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1,097 stories by "Victor Gluck, Editor-In-Chief"

Arcadia by Victor Gluck, Editor-in-chief

This being Bedlam famous for its experimental revivals, the second act is handled differently. The audience is asked to leave their seats in the amphitheater and when they return are given o…

SOURCE: www.theaterscene.net at 4:08pm on November 17, 2023

Poor Yella Rednecks by Victor Gluck, Editor-in-chief

Although playwright Qui Nguyen declared early in his earlier play "Vietgone" that "all characters appearing in this work are fictitious," in his sequel "Poor Yella Rednecks" now at Manhattan…

SOURCE: www.theaterscene.net at 8:08pm on November 16, 2023

Sabbath's Theater by Victor Gluck, Editor-in-chief

Philip Roth's 1995 Rabelaisian novel "Sabbath's Theater" would seem a strange choice for stage adaptation both as it is considered Roth's raunchiest " if not filthiest " book and it moves ar…

SOURCE: www.theaterscene.net at 9:07pm on November 13, 2023

The Frogs by Victor Gluck, Editor-in-chief

MasterVoices acquitted itself well in this deliciously comic concert staging of "The Frogs." Why this Stephen Sondheim score is not better known or revived more often remains a mystery after…

SOURCE: www.theaterscene.net at 3:52pm on November 9, 2023

Partnership by Victor Gluck, Editor-in-chief

The three plays in the "Meet Miss Baker" Project, "The Price of Thomas Scott" in 2019, "Chains" in 2022 and now "Partnership" in 2023 are quite different. While Partnership is the only one y…

SOURCE: www.theaterscene.net at 11:39pm on October 27, 2023

All the Devils Are Here: How Shakespeare Invented the Villain by Victor Gluck, Editor-in-chief

The subtitle of Patrick Page's absorbing and informative one-man show "All the Devils Are Here: How Shakespeare Invented the Villain" is an actuate description of the content of his presenta…

SOURCE: www.theaterscene.net at 9:11pm on October 25, 2023

Salesman 之死 by Victor Gluck, Editor-in-chief

Not only is Jeremy Tiang's "Salesman 之死I" an important document of a classic American play, it is also an illustrative reminder of the cultural differences between China and the U…

SOURCE: www.theaterscene.net at 8:30pm on October 22, 2023

Jaja's African Hair Braiding by Victor Gluck, Editor-in-chief

"Jaja" is quite different from Bioh's other plays in that it is also very revealing about life in NYC for African immigrants. Directed by Whitney White who has piloted several major new Blac…

SOURCE: www.theaterscene.net at 11:51pm on October 10, 2023

Bloodspot by Victor Gluck, Editor-in-chief

Elinor T Vanderburg's "Bloodspot" is a fascinating attempt to create a film noir play for the stage. The visuals do not live up to the script's promise, but it remains entertaining and engro…

SOURCE: www.theaterscene.net at 2:10pm on October 8, 2023

Golden Rainbow by Victor Gluck, Editor-in-chief

The 1968 musical 'Golden Rainbow" (the show that gave us the song sensation "I've Gotta Be Me") was so identified with its stars Steve Lawrence and Edie Gormé that it has not been seen in 5…

SOURCE: www.theaterscene.net at 11:37pm on October 4, 2023

Dracula, A Comedy of Terrors by Victor Gluck, Editor-in-chief

Each generation gets its own version of Bram Stoker's Dracula, the classic vampire horror story, that possibly reflects its  needs of it own time. The latest version now called "Dracula: …

SOURCE: www.theaterscene.net at 10:26pm on September 25, 2023

Mary Gets Hers by Victor Gluck, Editor-in-chief

From the playing style, as directed by Josiah Davis, the play seems to be a spoof. Unfortunately, it is not funny though the actors cheerfully mug their way through Horwitz's text as though …

SOURCE: www.theaterscene.net at 4:54pm on September 23, 2023

Infinite Life by Victor Gluck, Editor-in-chief

Ever since Pulitzer Prize-winning playwright Annie Baker adapted 'Uncle Vanya" for a 2012 production at the Soho Rep, her plays like "The Flick," "John" and "The Antipodes" have becomes more…

