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47 stories by "Van Badham"

Bryony Kimmings on her 'big-dick-swinging' show: 'Three times we've had people faint' by Van Badham

Reliving her postnatal trauma in I'm a Phoenix, Bitch led to a breakdown and spider hallucinations. These days, Kimmings is all about 'self-care on steroids' "I don't want people to faint, b…

SOURCE: The Guardian at 3:48am on September 16, 2019

'What is Solaris?': sci-fi classic gets gender-flipped for mainstage adaptation by Van Badham

David Greig and Matthew Lutton take on the somewhat impregnable cult story, which premieres in Australia before transferring to Scotland It's the lure of the unknowable that drew the Austral…

SOURCE: The Guardian at 10:48pm on June 25, 2019

'Break walls and open doors': Robert Lepage on war, theatre and sibling rivalry by Van Badham

As the Québécois director's acclaimed play The Far Side of the Moon arrives in Australia, he reflects on the dramatic link between family fallouts and geopolitics Theatremaker Robert Lepag…

SOURCE: The Guardian at 12:00pm on February 5, 2018

Randy Rainbow: taking Trump apart one show tune at a time | Van Badham by Van Badham

The Trump resistance has become sing-a-long-able, thanks to a 30-something man from Queens and his YouTube channelNorth Korea insists war with America is inevitable! Puerto Rico has no drink…

SOURCE: The Guardian at 10:04pm on September 28, 2017

Black Rider review " Tom Waits, William S Burroughs musical is beautiful but cold by Van Badham

Malthouse theatre, MelbourneMeow Meow steals the show from a diverse " or disparate " cast, but the cult fable resonates regardlessIt's a helluva thing to be born to play the devil … but t…

SOURCE: The Guardian at 4:06am on September 21, 2017

Globe-trotting replica theatre pops up in Melbourne with rare Shakespeare experience by Van Badham

Pop-up Globe theatre is the world's first full-scale temporary working replica of London's second Globe from the 1600sShakespeare compared breasts to globes in The Rape of Lucrece, and used …

SOURCE: The Guardian at 8:48am on September 13, 2017

Melbourne festival: show me The Money and I'll decide how to spend it by Van Badham

An interactive show functions as both a love letter to democracy and an explainer of the frustrations of the democratic process"Democracy," declares Jonathan Holloway, "is about doing someth…

SOURCE: The Guardian at 10:44pm on October 24, 2016

Melbourne festival 2016: deeply personal melds with public spectacle in triumph for curator by Van Badham

Artistic director Jonathan Holloway infuses his electrifying first Melbourne festival with a series of interior realisations that reckon with the public self There are few reviews that centr…

SOURCE: The Guardian at 10:40pm on October 22, 2016

Australian theatre 2017 previewed: the pick of the season's crop by Van Badham

Not sure what to see at the theatre next year? Van Badham selects the most promising works, from experimental debuts to revivals of unbeatable classicsThe Australian habit of year-in-advance…

SOURCE: The Guardian at 10:07pm on September 29, 2016

Melbourne theatre productions show the difference 40 years of feminism make by Van Badham

Double Indemnity offers female archetypes, Trilogy is a feminist masterwork and Quippings has been called 'crip burlesque'Melbourne Theatre Company's production of Double Indemnity is both g…

SOURCE: The Guardian at 7:07pm on July 6, 2016

'A state of desperation': battlers of the arts reflect on Australia Council furore by Van Badham

Meanjin, Next Wave festival, Express Media and Force Majeure are just four of 62 arts companies which had their funding cut by Australia CouncilI was living in a wooden house in Bulli when t…

SOURCE: The Guardian at 2:45am on May 23, 2016

Miss Julie review " stalkerish camera feed provides up-close look at human nature by Van Badham

Melbourne Theatre Company, Southbank TheatreDirector Kip Williams's electric staging of Strindberg classic uses technology to pump up a once-radical dissection of ordinary human livesThere a…

SOURCE: The Guardian at 11:53pm on May 1, 2016

Picnic at Hanging Rock review " vanishing schoolgirls haunt a new generation by Van Badham

