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1,097 stories by "Victor Gluck, Editor-In-Chief"

Macbeth by Victor Gluck, Editor-in-chief

This 2022 "Macbeth" appears to be entirely a director's project, but Sam Gold has done his actors no service with the busy activity he has added to the play. Fine actors like Daniel Craig an…

SOURCE: www.theaterscene.net at 11:55am on May 2, 2022

Hangmen by Victor Gluck, Editor-in-chief

Taking the law into your own hands can be a risky business as Harry Wade and friends find out in Martin McDonagh's hilarious dark comedy "Hangmen" which finally made its Broadway debut after…

SOURCE: www.theaterscene.net at 3:34pm on April 29, 2022

The Minutes by Victor Gluck, Editor-in-chief

Tracy Letts' "The Minutes" is both a fine political comedy as well as an indictment of how most Americans live today. It ultimately asks us to look at our values as well as our connection to…

SOURCE: www.theaterscene.net at 11:52pm on April 24, 2022

Cyrano de Bergerac by Victor Gluck, Editor-in-chief

Playwright Martin Crimp, an adherent of the "in-yer-face" school of British playwriting, has taken Edmond Rostand's turn-of-the-last century verse drama, Cyrano de Bergerac, and not only blo…

SOURCE: www.theaterscene.net at 11:31pm on April 19, 2022

Harmony by Victor Gluck, Editor-in-chief

Although 25 years have gone by since "Harmony" first tried out at the La Jolla Playhouse in San Diego, the Barry Manilow/Bruce Sussman musical about the Comedian Harmonists is still relevant…

SOURCE: www.theaterscene.net at 11:28am on April 18, 2022

Birthday Candles by Victor Gluck, Editor-in-chief

"Birthday Candles" also has an unusual theatrical device: we follow Ernestine Ashford from 17 to 107 meeting her on her various birthdays that are depicted.  The other characters come and…

SOURCE: www.theaterscene.net at 10:01pm on April 15, 2022

Take Me Out by Victor Gluck, Editor-in-chief

As the most respected player in baseball, Williams has a quiet dignity and charm as a man of few words and few outward motions. While his wry remarks do not often come through as humor, he i…

SOURCE: www.theaterscene.net at 4:04pm on April 11, 2022

Penelope, Or How the Odyssey Was Really Written by Victor Gluck, Editor-in-chief

The musical gets a great deal of mileage out of its humor particular in its parody of recognizable tropes. "Penelope, Or How The Odyssey Was Really Written" is an entertaining musical comedy…

SOURCE: www.theaterscene.net at 10:51pm on April 7, 2022

Gong Lum's Legacy by Victor Gluck, Editor-in-chief

On one level, "Gong Lum's Legacy" is revealing in that it demonstrates Southern racism against not only African Americans but also Chinese immigrants who were given the same treatment. On an…

SOURCE: www.theaterscene.net at 12:52pm on April 3, 2022

7 Minutes by Victor Gluck, Editor-in-chief

Given one hour to decide and vote, the union committee must come to a decision in real time. On one level the play is very much like Reginald Rose's "12 Angry Men" in which a group of dispar…

SOURCE: www.theaterscene.net at 12:08pm on March 31, 2022

Help by Victor Gluck, Editor-in-chief

Poet and Yale professor Rankine's play makes use of a narrator/interviewer as her stand-in played by April Matthis. According to program notes by Rankine herself, "The text spoken by white p…

SOURCE: www.theaterscene.net at 6:21pm on March 28, 2022

Heartland by Victor Gluck, Editor-in-chief

While Gabriel Jason Dean's "Heartland" is an enlightening play about Afghan culture mentioning the classic poet Rumi and the contemporary novelist Atiq Rahimi, some of it will still be opaqu…

SOURCE: www.theaterscene.net at 6:48pm on March 27, 2022

what you are now by Victor Gluck, Editor-in-chief

As a play about neuroscience, Sam Chanse's "what you are now" needs a great deal more data and information. As a play about the plight of Cambodian refugees, what are you now needs to be cle…

