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1,397 stories by "Tony Frankel"

Los Angeles Theater Review: FELLOWSHIP! (Steve Allen Theater in Hollywood) by Tony Frankel

RING IT ON! I hadn't read J.R.R. Tolkien's The Fellowship of the Ring since junior high, and the movie, which is the first installment of Peter Jackson's gorgeous film trilogy The Lord of th…

SOURCE: Stage and Cinema at 3:15pm on June 28, 2012

Los Angeles Theater Review: THE BLACK GLASS (Hollywood Fringe Festival) by Tony Frankel

WHAT WE HAVE HERE IS A FAILURE TO COMMUNICATE Somewhere around half-way through Guy Zimmerman's The Black Glass, a "Hollywood Fringe Festival premiere," my mind began to wander. Every opport…

SOURCE: Stage and Cinema at 9:14pm on June 23, 2012

Los Angeles Theater Review: THE SAVANNAH DISPUTATION (The Colony Theatre in Burbank) by Tony Frankel

A MISSIONARY'S POSITION At rise: A critic is writing when the doorbell rings. The critic opens the door and reveals Savannah, a perky, Southern, cheerleader-type with pamphlets in her hand. …

SOURCE: Stage and Cinema at 2:12am on June 20, 2012

Los Angeles Theater Review: LANGUAGE ROOMS (Los Angeles Theatre Center) by Tony Frankel

ATTEND THIS PLAY Go see Language Rooms now. I bought a ticket with no intention of a review, but Yussef El Guindi is far and away one of the most exciting new playwrights I have heard in yea…

SOURCE: Stage and Cinema at 1:47pm on June 16, 2012

Los Angeles Theater Review: SHENANDOAH (Alex Theatre and Sherr Forum) by Tony Frankel

A MUSICAL DIVIDED CAN STILL STAND How I adore Musical Theatre Guild, which is presenting a full-out, highly professional concert staging of the 1975 musical Shenandoah. MTG offers the chance…

SOURCE: Stage and Cinema at 12:41am on June 16, 2012

Los Angeles Theater Review and Commentary: NO WAY AROUND BUT THROUGH (Falcon Theatre in Burbank) by Tony Frankel

NO WAY The current production of No Way Around But Through, a world premiere play by Scott Caan, contains many ingredients that explain why L.A. has little to no reputation as a fountainh…

SOURCE: Stage and Cinema at 9:00pm on June 11, 2012

Chicago Theater Review: IMMEDIATE FAMILY (Goodman's Owen Theatre in Chicago) by Tony Frankel

GUESS WHO'S COMING TO THE WEDDING DINNER? Immediate Family, written by Chicago actor and playwright Paul Oakley Stovall, is part sitcom and part dysfunctional family drama, garnished with ra…

SOURCE: Stage and Cinema at 1:13pm on June 11, 2012

Los Angeles Theater and Tour Review: THE ADDAMS FAMILY (Pantages Theatre) by Tony Frankel

REAPPLYING MAKE-UP ON THE SAME CORPSE Your enjoyment of The Addams Family, now on its National Tour, will depend largely on your expectations. If you are a discerning musical theater aficion…

SOURCE: Stage and Cinema at 3:59pm on June 10, 2012

Los Angeles Theater Review: LOS OTROS (Mark Taper Forum) by Tony Frankel

¿POR QUÉ? I have been trying to figure out sixty ways from Sunday's opening of Los Otros just exactly how to approach a critique. The new one-act musical by composer Michael John LaCh…

SOURCE: Stage and Cinema at 12:33pm on June 6, 2012

Los Angeles Theater Review: VERY STILL & HARD TO SEE (Lex Theatre in Hollywood) by Tony Frankel

VERY IMPERVIOUS AND HARD TO GET, OR WHAT THE HELL..? I'm debating whether or not to tell you to go to Hell. Should you choose to go, playwright Steve Yockey will take you there in the world …

SOURCE: Stage and Cinema at 2:41am on June 5, 2012

Los Angeles Theater Review: SYNESTHESIA (Bootleg Theater) by Tony Frankel

PIECE OF EIGHT Conceived by Ashlin Halfnight and Melanie Sylvan at New York's Electric Pear Productions, Synesthesia can easily be classified in the "Why Didn't I Think of That?" Department.…

SOURCE: Stage and Cinema at 7:40pm on May 29, 2012

Los Angeles Theater Review: STONEFACE (Sacred Fools in Hollywood) by Tony Frankel

TOO MUCH TRAGEDY SPOILS CLEVER CONCEIT Prior to curtain at Sacred Fools' production of Stoneface, the packed house watched samplings of Buster Keaton's films, projected on a screen center st…

SOURCE: Stage and Cinema at 7:12pm on May 28, 2012

Los Angeles Theater Review: IT IS DONE (Pig 'N Whistle in Hollywood) by Tony Frankel

IT IS (BUT SHOULDN'T BE) DONE There was something that felt particularly showcase-y about It Is Done, which can best be described as a 22-minute episode of The Twilight Zone laboriously stre…

