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1,113 stories by "Victor Gluck, Editor-In-Chief"

The Reef (opera workshop) by Victor Gluck, Editor-in-chief

On April 10, 2024, Merkin Hall at Kaufman Music Center presented a tantalizing teaser of a musical evening with the world premiere workshop of only the first act of 2020 Pulitzer Prize-winni…

SOURCE: www.theaterscene.net at 10:09pm on April 13, 2024

Fish by Victor Gluck, Editor-in-chief

Aside from its attempt to cover too much at one time (drug addiction, pregnancy, incarceration, high school dropouts, gun violence, lack of health care, underfunded ghetto schools), "Fish" d…

SOURCE: www.theaterscene.net at 12:17am on April 12, 2024

Water for Elephants by Victor Gluck, Editor-in-chief

Playwright/bookwriter Rick Elice has written the greatest jukebox musical (so far) in his 2005 Jersey Boys. In his adaptation of Sara Gruen's bestselling novel Water for Elephants, he may ju…

SOURCE: www.theaterscene.net at 10:36pm on April 8, 2024

The Notebook: The Musical by Victor Gluck, Editor-in-chief

While the characters age, the use of diversity here has them switch races, so that while one couple has a Black Allie and a white Noah, another has a white Allie and a Black Noah, as well as…

SOURCE: www.theaterscene.net at 3:06pm on April 4, 2024

An Enemy of the People by Victor Gluck, Editor-in-chief

The concept of alternate facts was not created under the Trump Administration. In 1882 Henrik Ibsen wrote "An Enemy of the People" in which a medical report that a town's new spa is polluted…

SOURCE: www.theaterscene.net at 9:58pm on March 31, 2024

Eddie Izzard: Hamlet by Victor Gluck, Editor-in-chief

In this tour de force, Izzard has come up with a different voice and stance for each character: King Claudius is a baritone, Lord Polonius has a limp, Lady Ophelia has a somewhat breathy spe…

SOURCE: www.theaterscene.net at 11:33am on March 30, 2024

Corruption by Victor Gluck, Editor-in-chief

Playwright J.T. Rogers ("Oslo", 2017 Tony Award for Best Play) specializes in dramatizing the backstories to true scandals of which the real details behind the facts never made the news. His…

SOURCE: www.theaterscene.net at 11:57am on March 28, 2024

Illinoise by Victor Gluck, Editor-in-chief

While "Illinoise" does not seem bigger than its individual parts nor transcend them, it is both satisfying and moving. Peck's inventive and derivative choreography at the same time seems to …

SOURCE: www.theaterscene.net at 11:53pm on March 21, 2024

The Effect by Victor Gluck, Editor-in-chief

Soutra Gilmour's setting is a sort of empty runway with the audience sitting on either side. The other props are two black chairs at either end for the two doctors. Scenes are created entire…

SOURCE: www.theaterscene.net at 5:07pm on March 20, 2024

Bedlam's The Assassination of Julius Caesar as Told by William Shakespeare and George Bernard Shaw by Victor Gluck, Editor-in-chief

The play is treated like a rehearsal (a conceit also used by Bedlam in their incomprehensible and lame "Henry IV" workshop in Brooklyn in 2023) with the director (Andrew Rothenberg who also …

SOURCE: www.theaterscene.net at 9:54pm on March 17, 2024

The Ally by Victor Gluck, Editor-in-chief

Itamar Moses' 'The Ally" is a play of ideas not only torn from today's headlines but tomorrow's as well. Ostensibly dealing with the Israeli-Palestinian question on college campuses today, i…

SOURCE: www.theaterscene.net at 5:42pm on March 10, 2024

Brooklyn Laundry by Victor Gluck, Editor-in-chief

John Patrick Shanley has become our poet of lonely, desperate working class people trying to make a connection despite their inadequacies and hang-ups in such plays as "Danny and the Deep Bl…

SOURCE: www.theaterscene.net at 10:53pm on March 9, 2024

The Script in the Closet by Victor Gluck, Editor-in-chief

Playwright Joyce Griffen's idea of farce in her new play "The Script in the Closet" is a series of 48, mostly very short scenes in which to keep the plot going she continually introduces new…