SOURCE: www.theaterscene.net at 5:06pm on March 21, 2022

Anyone Can Whistle by Victor Gluck, Editor-in-chief

Although when MasterVoices chose the third of the four Stephen Sondheim/Arthur Laurents collaborations, "Anyone Can Whistle," as part of their 80th season at Carnegie Hall, they had no way o…

SOURCE: www.theaterscene.net at 10:18pm on March 20, 2022

Bruise & Thorn by Victor Gluck, Editor-in-chief

C. Julian Jiménez's "Bruise & Thorn" is not for everyone. Older theatergoers may be put off by both the raw language and street slang that they will not know. However, if you want to kn…

SOURCE: www.theaterscene.net at 4:26pm on March 17, 2022

Man Cave by Victor Gluck, Editor-in-chief

Page 73's world premiere of John J. Caswell, Jr.'s "Man Cave" is an exciting, riveting supernatural horror story. While at times it seems overwrought and overstuffed with too many issues, Ta…

SOURCE: www.theaterscene.net at 10:52pm on March 15, 2022

This Space Between Us by Victor Gluck, Editor-in-chief

The world premiere of Peter Gil-Sheridan's "This Space Between Us" gives itself away in its title: it is about a dysfunctional family that does nothing but argue when they get together. Jona…

SOURCE: www.theaterscene.net at 11:56pm on March 9, 2022

On Sugarland by Victor Gluck, Editor-in-chief

Aleshea Harris' third New York stage play following her form-bending "Is God Is" and "What to Send Up When It Goes Down" is epic in all senses of the word: it includes poetry, dance, incanta…

SOURCE: www.theaterscene.net at 11:40pm on March 8, 2022

Goodbye, Mr. Chips by Victor Gluck, Editor-in-chief

The production is a combination of film and theater techniques which keep reminding us that we are watching a dramatization: realistic sets (designed by Jacquelyn Scott) give way to scenes i…

SOURCE: www.theaterscene.net at 4:46pm on March 4, 2022

English by Victor Gluck, Editor-in-chief

You may have never thought about it before but you are defined by your language. Your identity is shaped by the words you have and the words you don't. You can say certain things in one lang…

SOURCE: www.theaterscene.net at 4:30pm on February 28, 2022

The Daughter-in-Law by Victor Gluck, Editor-in-chief

The Mint Theater Company which gave the first New York production of "The Widowing of Mrs. Holroyd," Lawrence's best play and one of the great British tragedies of modern drama, has revived …

SOURCE: www.theaterscene.net at 3:33pm on February 24, 2022

The Music Man by Victor Gluck, Editor-in-chief

Because of changing social mores, some Broadway musicals are assumed to make audiences uncomfortable today. Take for example Rodgers and Hammerstein's "Carousel" whose protagonist is a wife-…

SOURCE: www.theaterscene.net at 11:39pm on February 22, 2022

Black No More by Victor Gluck, Editor-in-chief

"Black No More," the new musical inspired by George S. Schuyler's 1931 Afrofuturist novel, is the most exciting and inventive new show to be seen so far this season in New York though it is …

SOURCE: www.theaterscene.net at 11:49pm on February 19, 2022

The Merchant of Venice (Theater for a New Audience) by Victor Gluck, Editor-in-chief

Arin Arbus, resident director at Theatre for a New Audience, staging her tenth classic for them took a great risk with her new production of Shakespeare's The Merchant of Venice: not only pu…

SOURCE: www.theaterscene.net at 4:51pm on February 16, 2022

Wolf Play by Victor Gluck, Editor-in-chief

Hansol Jung's "Wolf Play" is a fantasy on several levels but it is also rather confusing in its details. Inspired by the true case of an Asian adoptee who was "re-homed" on the Internet when…

SOURCE: www.theaterscene.net at 1:55pm on February 15, 2022
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