SOURCE: www.theaterscene.net at 3:50pm on September 21, 2023

Job by Victor Gluck, Editor-in-chief

Max Wolf Friedlich's "Job" is as tense as a thriller, as compelling as a psychological drama and as up-to-date as tomorrow's headlines. As directed by Michael Herwitz, Peter Friedman and Syd…

SOURCE: www.theaterscene.net at 5:53pm on September 20, 2023

The Creeps by Victor Gluck, Editor-in-chief

Catherine Waller's one person show, "The Creeps", has all the elements of a successful horror show: a macabre setting, dark lighting, off-beat characters, and strange unexplained going-ons. …

SOURCE: www.theaterscene.net at 9:42pm on September 8, 2023

The Tempest (Public Works) by Victor Gluck, Editor-in-chief

Visually, the show is not as effective as it might have been considering the play usually includes a great deal of magic. Here there is very little in the way of scenic illusions or legerdem…

SOURCE: www.theaterscene.net at 6:27pm on August 31, 2023

How to Steal an Election: A Dirty Politics Musical by Victor Gluck, Editor-in-chief

While the misnamed "How to Steal an Election: A Dirty Politics Musical" is no lost masterpiece and at times seems long, it is a diverting political revue which offers an interesting take on …

SOURCE: www.theaterscene.net at 12:30am on August 29, 2023

Pay the Writer by Victor Gluck, Editor-in-chief

Directed by Karen Carpenter, "Pay the Writer" by best-selling novelist Tawni O'Dell is slick and superficial but entertaining and engrossing. The play about the 45 year friendship between an…

SOURCE: www.theaterscene.net at 4:01pm on August 24, 2023

What Else Is True? by Victor Gluck, Editor-in-chief

Another problem with the play is that although the subject is "Improv" we never actually witness any, just theater games to prepare for group improvs. Games like Mind Meld, Mating Call, 99 P…

SOURCE: www.theaterscene.net at 10:42pm on August 21, 2023

Back to the Future: The Musical by Victor Gluck, Editor-in-chief

"Back to the Future: The Musical," the time travel adventure, joins a long line of problematic screen to stage musicalizations which do not improve on the originals in any way. Joining the l…

SOURCE: www.theaterscene.net at 3:35pm on August 16, 2023

Cat Kid Comic Club by Victor Gluck, Editor-in-chief

The family-oriented TheaterWorksUSA's latest musical adaptation of the best-selling children's novels of Dev Pilkey is "Cat Kid Comic Club: The Musical," an exuberant colorful one hour irrev…

SOURCE: www.theaterscene.net at 5:23pm on August 7, 2023

Wheel of Fortune by Victor Gluck, Editor-in-chief

What appears to be filmmaker Jing Ma's first stage play, "Wheel of Fortune" is a touching story of a depressed man about to turn 30 and without a job or a girlfriend. His bad luck changes…

SOURCE: www.theaterscene.net at 6:47pm on August 5, 2023

Flex by Victor Gluck, Editor-in-chief

Whether you follow basketball or not, Candrice Jones' "Flex" is exciting theater. Actually, the play is not only about women's high school basketball but also passions, future plans, romance…

SOURCE: www.theaterscene.net at 10:27pm on August 1, 2023

The Cottage by Victor Gluck, Editor-in-chief

Although Sandy Rustin's "The Cottage," now arrived at Broadway's Helen Hayes Theater, bills itself as "A Romantic and (Not Quite) Murderous Comedy of Manners," it is devoid of the two requir…

SOURCE: www.theaterscene.net at 8:30pm on July 31, 2023

Vermont by Victor Gluck, Editor-in-chief

Another head scratcher is that advance publicity on the play calls it "an uproarious comedy"; however, as there are no more than two laughs in the whole play as currently produced on the sta…

SOURCE: www.theaterscene.net at 11:14pm on July 23, 2023
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