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307 stories by "Tracey Paleo"

"Matter / Doesn't Matter" by Tracey Paleo

Kevin Delin analyzes AEA logic through a theory of "matter / doesn't matter" in the union's treatment of Los Angeles theater. It turns out when "Matter" is exposed to "Doesn't Matter," the t…

SOURCE: Footlights at 3:25am on June 25, 2015

$150 Pay Scheme for Reviews Hurts L.A. Theatre by Tracey Paleo

So you're a theater having a hard time getting audiences. A new pay-for-play scheme under way by the ever-tempestuous L.A.-based theater website Bitter Lemons allows you to pay the web…

SOURCE: Footlights at 3:25am on June 25, 2015

Is Paying for Reviews the New Journalism? by Tracey Paleo

Bitter Lemons, a theatre website based in Los Angeles, has announced a new business model in which productions pay writers to review their productions.  Time Out's David Cote Weighs in on…

SOURCE: Footlights at 3:25am on June 25, 2015

It's Challenging Being an Actor in L.A. by Tracey Paleo

Being an Actor in a Town Full of Them. Union actor Wendy Worthington reflects on the underlying purpose of creating theater in Los Angeles, pursuing and acting career and how her union's cha…

SOURCE: Footlights at 3:25am on June 25, 2015

In For a Penny: A little "Bitter" by Tracey Paleo

My knowledge of the LA theatre scene isn't as intimate of my knowledge of the Bay Area scene, so I'm forced to ask: Is Bitter Lemons so vital to the stability of the scene that it can mak…

SOURCE: Footlights at 3:25am on June 25, 2015

Pay Your Money, Take Your Chances by Tracey Paleo

Pay your money! Is This Any Way to Run a Theatre Review Site? This year, Bitter Lemons' annual critic's panel wasn't a discussion of the state of L.A. theatre criticism so much as a defense …

SOURCE: Footlights at 3:25am on June 25, 2015

Elephant On The Move by Tracey Paleo

For the last sixteen years, The Lillian Theatre has been home to The Elephant Theatre Company, in addition to housing hundreds of other groups and companies, putting up multiple award winnin…

SOURCE: Footlights at 3:25am on June 25, 2015
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