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103 stories by "Veronica Aloess"

Edinburgh Fringe Festival: Facehunters by Veronica Aloess

Facehunters is mental. It’s a proper rave, The Hungry Bitches (yes that is the company name) know how to party – the floor was vibrating at one point. Not even Rock of Ages manag…

SOURCE: A Younger Theatre at 4:23pm on August 15, 2012

Edinburgh Fringe Review: The Elephant Man by Veronica Aloess

I’ve seen three of Fourth Monkey repertory shows now, and this is my favourite. The Elephant Man is a real story about Joseph Merrick, a man cursed with a severe disfigurement. Joseph …

SOURCE: A Younger Theatre at 11:37am on August 14, 2012

The Two Worlds of Charlie F: a theatre recovery project by Veronica Aloess

Veronica Aloess speaks to ex-marine Cassidy Little, who has learnt to walk again while taking part in this rehabilitation project for wounded, injured and sick armed services personnel.

SOURCE: A Younger Theatre at 7:10am on August 13, 2012

Edinburgh Fringe Festival: Scottish Falsetto Sock Puppet Theatre by Veronica Aloess

Do you get the title? Boo Lingerie " boulangerie " get it? I think it’s brilliant because it sort of embodies what the Scottish Falsetto Sock Puppet Theatre (now there’s a mouthf…

SOURCE: A Younger Theatre at 5:23pm on August 12, 2012

Edinburgh Fringe Review: 4.48 Psychosis by Veronica Aloess

Is there such a thing as ordered chaos? Because I think Fourth Monkey’s off-West End nominated production of 4.48 Psychosis is it. Most theatregoers will be familiar with Sarah Kane…

SOURCE: A Younger Theatre at 2:48pm on August 12, 2012

Edinburgh Fringe Review: The Two Worlds of Charlie F by Veronica Aloess

I find this a very difficult play to review. All plays have something which ties them to reality, however far they seem from it. But The Two Worlds of Charlie F is as close to reality theatr…

SOURCE: A Younger Theatre at 2:06pm on August 12, 2012

Edinburgh Fringe Review: Minotaur by Veronica Aloess

Fourth Monkey Theatre Company have a reputation for working with classical content. With Natalie Katson’s script and direction, the Greek myth of the Minotaur is innovatively delivered…

SOURCE: A Younger Theatre at 5:14am on August 12, 2012

"Raw and honest": an interview with actor Frank C. Keogh by Veronica Aloess

Keogh explores the highs and lows of the industry in the wake of his performance in Ridley's Mercury Fur at the Trafalgar Studios.

SOURCE: A Younger Theatre at 8:57am on July 30, 2012

Review: The Wolves Descend by Veronica Aloess

My high hopes rapidly descended for this opera. The Wolves Descend is advertised to promise something gothic and sinister, but instead it spirals into farce. The cheesily named 'The House of…

SOURCE: A Younger Theatre at 5:47am on July 28, 2012

Review: The Rover by Veronica Aloess

The Rover: sponsored by Ann Summers. Is it not? Woops. Well, it most definitely should be with this X-rated production from Artluxe. Artluxe most definitely embrace the bawdiness of the Rest…

SOURCE: A Younger Theatre at 4:36pm on July 3, 2012

Review Connections Festival: Prince of Denmark by Veronica Aloess

Hamlet is arguably the most popular play in the world. A prequel was always going to divide opinion. Some may say that writing a prequel is a form of treason. But I can't see how this interp…

SOURCE: A Younger Theatre at 8:58am on June 28, 2012

Review Connections Festival: Alice By Heart by Veronica Aloess

The last shows of the Connections Festival are both drawn from stories we know by heart: Hamlet, and in this show: Lewis Carroll's Alice in Wonderland. This story has been told by traditiona…

SOURCE: A Younger Theatre at 3:32am on June 27, 2012

Review: NT Connections Festival 2012: Socialism is Great by Veronica Aloess

Socialism is Great is not a show for young actors, it's a show for the world. It is played by the young theatre company Group 64 with as much strength as any professional adult company could…

SOURCE: A Younger Theatre at 5:33am on June 25, 2012

Review: NT Connections Festival: Victim Sidekick Boyfriend Me by Veronica Aloess

The programme describes Victim Sidekick Boyfriend Me as “a chilling psychological drama”. I wouldn't go that far, but am impressed by the complex way in which writer Hilary Bell …

SOURCE: A Younger Theatre at 5:24am on June 25, 2012

Review: The Fix by Veronica Aloess

The Fix (written by John Dempsey and composed by Dana P.Rowe) hasn't had many revivals since its premiere at the Donmar Warehouse in 1997, and that's a real shame. This musical is catchy as …

SOURCE: A Younger Theatre at 9:20am on June 24, 2012

Michael Lesslie's prince: Hamlet for our generation by Veronica Aloess

Shakespeare gets in your head, according to Michael Lesslie, whose Hamlet prequel, Prince of Denmark, plays at the National as part of NT Connections this week. He tells us more.

SOURCE: A Younger Theatre at 6:13am on June 24, 2012

Review: Tender Napalm by Veronica Aloess

There's a moment in Tender Napalm " one of many " when your stomach clenches, and the friend I came along with droped all pretensions and had to clutch my hand for support. This is the typic…

SOURCE: A Younger Theatre at 10:54am on June 13, 2012

Review: MEAT by Veronica Aloess

MEAT is a play that takes a while to get your teeth into, but once you do, it's tough content to chew. With the first physical confrontation, the initial humdrum kitchen sink drama it's dres…

SOURCE: A Younger Theatre at 8:03am on June 11, 2012

Review: Stories Before Bedtime by Veronica Aloess

Sitting back in the comfy, cosy Criterion Theatre as the lights go down, I can't help but already feel a sense of contentment wash over me. Through these late night staged readings, Stories …

SOURCE: A Younger Theatre at 8:12am on June 5, 2012

Review: Beast by Veronica Aloess

A beast, by definition, is something with more animal than human characteristics: it's savage and instinctive. It will rip you to pieces. This play doesn't do that. Natasha Pryce's direction…

SOURCE: A Younger Theatre at 6:08am on May 31, 2012

Review: The Messiah by Veronica Aloess

Deep down in a World War II bunker in Dalston, I sit down at the last supper and become a part of the greatest story ever told. Steven Berkoff's The Messiah is an interpretation of the last …

SOURCE: A Younger Theatre at 9:01am on May 28, 2012

Review: The Irish Giant by Veronica Aloess

The Irish Giant tackles the age-old rivalry between science and religion, focusing upon the question of whether or not man has a soul: a mighty problem for this little cast. This is explored…

SOURCE: A Younger Theatre at 11:05am on May 27, 2012

Review: The Mystery of Edwin Drood by Veronica Aloess

Forgive my ignorance of a genre which was at its pinnacle two centuries ago, but I have never experienced music hall, the genre which The Mystery of Edwin Drood resurrects to celebrate  D…

SOURCE: A Younger Theatre at 11:00am on May 27, 2012

Review: Jekyll and Hyde by Veronica Aloess

Jekyll and Hyde is a favourite musical for a lot of people, including myself, so it's a brave move to take something so firmly set in the Victorian era and bring it into the twenty-first …

SOURCE: A Younger Theatre at 4:52pm on May 20, 2012

Review: Brimstone and Treacle by Veronica Aloess

Brimstone and Treacle is arguably not so controversial now as when it was originally written for TV in 1976 (but still wasn't screened until ten years later as the Director of Programmes tho…

SOURCE: A Younger Theatre at 4:25am on May 10, 2012
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