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1,387 stories by "Tony Frankel"

Regional Theater Review: SOME LOVERS (The Old Globe in San Diego) by Tony Frankel

ALL I WANT FOR CHRISTMAS IS A GOOD STORY After winning two Tony awards in 2007 for book and lyrics of Spring Awakening, Steven Sater teamed up with the one-and-only Burt Bacharach to write s…

SOURCE: Stage and Cinema at 2:38pm on December 16, 2011

Chicago Theater Review: PENELOPE (Steppenwolf Theatre) by Tony Frankel

SUITORS SUIT ILL-FITTING SUITS Enda Walsh, scribe of The Walworth Farce and The New Electric Ballroom, is one of the great polarizing writers in modern theater:  his admirers love the Eng…

SOURCE: Stage and Cinema at 4:37pm on December 12, 2011

Upcoming Los Angeles Theater: ALLEGRO (Perpetual Surrey at the Met Theatre in Hollywood " One Night Only) by Tony Frankel

UNAPPRECIATED MASTERPIECE OR ABJECT FAILURE? Richard Rodgers and Oscar Hammerstein began the Golden Era of Broadway with two musicals that reimagined the previous form of musical comedies " …

SOURCE: Stage and Cinema at 10:55am on December 1, 2011

Los Angeles Theater Review: THE COMEDY OF ERRORS (Shakespeare's Globe Theatre at The Broad Stage in Santa Monica) by Tony Frankel

AN ERROR IN COMEDY One of Shakespeare's earliest plays, The Comedy of Errors, is also his shortest and most farcical. In fact, while scholars argue over the classification of other Bard work…

SOURCE: Stage and Cinema at 3:30pm on November 15, 2011

Regional Theater Review: CHITA RIVERA: MY BROADWAY (Samueli Theatre at Segerstrom Center for the Arts in Costa Mesa) by Tony Frankel

QUEEN OF THE GYPSIES It's a relief that Chita Rivera, one of the last great holdovers from the Golden Age of Broadway still performing today, told the audience in Costa Mesa that she doesn't…

SOURCE: Stage and Cinema at 7:49pm on November 12, 2011

Los Angeles Theater (Upcoming): FANNY (Musical Theatre Guild at the Alex Theatre in Glendale) by Tony Frankel

GET SOME FANNY There are many reasons to see the revival of Harold Rome's 1954 musical Fanny at the Alex Theatre, but you only have one shot. Musical Theatre Guild (MTG), an Equity company o…

SOURCE: Stage and Cinema at 3:11am on November 10, 2011

Los Angeles Theater Review: VIGIL (Mark Taper Forum) by Tony Frankel

SITTING VIGIL FOR THE CENTER THEATRE GROUP, OR LIVING ON BORROWED THEATER Vigil, which was first done in Canada in 1995, is an oft-produced play, having been translated into 19 languages. At…

SOURCE: Stage and Cinema at 6:50pm on November 9, 2011

Regional Theater Review: THE TRIP TO BOUNTIFUL (South Coast Repertory in Costa Mesa, CA) by Tony Frankel

YOU CAN GO HOME AGAIN A trip to South Coast Rep is exactly what was needed to shake off the blues of this year's morass of over-produced and/or over-written theater. The Trip to Bountiful, H…

SOURCE: Stage and Cinema at 4:36pm on November 9, 2011

Los Angeles Theater Review: NEXT FALL (Geffen Playhouse) by Tony Frankel

FALL FLAT My extreme reluctance to recommend Next Fall should not necessarily deter you from seeing it. Stay with me here.  Geoffrey Nauffts' Tony-nominated play, which concerns a gay cou…

SOURCE: Stage and Cinema at 7:32pm on November 8, 2011

Los Angeles Theater Review: HAIRSPRAY (Musical Theatre West at Carpenter Performing Arts Center in Long Beach) by Tony Frankel

MANAGEABLE HAIR Say what you will about Musical Theatre West's fluffy season selections, including Winter Wonderettes, Forbidden Broadway and Spamalot, this company continues to collect an a…

SOURCE: Stage and Cinema at 5:37pm on November 5, 2011

Los Angeles Theater Review: TWELFTH NIGHT, OR WHAT YOU WILL (A Noise Within in Pasadena) by Tony Frankel

A BIGGER NOISE NEEDS TO BE MADE WITHIN A Noise Within (ANW), one of the nation's leading classical repertory theatre companies, has done the unimaginable: after 19 seasons in a Masonic build…

SOURCE: Stage and Cinema at 2:49am on November 3, 2011

Los Angeles Theater Review: PEACE IN OUR TIME by Noël Coward (Antaeus Company at Deaf West Theatre " "Stubbs Special" Cast) by Tony Frankel

A COWARD IN PEACETIME [Undelivered letter to Noël Coward discovered in North Hollywood:] My Darling Noël: Sir Anthony here, writing to you from the palm-drenched regions of Los Angeles…

SOURCE: Stage and Cinema at 7:12pm on October 27, 2011

Los Angeles Theater Review: GROUNDLINGS SCIENCE FAIR (The Groundlings Theatre) by Tony Frankel

