Review: May-We-Go-Round? at Brighton Festival by Tracey Sinclair

Fizzing with wit and invention: Tracey Sinclair reviews The Hiccup Project's performance at the Brighton Festival. The post Review: May-We-Go-Round? at Brighton Festival appeared first on E…

SOURCE: exeuntmagazine.com at 7:44am on May 26, 2017☆⚑

Tristan and Yseult review at the Brighton Festival " 'a fizzing, intoxicating cocktail' by Tracey Sinclair

Kneehigh’s revival of its hit Tristan and Yseult " premiering at the Brighton Festival before touring " is a vibrant, vivid whirlwind

SOURCE: The Stage Registration at 6:13am on May 25, 2017☆⚑

Souvenir review at Theatre Royal, Brighton " 'engaging, eclectic style' by Tracey Sinclair

Cabaret star Meow Meow brings her engaging, eclectic style to the Brighton Festival for this specially commissioned song cycle on the history

SOURCE: The Stage Registration at 6:00am on May 23, 2017☆⚑

Review: Naked Girls Reading featuring Burlexe at the Brighton Fringe by Tracey Sinclair

Nudity made mundane: Tracey Sinclair reviews a night that's midway between burlesque show and literary salon. The post Review: Naked Girls Reading featuring Burlexe at the Brighton Fringe a…

SOURCE: exeuntmagazine.com at 7:00am on May 22, 2017☆⚑

No Dogs, No Indians review at the Spire, Brighton " 'uneven look at colonialism' by Tracey Sinclair

Penned in the Margins' No Dogs, No Indians " a Brighton Festival world premiere " is an ambitious if sprawling examination of

SOURCE: The Stage Registration at 11:51am on May 19, 2017☆⚑

Review: Jonny & The Baptists: Eat The Poor at The Old Market, Brighton by Tracey Sinclair

Underpinned with a fury at the injustice of it all: Tracey Sinclair is completely won over by Jonny Donahoe and Paddy Gervers' musical about 'Rich Bastard Tories'. The post Review: Jonny &…

SOURCE: exeuntmagazine.com at 11:21am on May 16, 2017☆⚑

Review: Endings at the Old Market, Brighton by Tracey Sinclair

Tracey Sinclair reviews Tamara Saulwick's meditation on modern death as part of the Brighton Festival. The post Review: Endings at the Old Market, Brighton appeared first on Exeunt Magazine.

SOURCE: exeuntmagazine.com at 4:56am on May 11, 2017☆⚑

Raising Lazarus review at Attenborough Centre, Brighton " 'poignant, warm, vivid' by Tracey Sinclair

Kat Francois' Raising Lazarus skilfully blends the personal and political. The show takes the form of a poignant look at her family’s

SOURCE: The Stage Registration at 6:12am on May 10, 2017☆⚑

Review: The Crucible at the Theatre Royal Brighton by Tracey Sinclair

Despite a slightly muddled production, Tracey Sinclair finds that Arthur Miller's The Crucible remains as compelling and relevant as ever. The post Review: The Crucible at the Theatre Royal …

SOURCE: exeuntmagazine.com at 10:12am on April 25, 2017☆⚑

Retro(per)spective at the Marlborough Theatre, Brighton by Tracey Sinclair

More than a greatest hits medley: Tracey Sinclair reviews Split Britches's revisiting of over three decades of work. The post Retro(per)spective at the Marlborough Theatre, Brighton appeare…

SOURCE: exeuntmagazine.com at 6:54am on April 21, 2017☆⚑

Ray Cooney's Out of Order review at Theatre Royal, Brighton " 'energetically played' by Tracey Sinclair

While many people might envision celebrating their 85th year with a sherry and a nice sit down, Ray Cooney is marking his

SOURCE: The Stage Registration at 7:21am on March 23, 2017☆⚑

Working Class Dinner Party by Tracey Sinclair

"I find myself getting up...and saying my piece". Tracey Sinclair writes on her unexpectedly personal response to 'Working Class Dinner Party', hosted by performance artists Scottee, Selina …

SOURCE: exeuntmagazine.com at 4:49am on March 20, 2017☆⚑

Holiday on Ice: Believe review at Brighton Centre " 'stunning set pieces' by Tracey Sinclair

The first collaboration between long-running show Holiday on Ice's producers Stage Entertainment and Olympic champion Christopher Dean, Believe is billed as a

SOURCE: The Stage Registration at 5:57am on January 5, 2017☆⚑