Malthouse Theatre, MelbourneThis retelling of the Joan Lindsay cult classic proves the book's postcolonial theme remains relevant " and will terrify the pants off youJoan Lindsay's Picnic at…

SOURCE: The Guardian at 1:33am on March 3, 2016

How Malthouse Theatre plans to bring Picnic at Hanging Rock to the stage by Van Badham

Artistic director Matthew Lutton won the coveted rights by promising to be faithful to Joan Lindsay's cult novel and its themes of white Australia in a mysterious landscapeWhen Matthew Lutto…

SOURCE: The Guardian at 8:52pm on February 22, 2016

Alan Cumming shows some emotion on his Sappy Songs Australian tour by Van Badham

The performer returns to cabaret for a series of shows in Melbourne and Sydney. While they may be sappy, he tells Van Badham, they will also be funnyHe's won an Olivier award and a Tony, he'…

SOURCE: The Guardian at 6:42am on January 8, 2016

Hugh Jackman's Broadway to Oz review " the screamingly camp end of large by Van Badham

Rod Laver Arena, MelbourneThings can't get much camper than a gyrating, can-can kicking Jackman taking us through his life and times, complete with glitter maracas and disco ballsHugh Jackma…

SOURCE: The Guardian at 10:30pm on November 24, 2015

A Social Service review " Melbourne artist-in-residence drama hits home by Van Badham

Malthouse theatre, MelbourneDavid Woods and Nicola Gunn hook-up for a funny and topical handling of a subject " housing policy " few Australian theatre-makers would go nearThe greatest chall…

SOURCE: The Guardian at 1:42am on August 18, 2015

After the budget: shh! Australia's era of artistic silencing begins by Van Badham

Attorney general George Brandis has a history of making loud statements about freedom. Why, as arts minister, is he opposed to arm's length funding? Continue reading...

SOURCE: The Guardian at 4:48am on May 13, 2015

Endgame review " innovation choked by Samuel Beckett's strict staging edicts by Van Badham

Southbank Theatre, MelbourneBeckett's play was once spectacularly fresh, but Endgame's staging brief now seems conservative and leaves modern audiences feeling estranged Continue reading...

SOURCE: The Guardian at 9:16pm on April 5, 2015

Alan Seymour unravelled not just Anzac day but Australia's 'knotty roots' by Van Badham

His play The One Day of the Year famously challenged Anzacery, but it's Seymour's take on class, education and family that ensure his legacyAs a battered, school-issue staple of countless hi…

SOURCE: The Guardian at 3:57am on March 24, 2015

Circa: Beyond review " this is what feminist circus looks like by Van Badham

Regal theatre, Perth festivalQueensland's finest upends expectations of who gets to be strong, tough, brave or balletic in the circus " with lots of tumbles and leaps along the way Continue …

SOURCE: The Guardian at 9:56pm on February 18, 2015

Not I, Footfalls, Rockaby review " a technical masterclass in Beckett by Van Badham

State Theatre of Western Australia, Perth festivalLisa Dwan's perfomance in this Samuel Beckett triptych impresses even as the plays themselves communicate their drama from a cold distance C…

SOURCE: The Guardian at 6:13pm on February 18, 2015

Matthew Mitcham's Twists and Turns review " beautiful for its imperfections by Van Badham

Fringe World, PerthThe Olympic Gold medallist is a diver not a comic, but this moving cabaret of his life story lets him shine through show tunes, chanson, ukelele and a trampoline Continue …

SOURCE: The Guardian at 11:32pm on February 16, 2015

Australian theatre in 2014: the year of interesting plays in unexpected places by Van Badham

A strong season of local productions worth travelling for scarcely received due attention before suffering the stern economy of short seasons' Australian art in 2014: the year of protest, po…

SOURCE: The Guardian at 12:46am on December 19, 2014

Hipbone Sticking Out review a tale of two cultures, a play of two halves by Van Badham

Ambitious vision, epic themes and excellent performances combine in a piece of theatre as complex as the relationship between black and white Australia Continue reading...

SOURCE: The Guardian at 3:52am on October 19, 2014
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