The Search for Truth in Putin's Russia
By verity healey. verity healey looks at Teatr.doc's latest show, Torture, and the vital need for "truth-telling" theatre.
By verity healey. verity healey looks at Teatr.doc's latest show, Torture, and the vital need for "truth-telling" theatre.
By verity healey. verity healey discusses themes and productions from Ghent's new theatre festival called same same but different.
'Who has the freedom to force choices onto whom and why?': Kate Hewitt's new take on Stephen Adly Guirgis's play questions the possibility of free will within the penal system, writes Verity…
'Sharp and witty': Verity Healey reviews Kristine Landon-Smith's production of Anouilh's farce about a struggling orchestra in post-war France. The post Review: The Orchestra at Omnibus The…
Verity Healey writes on Stephen Laughton's new play, which explores the impact of an antisemitic attack on a relationship. The post Review: One Jewish Boy at the Old Red Lion Theatre appeare…
By verity healey.
Swiss theatre director Milo Rau's working methods let members of the public into the rehearsal room. Here, he tells Verity Healey why "community theatre IS theatre". The post Milo Rau’…
Youth and age, past and future: Verity Healey reviews Vinay Patel's new play about an Indian couple and their route to London via Kenya. The post Review: An Adventure at Bush Theatre appeare…
"Shouldn't more plays be activist?" Verity Healey explores how shows including E15, My Country and Denmarked intersect with real-life protest movements. The post How verbatim work is bringi…
Towards the light. The post Zone of Silence appeared first on Exeunt Magazine NYC.