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1,098 stories by "Victor Gluck, Editor-In-Chief"

Caroline's Kitchen by Victor Gluck, Editor-in-chief

In "Caroline's Kitchen," British playwright Torben Betts ("Invincible," "The Unconquered," "Muswell Hill") has written a state of the nation farce which has no laughs. As the play under the …

SOURCE: www.theaterscene.net at 11:56pm on May 11, 2019

Lady in the Dark by Victor Gluck, Editor-in-chief

MasterVoices performed a beautifully sung and played rendition of the legendary 1941 musical "Lady in The Dark" as part of New York City Center's 75th Anniversary Season for three sold-out p…

SOURCE: www.theaterscene.net at 11:50pm on May 9, 2019

Mary, Mary by Victor Gluck, Editor-in-chief

Retro Productions which has staged both old and new plays has turned its attention to this unjustly neglected comedy from 1961 which has not had a New York revival that made it into the reco…

SOURCE: www.theaterscene.net at 11:33pm on May 8, 2019

King Lear by Victor Gluck, Editor-in-chief

As the elderly king of Britain who deludedly decides to give up his kingdom to his three daughters, Goneril and Regan, the two older married ones, and Cordelia, his younger unmarried daughte…

SOURCE: www.theaterscene.net at 11:34pm on May 7, 2019

Hadestown by Victor Gluck, Editor-in-chief

The dazzling Broadway production of Anais Mitchell's musical "Hadestown" proves director/developer Rachel Chavkin to be a creative genius. If you had not known it after she fitted her theate…

SOURCE: www.theaterscene.net at 11:52pm on April 29, 2019

All My Sons by Victor Gluck, Editor-in-chief

Unfortunately in a play that is already crammed full of ominous hints, O'Brien's production is very heavy-handed, underscoring the foreshadowing with a double line under each and every clue …

SOURCE: www.theaterscene.net at 4:44pm on April 29, 2019

Gary: A Sequel to Titus Andronicus by Victor Gluck, Editor-in-chief

Playwright Taylor Mac's Broadway debut, "Gary: A Sequel to Titus Andronicus," comes with a great many pluses: three consummate clowns, Nathan Lane, Kristine Nielsen and Julie White, directed…

SOURCE: www.theaterscene.net at 11:53pm on April 26, 2019

Hillary and Clinton by Victor Gluck, Editor-in-chief

Laurie Metcalf and John Lithgow are such consummate stage performers that they could read the phone book and keep us mesmerized. As directed by Joe Mantello in Lucas Hnath's "Hillary and Cli…

SOURCE: www.theaterscene.net at 11:33pm on April 23, 2019

Be More Chill on Broadway by Victor Gluck, Editor-in-chief

"Be More Chill," the dazzling and inventive musical based on the cult Young Adult novel by Ned Vizzini, has made a successful transfer to Broadway Lyceum Theater with the same cast and an ex…

SOURCE: www.theaterscene.net at 2:10pm on April 19, 2019

Oklahoma! by Victor Gluck, Editor-in-chief

Like John Doyle's reconceived musical revivals ("Allegro," "Passion," "Pacific Overtures," "Carmen Jones," "The Cradle Will Rock"), Fish's production is minimalist but with a difference. Whi…

SOURCE: www.theaterscene.net at 12:05pm on April 17, 2019

Mrs. Murray's Menagerie by Victor Gluck, Editor-in-chief

Those who loved The Mad Ones' "Miles for Mary" which had an extended run at Playwrights Horizons last year after its premiere at The Brooklyn Starr in 2016, will be greatly disappointed by t…

SOURCE: www.theaterscene.net at 11:57pm on April 15, 2019

Ain't No Mo' by Victor Gluck, Editor-in-chief

Delving into black life and attitudes now, the play is hilarious - but not laugh-out-loud funny. Unfortunately, in Stevie Walker-Webb's fine production at The Public's LuEsther Theater, the …