THIS FAIR IS JUST THAT: FAIR Science Fairs are an opportunity for students to apply scientific methods to an experiment and present them at a competition. The best way to take first prize fr…

SOURCE: Stage and Cinema at 9:46am on October 27, 2011

Los Angeles Theater Review: THE ROBBER BRIDEGROOM (International Center Theatre in Long Beach) by Tony Frankel

A BRIDEGROOM ROBBED OF ITS CHARM Anxiously anticipating The Robber Bridegroom at International City Theatre (ICT), I felt like an excited bride who had already slept with her soon-to-be husb…

SOURCE: Stage and Cinema at 9:38pm on October 21, 2011

Chicago Theater Review: FOLLIES (Chicago Shakespeare Theater) by Tony Frankel

'TIS FOLLY TO OVERPRAISE FOLLIES The buzz in the lobby of Chicago Shakespeare Theater (CST) on opening night of Stephen Sondheim's landmark 1971 musical Follies was palpable; people from aro…

SOURCE: Stage and Cinema at 7:43pm on October 21, 2011

Chicago Theater Review: CLYBOURNE PARK (Steppenwolf Theatre) by Tony Frankel

TWO PLAYS IN ONE What is the purpose of theater? Some say that it is to reflect reality while being entertaining, enlightening, and/or educating. Yet when Shakespeare wrote that theatre is d…

SOURCE: Stage and Cinema at 8:33pm on October 17, 2011

Chicago Theater Review: THE SHADOW OF A GUNMAN (Seanachaí Theatre Company at the Irish American Heritage Center) by Tony Frankel

THE SHADOW OF A GREAT PLAY The birth of the Irish Republic occurred around Dublin in 1916. Aiming to end British rule, Irish Volunteers staged an insurrection known as the Easter Rising, a r…

SOURCE: Stage and Cinema at 11:29pm on October 15, 2011

Chicago Theater Review: THE REAL THING (Writers' Theatre in Glencoe) by Tony Frankel

WHO IS TO SAY WHAT IS REAL? Tom Stoppard is the thinking person's playwright. Ever since his breakout hit Rosencrantz and Guildenstern are Dead in 1967, the erudite scribe has been earmarked…

SOURCE: Stage and Cinema at 5:51pm on October 11, 2011

Chicago Theater Review: SNAPSHOTS: A MUSICAL SCRAPBOOK (Northlight Theatre in Skokie) by Tony Frankel

WHAT WE FIND IN THE ATTIC IS A CASE OF THE CUTES It was a privilege to witness Snapshots: A Musical Scrapbook at Northlight Theatre, for this reviewer has never seen anything like it before.…

SOURCE: Stage and Cinema at 5:37pm on October 11, 2011

Chicago Theater Review: BRAND by Henrik Ibsen (Red Tape Theatre Company at St. James Episcopal Church) by Tony Frankel

LITERATURE NOT MEANT TO BE STAGED Halfway through the first act of Brand at Red Tape theatre, it occurred to me that I had no idea what was going on. First of all, it can be argued that Henr…

SOURCE: Stage and Cinema at 5:19pm on October 11, 2011

Chicago Theater Review: SWEENEY TODD (Drury Lane Theatre in Oakbrook Terrace) by Tony Frankel

THIS MUSICAL IS MURDER Dear Drury Lane Theatre: Since your production of Sweeney Todd is closing this week, please allow me to write a love letter to you for giving me the privilege of witne…

SOURCE: Stage and Cinema at 2:12am on October 8, 2011

Chicago Theater Review: RED (Goodman Theatre) by Tony Frankel

A PALE SHADE OF RED The closing stage picture in John Logan's 2010 Tony-winning Red at the Goodman is about as thrilling and breathtaking as theatre gets: as Abstract Expressionist painter M…

SOURCE: Stage and Cinema at 4:29am on October 2, 2011

Chicago Theater Review: THE AMISH PROJECT (American Theater Company) by Tony Frankel

FORGIVE AND FORGET The Amish people of Nickel Mines, Pennsylvania taught the world a sobering lesson in 2006 when they instantly forgave the man who murdered five girls in their one-room sch…

SOURCE: Stage and Cinema at 11:10pm on September 28, 2011

Regional Theater Review: GHOST LIGHT (New Theatre at Oregon Shakespeare Festival) by Tony Frankel

GHOST LIGHT LEAVES US IN THE DARK Assassin Dan White ensured Harvey Milk's legacy when he shot the openly gay San Francisco politician. The gay community continues to hold Milk as a martyr t…

SOURCE: Stage and Cinema at 1:52am on September 21, 2011

Regional Theater Review: LOVE'S LABOR'S LOST (Elizabethan Stage at Oregon Shakespeare Festival) by Tony Frankel

LOVE'S LABOR'S LOST, FOUND, LOST, LOST, AND FOUND I'm not so sure that this William Shakespeare has a future as a playwright. Oh, the man can write, but his newest play, Love's Labor's Lost …

SOURCE: Stage and Cinema at 1:28am on September 21, 2011
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