writer known from the one famous photograph. She makes D…

SOURCE: www.theaterscene.net at 4:03pm on September 28, 2018[SHARE]

The True by Victor Gluck, Editor-in-chief

If these characters sound familiar, they are based on real people who populated Albany politics four decades ago. "The True," a world premiere play by Sharr White ("The Other Place," "The Sn…

SOURCE: www.theaterscene.net at 1:35am on September 27, 2018[SHARE]

Spin Off by Victor Gluck, Editor-in-chief

Considering the repetitiveness of the material and the fancifulness of the play, Megan McQueen as Rosie Ramirez and Kevin Rico Angulo as Det. Jimmy Marks make a great deal more of their char…

SOURCE: www.theaterscene.net at 3:42pm on September 25, 2018[SHARE]

Collective Rage: A Play in 5 Betties by Victor Gluck, Editor-in-chief

The actual subtitle of Silverman's play gives one pause: "In Essence, A Queer and Occasionally Hazardous Exploration; Do You Remember When You Were in Middle School and You Read About Shackl…

SOURCE: www.theaterscene.net at 11:42pm on September 19, 2018[SHARE]

You and I by Victor Gluck, Editor-in-chief

While Barry was to become famous writing plays about the very rich, the Whites are of the middle class and live on earned money. In the play's second act, eight months have passed, and money…

SOURCE: www.theaterscene.net at 10:42pm on September 17, 2018[SHARE]

Heartbreak House by Victor Gluck, Editor-in-chief

Gingold Theatrical Group's "Heartbreak House" is an interesting but misguided attempt to update Shaw's Edwardian masterpiece and make it seem more relevant to our times. Despite the stellar …

SOURCE: www.theaterscene.net at 4:24pm on September 14, 2018[SHARE]

Hershey Felder as Irving Berlin by Victor Gluck, Editor-in-chief

Using a format that has worked for him before in his George Gershwin and Leonard Bernstein evenings, Hershey Felder has returned to 59E59 Theaters in a charming biographical musical as legen…

SOURCE: www.theaterscene.net at 9:03pm on September 9, 2018[SHARE]

Smokey's Joe's Café: The Songs of Leiber & Stoller by Victor Gluck, Editor-in-chief

Although "Smokey Joe's Café" has been seen in New York before, the new production now at Stage 42 is an entirely different incarnation of the show that still holds the record for Broadway m…

SOURCE: www.theaterscene.net at 3:14pm on August 31, 2018[SHARE]

1969: The Second Man by Victor Gluck, Editor-in-chief

The mellow sound of Brandt's score proves to be easy listening, but the individual musical numbers do not build to any dramatic climaxes so that the show seems tamer than material concerning…

SOURCE: www.theaterscene.net at 5:41pm on August 30, 2018[SHARE]

Days to Come by Victor Gluck, Editor-in-chief

"Days to Come" fills in the gap in Hellman's career between her first play, the controversial "The Children's Hour," and the immediate successors, the hugely commercial hit and often revived…

SOURCE: www.theaterscene.net at 4:40pm on August 29, 2018[SHARE]

Be More Chill by Victor Gluck, Editor-in-chief

"Be More Chill" is an impressive musical version of Ned Vizzini's cult novel. Not only does it reproduce the plot on stage, it also gives it a high tech look that dramatizes the story where …

SOURCE: www.theaterscene.net at 10:58am on August 27, 2018[SHARE]

Neurosis by Victor Gluck, Editor-in-chief

The clever invention is that each of them has a best friend who only they can see and hear: Neurosis (Brennan Caldwell) is Frank's best buddy, a more cautious, nervous version of Frank, and …

SOURCE: www.theaterscene.net at 2:08pm on August 23, 2018[SHARE]
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