SOURCE: www.theaterscene.net at 11:25pm on April 14, 2019

Sincerely, Oscar by Victor Gluck, Editor-in-chief

The show also uses the 3D holographic technology called IceMagic which attempts to bring us the late Oscar Hammerstein II as a hologram enacted and spoken by actor Bob Meenan. Aside from an …

SOURCE: www.theaterscene.net at 11:49pm on April 11, 2019

The Lehman Trilogy by Victor Gluck, Editor-in-chief

A three and half hour play with only three actors spanning 163 years might not be your idea of entertainment, but the National Theatre's production of "The Lehman Trilogy" is one of the most…

SOURCE: www.theaterscene.net at 11:27pm on April 10, 2019

Do You Feel Anger? by Victor Gluck, Editor-in-chief

In Mara Nelson-Greenberg's new play, "Do You Feel Anger?," which had its world premiere at the 2018 Humana Festival of New American Plays at Actors Theatre of Louisville, she has attempted t…

SOURCE: www.theaterscene.net at 10:13pm on April 7, 2019

The White Devil by Victor Gluck, Editor-in-chief

Not seen in New York since 1965, John Webster's Jacobean revenge play, "The White Devil," has been given a juicy, vigorous modern dress production by Red Bull Theater which specializes in El…

SOURCE: www.theaterscene.net at 4:31pm on April 5, 2019

The Tragedy of Julius Caesar by Victor Gluck, Editor-in-chief

Shakespeare's politically charged Roman tragedy, "Julius Caesar," has always been a touchstone for inflaming emotions. In earlier times, monarchs used to ban the play when uprisings were imm…

SOURCE: www.theaterscene.net at 10:35pm on April 3, 2019

Southern Promises by Victor Gluck, Editor-in-chief

Playwright Thomas Bradshaw seems to have taken literally the dictum in theater to "Astonish!" His plays like "Burning," "Intimacy," "Job," and "Fulfillment," to name only a few seen in New Y…

SOURCE: www.theaterscene.net at 11:37pm on April 1, 2019

Nantucket Sleigh Ride by Victor Gluck, Editor-in-chief

John Guare's career as a playwright has had three stages. His early plays were examples of Theater of the Absurd with an American accent. Later his plays became more realistic, sometimes bas…

SOURCE: www.theaterscene.net at 9:50pm on March 31, 2019

Fleabag by Victor Gluck, Editor-in-chief

If Phoebe Waller-Bridge's "Fleabag" sounds familiar, it may be because of the cult television show now in its second season adapted from this one-woman play. Having premiered at the Edinburg…

SOURCE: www.theaterscene.net at 4:55pm on March 28, 2019

After by Victor Gluck, Editor-in-chief

You can hear a pin drop during Michael McKeever's "After," an exciting, riveting play about the aftereffects of bullying. During the final scene in Jo Brancato's production now at 59E59 Thea…

SOURCE: www.theaterscene.net at 11:52pm on March 26, 2019

Superhero by Victor Gluck, Editor-in-chief

Although there is a great deal of talent behind the new musical Superhero at Second Stage Theater, it unfortunately makes little impact. It doesn't help that the thin book by Tony Award winn…

SOURCE: www.theaterscene.net at 10:57pm on March 19, 2019

The Mother by Victor Gluck, Editor-in-chief

Huppert, the consummate actress, commands the stage at all times, making all the other performers pale in comparison. As Anne, she travels from familiar to sarcastic to manic to depressed to…

SOURCE: www.theaterscene.net at 11:47pm on March 17, 2019

The Cake by Victor Gluck, Editor-in-chief

Brunstetter overloads the issue in the play by making Jen have doubts about being in love with a woman against her parents' religious teachings, even though she cannot imagine life without t…

SOURCE: www.theaterscene.net at 11:42pm on March 17, 2019

Surely Goodness and Mercy by Victor Gluck, Editor-in-chief

Chisa Hutchinson's "Surely Goodness and Mercy" has its heart in the right place but as produced by Keen Company at the Clurman Theatre it is not a play at all but an after school movie scrip…

SOURCE: www.theaterscene.net at 11:39pm on March 14, 2019
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