SOURCE: www.theaterscene.net at 10:50pm on March 4, 2024

The Seven Year Disappear by Victor Gluck, Editor-in-chief

While "The Seven Year Disappear" may challenge and confuse many theatergoers, people used to performance art may get the in-jokes. Jordan Seavey whose play "Homos, or Everyone in America" wa…

SOURCE: www.theaterscene.net at 2:08pm on February 29, 2024

Deadly Stages by Victor Gluck, Editor-in-chief

While we could use a good murder mystery stage play, "Deadly Stages" is too derivative to suit the bill. The cast work hard mostly playing multiple roles, but the play seems to have attempte…

SOURCE: www.theaterscene.net at 6:47pm on February 27, 2024

Five, The Parody Musical by Victor Gluck, Editor-in-chief

When she arrives dressed in a white pant suit, Labeija steals the stage with Hillary's number "Miss Me Now" which trumps them all with a series of Broadway parodies paying tribute to Clinton…

SOURCE: www.theaterscene.net at 6:46pm on February 25, 2024

Between Two Knees by Victor Gluck, Editor-in-chief

At the performance under review, part of the audience found the show hilariously funny, while others proverbially sat on their hands. The show makes use of history, parody, satire, burlesque…

SOURCE: www.theaterscene.net at 10:47pm on February 19, 2024

Warrior Sisters of Wu by Victor Gluck, Editor-in-chief

Inspired by 20th century film and video games based on the classic Chinese novel of the 15th century, 'Romance of the Three Kingdoms," Damon Chua's delightful and engrossing "Warrior Sisters…

SOURCE: www.theaterscene.net at 6:51pm on February 17, 2024

The Apiary by Victor Gluck, Editor-in-chief

Unfortunately, at 70 minutes the play seems skimpy. Structured in a great many short scenes, only one thing happens in each, so that there is a sameness to it all. Basically a two character …

SOURCE: www.theaterscene.net at 3:53pm on February 16, 2024

Munich Medea: Happy Family by Victor Gluck, Editor-in-chief

Like its unwieldy title, Corinne Jaber's "Munich Medea: Happy Family" takes its time getting where it is going but is ultimately powerful and revealing in its almost unspeakable tale. It dea…

SOURCE: www.theaterscene.net at 8:51pm on February 15, 2024

Russian Troll Farm: A Workplace Comedy by Victor Gluck, Editor-in-chief

Sarah Gancher's "Russian Troll Farm: A Workplace Comedy" is seemingly torn from the headlines - if this were the lead-up to the 2016 U.S. presidential election which pitted Hillary Clinton a…

SOURCE: www.theaterscene.net at 3:41pm on February 13, 2024

The Following Evening by Victor Gluck, Editor-in-chief

Although written and directed by Abigail Browde and Michael Silverstone of 600 Highwaymen, "The Following Evening" is a tribute and a summing up of the 50 year career and marriage of experim…

SOURCE: www.theaterscene.net at 4:14pm on February 7, 2024

Jonah by Victor Gluck, Editor-in-chief

The play is best at its mysteries which are only slowly revealed. However, audience members may be confused part of the time as to the sequence of events and the relationships. A great deal …

SOURCE: www.theaterscene.net at 11:46am on February 3, 2024

The Greatest Hits Down Route 66 by Victor Gluck, Editor-in-chief

The title of Michael Aguirre's "The Greatest Hits Down Route 66," the story of the Franco family's road trip during the summer of 1999, refers to Carl Sandburg's 1927 "The American Songbag,'…

SOURCE: www.theaterscene.net at 10:20pm on January 28, 2024

Our Class by Victor Gluck, Editor-in-chief

Tadeusz Slobodzianek's "Our Class" is epic in its storytelling and shocking in its specifics. At three hours, the play is never long or boring as every line of dialogue offers new details to…

SOURCE: www.theaterscene.net at 4:58pm on January 26, 2024
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