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1,097 stories by "Victor Gluck, Editor-In-Chief"

The Height of the Storm by Victor Gluck, Editor-in-chief

What is evident is that Zeller writes tremendous roles for actors. Frank Langella won the Tony Award back in 2016 for the title role of "The Father," and "The Height of the Storm" may well w…

SOURCE: www.theaterscene.net at 9:59am on October 14, 2019

runboyrun & In Old Age by Victor Gluck, Editor-in-chief

Despite the fine writing and acting, these two plays do not stand alone: we are given no backstory to understand the context for these relationships in the longer saga; both plays dealing wi…

SOURCE: www.theaterscene.net at 3:42pm on October 9, 2019

Caesar and Cleopatra by Victor Gluck, Editor-in-chief

When the Gingold Theatrical Group's revival of Bernard Shaw's epic "Caesar and Cleopatra" begins, the characters are wearing white contemporary clothes and sitting on what looks like an exca…

SOURCE: www.theaterscene.net at 5:06pm on October 7, 2019

Fifty Million Frenchmen by Victor Gluck, Editor-in-chief

Still delightful, mainly due to Porter's score, the book by Herbert Fields (who went on to write six more Porter shows) has its charms with its snappy Jazz Age dialogue which makes fun of th…

SOURCE: www.theaterscene.net at 9:04pm on October 3, 2019

Why? by Victor Gluck, Editor-in-chief

Legendary director Peter Brook has always investigated the big questions. In recent years his productions have become more intimate and the questions bigger. In "Why?", written and directed …

SOURCE: www.theaterscene.net at 4:31pm on October 1, 2019

Novenas for a Lost Hospital by Victor Gluck, Editor-in-chief

Cusi Cram's "Novenas for a Lost Hospital" (with dramaturgy by Guy Lancaster) presented by Rattlestick Playwrights Theater is an unusual site-specific theatrical event that pays tribute to th…

SOURCE: www.theaterscene.net at 3:34pm on September 24, 2019

Freemove Dance: " …it's time…" by Victor Gluck, Editor-in-chief

Co-presented by The Theater at the 14th Street Y, '…it's time…" explored the dynamics of a small group of five"excellent"performers whose existence appeared to be controlled by a large d…

SOURCE: www.theaterscene.net at 12:26pm on September 23, 2019

Sincerity Forever & Bad Penny (Mac Wellman Festival: Perfect Catastrophes) by Victor Gluck, Editor-in-chief

The Flea Theater is honoring one of its co-founding members, playwright Mac Wellman, with a five play festival called "Perfect Catastrophes" which includes two world premieres and three revi…

SOURCE: www.theaterscene.net at 10:53pm on September 21, 2019

L.O.V.E.R. by Victor Gluck, Editor-in-chief

If you are put off by the idea of women defining themselves based on the men in their lives, then Lois Robbins' one-woman play "L.O.V.E.R." is not for you. However, if you concede that there…

SOURCE: www.theaterscene.net at 3:50pm on September 18, 2019

American Moor by Victor Gluck, Editor-in-chief

Cobb is titanic in this piece bringing his resonant voice and impressive physical presence to bear on the most famous classic role for a Black actor in the canon as well as his thoughts abou…

SOURCE: www.theaterscene.net at 11:00pm on September 16, 2019

Decky Does a Bronco by Victor Gluck, Editor-in-chief

Making is U.S. debut 19 years after its Scottish premiere in an actual park, Douglas Maxwell's "Decky Does a Bronco" is a worthy addition to the dramatic literature of plays about childhood …

SOURCE: www.theaterscene.net at 9:17pm on September 15, 2019

Lear: That Old Man I Used to Know by Victor Gluck, Editor-in-chief

Hopkins had added selections from Lewis Carroll (references to the Jabberwock and "The White Knight's Song: The Aged Age Man," the poem which gives her the new title), Emily Dickinson ("I'm …

SOURCE: www.theaterscene.net at 12:43pm on September 14, 2019

The Cooping Theory 1969: Who Killed Edgar Allan Poe? by Victor Gluck, Editor-in-chief

Poseidon Theatre Company's "The Cooping Theory 1969: Who Killed Edgar Allan Poe?," described as a "new immersive paranormal experience," is set at the RPM Underground which is more interesti…

