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1,387 stories by "Tony Frankel"

Los Angeles Theater Review: LINCOLN " AN AMERICAN STORY (Pasadena Playhouse in Pasadena) by Tony Frankel

THE DISNEYFICATION OF LINCOLN’S DEATH In many ways, Hershey Felder is a theater machine. In his four previous self-crafted one-man shows, the earnest and multi-talented actor/pianist/c…

SOURCE: Stage and Cinema at 3:36am on March 31, 2012

Regional Theater Review: A ROOM WITH A VIEW (The Old Globe in San Diego) by Tony Frankel

A CHARMING MUSICAL WITHOUT A VIEW Theatre lore maintains that creating a successful new musical for the stage is more difficult and trying than creating peace in the Middle East. Noticing th…

SOURCE: Stage and Cinema at 4:03am on March 27, 2012

Los Angeles Theater Review: WORKING (Lex Theatre in Hollywood) by Tony Frankel

SOMEHOW, IT KEEPS ON WORKING For those who have never seen the 1978 musical Working, the Production Company's current revival may be somewhat of a revelation. The subtitle of Studs Terkel's …

SOURCE: Stage and Cinema at 3:18am on March 23, 2012

Regional Theater Review: ANNA CHRISTIE (The Old Globe in San Diego) by Tony Frankel

ODD CASTING CHOICE NEARLY SINKS SHOW There is a perplexing and ultimately infuriating casting choice in the Old Globe's production of Anna Christie that nearly sinks Eugene O'Neill's 1921 ta…

SOURCE: Stage and Cinema at 1:54pm on March 21, 2012

Los Angeles Theater Review: THE SPIDEY PROJECT: WITH GREAT POWER COMES GREAT RESPONSIBILITY (Studio/Stage in Los Angeles) by Tony Frankel

OH WHAT A TANGLED WEB WE WEAVE While Theatre Unleashed's cast and crew have a gloriously and unashamedly good time bringing The Spidey Project to the West Coast, it's a shame that their sour…

SOURCE: Stage and Cinema at 12:25pm on March 19, 2012

Los Angeles Theater Review: AMERICAN NIGHT: THE BALLAD OF JUAN JOSÉ (Kirk Douglas Theatre in Culver City) by Tony Frankel

AMERICAN NIGHT SUCKS, BUT IT SWALLOWS Juan José, a Mexican cop sick of being on-the-take, has crossed the border in search of citizenship, leaving his pregnant wife behind. Panicking over f…

SOURCE: Stage and Cinema at 12:48pm on March 17, 2012

Los Angeles Theater Review: THE COLOR PURPLE (Celebration Theatre in Hollywood) by Tony Frankel

HATE THE MUSICAL, BUT LOVE, LOVE, LOVE THE PRODUCTION Whether you love or hate the musical version of The Color Purple, no one, and I mean no one, can or will deny that this is one of the fi…

SOURCE: Stage and Cinema at 2:00pm on March 15, 2012

Regional/National Tour Dance Feature: ALVIN AILEY AMERICAN DANCE THEATER (Segerstrom Center for the Arts in Costa Mesa) by Tony Frankel

ALVIN AILEY " REMEMBER HIS NAME AIDS wreaked havoc on the theater world in all of its incarnations, and the crushing effects of its devastation remain with us today. So many ingenious cre…

SOURCE: Stage and Cinema at 2:54am on March 2, 2012

Los Angeles Theater Review: THREE YEAR SWIM CLUB (East West Players in Los Angeles) by Tony Frankel

THREE YEAR SWIM CLUB SWIMS UP STREAM Ever since mankind began telling tales, the "overcoming adversity" story has remained ever-popular. From cave wall pictures depicting a hunter's prowess …

SOURCE: Stage and Cinema at 11:07pm on February 22, 2012

Chicago Theater Review: TOO MUCH LIGHT MAKES THE BABY GO BLIND (The Neo-Futurarium in Chicago) by Tony Frankel

A BLUEPRINT FOR ACTIVISM The Occupy Wall Street movement would do well to take a tip from the longest running show in Chicago, Too Much Light Makes The Baby Go Blind (TML). The event may tak…

SOURCE: Stage and Cinema at 10:59pm on February 22, 2012

Los Angeles Theater Review: MAN OF LA MANCHA (Carpenter Performing Arts Center in Long Beach) by Tony Frankel

TO STAGE AN IMPOSSIBLE DREAM Now in its 60th season, Musical Theatre West (MTW) is currently reviving Man of La Mancha with the astronomical performance of Davis Gaines as its driving for…

SOURCE: Stage and Cinema at 12:06am on February 19, 2012

Regional Theater Review: THE SOUND OF MUSIC (3-D Theatricals at Plummer Auditorium in Fullerton) by Tony Frankel

3-D THEATRICALS MAKES QUITE A SOUND The 70MM, Panavision aerial shot of Julie Andrews, Christopher Plummer and entourage trekking over the border into Switzerland in The Sound of Music (1965…