SOURCE: Stage and Cinema at 3:27pm on May 26, 2012

Regional Theater Review: THE SCOTTSBORO BOYS (Old Globe in San Diego) by Tony Frankel

AN AMERICAN TRAGEDY BECOMES A MUSICAL COMEDY 1931 was a crossroads in American history. With no economic recovery in sight, the Depression had people edgy, and when Americans are edgy, they …

SOURCE: Stage and Cinema at 6:16pm on May 24, 2012

Los Angeles Theater Review: NOBODY LOVES YOU (Old Globe in San Diego) by Tony Frankel

MUSICAL TAKES ON REALITY TV What better place than the stage to examine the phenomenon of Reality TV? One would hope that by now, Americans would be wise to the fact that these shows, whethe…

SOURCE: Stage and Cinema at 3:23pm on May 23, 2012

Los Angeles Theater Review: CAMP LOGAN (Los Angeles Theatre Center) by Tony Frankel

BONA FIDE ACTING FUELS DIDACTIC SCRIPT At about the same time that the United States entered WWI, units of the 24th Infantry Regiment, one of the Army's four black regiments, set up camp on …

SOURCE: Stage and Cinema at 4:13pm on May 21, 2012

Los Angeles Theater Review: CHICAGO (Pantages Theatre in Hollywood) by Tony Frankel

WHERE IS MRS. O’LEARY’S COW WHEN YOU NEED HER? Had the inexhaustible 57-year-old Christie Brinkley performed "Roxie" on America's Got Talent, I would have demanded that she make …

SOURCE: Stage and Cinema at 3:57pm on May 19, 2012

Los Angeles Theater Review: A LITTLE NIGHT MUSIC (East West Players in Los Angeles) by Tony Frankel

IT WOULD HAVE BEEN WONDERFUL East West Players' cross-cultural take on the Stephen Sondheim/Harold Wheeler musical A Little Night Music highlights one of the most shimmering and romantic sco…

SOURCE: Stage and Cinema at 2:12am on May 19, 2012

Los Angeles Theater Review: CRESCENT CITY: A HYPEROPERA (Atwater Crossing in Glendale) by Tony Frankel

BETTER BE ON YOUR AVANT-GARDE Have you ever eaten at a new restaurant and summed it up thusly?: "I have no idea what I just ate! It was a little tough to chew and digest, but the presentatio…

SOURCE: Stage and Cinema at 1:33pm on May 18, 2012

Los Angeles Theater Review: THE GIRL MOST LIKELY TO (Los Angeles Theatre Center) by Tony Frankel

A CAPTIVATING GENDER-BENDING STORY In Michael Premsrirat's thoroughly engaging The Girl Most Likely To, an unnamed teenage Boy (a winning Tobit Raphael) is, and always has been, in the wrong…

SOURCE: Stage and Cinema at 8:22pm on May 15, 2012

Los Angeles Theater Review: HANDS ON A HARDBODY (La Jolla Playhouse) by Tony Frankel

THE PAINT JOB ON THIS PROMISING MUSICAL NEEDS DARKER COLORS NPR's This American Life is where I first heard about the 1997 film Hands on a Hard Body, which documented a 1995 dealership-spons…

SOURCE: Stage and Cinema at 5:33pm on May 15, 2012

Los Angeles Theater Review: CYRANO (Fountain Theatre in Los Angeles) by Tony Frankel

DEAFTRAP Writer Stephen Sachs and the Fountain Theatre have come up with what would appear to be a fresh approach to Rostand's classic play, Cyrano de Bergerac. In this modern-day version, C…

SOURCE: Stage and Cinema at 12:43pm on May 15, 2012

Chicago Theater Review: OPUS 1861: THE CIVIL WAR IN SYMPHONY (City Lit Theater) by Tony Frankel

A WAR OF IDEAS For the first forty-five minutes of City Lit's OPUS 1861, a miracle occurred: I wept. Consistently. The simple but mighty idea is this: six actors dressed in simple army fatig…

SOURCE: Stage and Cinema at 4:23pm on May 11, 2012

Chicago Theater Review: TIMON OF ATHENS (Chicago Shakespeare Theater on Navy Pier in Chicago) by Tony Frankel

TIMON ON OUR HANDS OK, raise your hand if you have read Shakespeare's Timon of Athens. No? Do you even know how to say Timon? It is pronounced TIME-uhn. Have you seen a production? Probably …

SOURCE: Stage and Cinema at 7:04pm on May 3, 2012

Chicago Theater Review: THE DUCHESS OF MALFI (Strawdog Theatre Company in Chicago) by Tony Frankel

TOO MANY THEATER INGREDIENTS SPOIL THE BROTH If there were a Joseph Jefferson Award simply for risk-taking in the theatre, Brandon Bruce would most assuredly win for his direction of John We…

SOURCE: Stage and Cinema at 1:45am on May 2, 2012
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