SOURCE: www.theaterscene.net at 1:53pm on September 11, 2019

Make Believe by Victor Gluck, Editor-in-chief

Bess Wohl's new play, "Make Believe," is a fascinating study of how the traumas of childhood affect our adult lives, particularly the damage seen and unseen parents inflict on their offsprin…

SOURCE: www.theaterscene.net at 1:05pm on September 10, 2019

Tech Support by Victor Gluck, Editor-in-chief

Deborah Whitfield's 'Tech Support" offers a clever idea in order to review feminism in the past century. Unfortunately, her rather superficial approach misses a great many opportunities. The…

SOURCE: www.theaterscene.net at 12:39pm on September 9, 2019

Eureka Day by Victor Gluck, Editor-in-chief

Jonathan Spector's "Eureka Day" now having its East Coast premiere at Walkerspace is a blisteringly satiric and provocative play torn right out of the headlines. Ostensibly about how one pro…

SOURCE: www.theaterscene.net at 10:28pm on September 6, 2019

Da Vinci & Michelangelo: The Titans Experience by Victor Gluck, Editor-in-chief

Described as a multimedia production, "Da Vinci & Michelangelo: The Titans Experience" is actually a lecture by art historian Mark Rodgers to slides of the masterpieces of these two geni…

SOURCE: www.theaterscene.net at 3:34pm on August 28, 2019

The Exes by Victor Gluck, Editor-in-chief

Lenore Skomal's "The Exes" wants to revive the Broadway-style sex comedies of the 1950's and 60's, earlier called boulevard comedy. Unfortunately, not only is the formula passé but televisi…

SOURCE: www.theaterscene.net at 11:44pm on August 25, 2019

Midsummer: A Banquet by Victor Gluck, Editor-in-chief

William Shakespeare's "A Midsummer Night Dream" is perfect comedy for July or August and adding a meal is an even cleverer idea. Presented jointly by Food for Love Productions and Third Rail…

SOURCE: www.theaterscene.net at 10:34pm on August 10, 2019

Midsummer: A Banquet by Victor Gluck, Editor-in-chief

"Midsummer: A Banquet" is an auditory and oral treat, a light entertainment for this time of year. Using Zach Morris and Victoria Rae Sook's skillfully adapted abridgment of Shakespeare's c…

SOURCE: www.theaterscene.net at 2:50pm on August 10, 2019

Native Son by Victor Gluck, Editor-in-chief

Kelley's adaptation begins with the murder of Mary which avoids preparing us for the limited life of opportunity that Bigger leads in the Black Belt of Chicago and making him less sympatheti…

SOURCE: www.theaterscene.net at 1:45pm on August 9, 2019

Broadway Bounty Hunter by Victor Gluck, Editor-in-chief

Composer-lyricist Joe Inconis' follow up to his teen favorite, "Be More Chill," is not only a showcase for musical comedy actress Annie Golden but a tribute to the Blaxploitation and Martial…

SOURCE: www.theaterscene.net at 1:20pm on August 7, 2019

Coriolanus (Free Shakespeare in the Park) by Victor Gluck, Editor-in-chief

While Shakespeare's "Coriolanus" has a great deal to warn us about as a cautionary tale, it is also not as deep or as poetic a play as his major tragedies. Daniel Sullivan's production for F…

SOURCE: www.theaterscene.net at 4:18pm on August 6, 2019

Summer Shorts 2019: 13th Annual Festival of New American Short Plays: Series B by Victor Gluck, Editor-in-chief

Neil LaBute's "Appomattox" is the most substantial of the three plays and deals with a topic new to his work. Two long-time friends, Frank, black, and Joe, white, are having a picnic in the …

SOURCE: www.theaterscene.net at 6:11pm on August 5, 2019

Mojada by Victor Gluck, Editor-in-chief

Following up on Luis Alfaro's critically acclaimed Chicano retelling of Sophocles' "Oedipus Rex" called "Oedipus El Rey," The Public Theater now stages his equally relevant and timely "Mojad…

SOURCE: www.theaterscene.net at 10:28pm on August 4, 2019
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