SOURCE: Stage and Cinema at 2:36pm on February 18, 2012

Bay Area Theater Review: BODY AWARENESS (Aurora Theatre in Berkeley) by Tony Frankel

PLAYWRIGHT AWARENESS With three produced plays under her belt, Annie Baker is quickly becoming THE playwright to watch in the American Theatrical landscape. Her first play, Body Awareness (o…

SOURCE: Stage and Cinema at 9:58pm on February 15, 2012

Bay Area Theater Review: JESUS IN INDIA (Magic Theatre in San Francisco) by Tony Frankel

THE GREATEST STORY NEVER TOLD 18 year-old Jesus of Nazareth has heard some distressing news from his sucky carpenter of a father, so he bails Galilee with his whiny, Girl, Interrupted-like f…

SOURCE: Stage and Cinema at 6:41pm on February 13, 2012

Bay Area Theater Review: A STEADY RAIN (Marin Theatre Company in Mill Valley) by Tony Frankel

MIST OPPORTUNITY I was troubled after the opening of the West Coast Premiere of Chicago playwright Keith Huff's A Steady Rain at Marin Theatre Company. I couldn't shake the feeling that this…

SOURCE: Stage and Cinema at 4:37pm on February 11, 2012

Los Angeles Theater Review: ART (The Pasadena Playhouse) by Tony Frankel

ART OR NOT, IT'S A FUN PLAY Yasmina Reza's oft-produced Art (English translation by Christopher Hampton) may be singularly responsible for the current plethora of new plays today billed as "…

SOURCE: Stage and Cinema at 1:16am on February 10, 2012

Regional Theater Review: THE RECOMMENDATION (The Old Globe in San Diego) by Tony Frankel

WHEN RECOMMENDATIONS DON’T TURN OUT AS HOPED FOR Aaron Feldman, the charismatic, bright, and privileged protagonist of Jonathan Caren's promising but highly unwieldy new play The Recom…

SOURCE: Stage and Cinema at 8:58pm on February 8, 2012

Regional Theater Review: A BEHANDING IN SPOKANE (Cygnet Theatre in San Diego) by Tony Frankel

THE SHOW ABOUT THE HAND THAT GIVES YOU THE FINGER I get a thrill when I think of the tourists who are milling about Old Town in San Diego. Exhausted from tchotchke shopping and sugary treats…

SOURCE: Stage and Cinema at 12:13pm on February 4, 2012

Regional Theater Review: DIVIDING THE ESTATE (Old Globe Theatre in San Diego) by Tony Frankel

THE FEATS OF THE FOOTES America is preoccupied with an unstable economy, tax increases, oil profiteering, cash deficiencies, and the plummeting worth of real estate. Yet history does indeed …

SOURCE: Stage and Cinema at 11:47am on February 4, 2012

Regional Theater Review: LONESOME TRAVELER (Laguna Playhouse in Orange County) by Tony Frankel

EXCELLENCE VS. HOKUM With Lonesome Traveler, a compendium of the golden years of American folk music, writer/director James O'Neil has developed a long-winded and incoherent revue that is mo…

SOURCE: Stage and Cinema at 3:01am on February 4, 2012

Los Angeles Theater Review: FRUIT FLY (Celebration Theatre) by Tony Frankel

HERE COMES MR. JORDAN Have you ever been to a sultry party that has the oppressive feel of a languid, humid day in the Deep South, only to have the energy shift dramatically when a raconteur…

SOURCE: Stage and Cinema at 3:32pm on January 31, 2012

Los Angeles Theater Review: OUR TOWN (The Broad Stage in Santa Monica) by Tony Frankel

THE VALUE IN SIMPLICITY The purposefully simplistic proceedings of David Cromer's production of Our Town may seem bold and innovative to some, especially to those weaned on Broadway spectacl…

SOURCE: Stage and Cinema at 5:12pm on January 22, 2012

Los Angeles Theater Review: JACKIE FIVE-OH! (The Renberg Theatre at the L.A. Gay & Lesbian Center) by Tony Frankel

OWNING HER INNER KVETCH In Michael Wex's treatise Born to Kvetch, he asserts that Kvetching (complaining) is not only a pastime for Jews " it's a way of life. Kvetching can be applied indiff…

SOURCE: Stage and Cinema at 2:24pm on January 21, 2012

Los Angeles Theater Review: THE BEAUTY QUEEN OF LEENANE (The Production Company) by Tony Frankel

BLACK COMEDY AND KITCHEN SINK DRAMA: AN IRISH STEW While the horror and suspense merely simmer in The Beauty Queen of Leenane " Martin McDonagh's 1996 black comedy " the dark humor, bleaknes…

SOURCE: Stage and Cinema at 11:53pm on January 18, 2012

Bay Area Theater Review: THE WILD BRIDE (Berkeley Repertory Theatre) by Tony Frankel

GO TO THE DEVIL Within the manifesto of Kneehigh " an avant-garde, world-class theater company based in Cornwall, England " is a simple but mighty statement: Kneehigh tells stories.  By r…

SOURCE: Stage and Cinema at 12:58pm on January 6, 2012
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