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1,387 stories by "Tony Frankel"

Los Angeles / Regional Theater Review: THE FANTASTICKS (South Coast Rep in Costa Mesa) by Tony Frankel

FANTASTIC, INDEED Fantasticks may be the longest running musical in America, but Amanda Dehnert's magical production at South Coast Rep should run forever. The backdrop for this timeless won…

SOURCE: Stage and Cinema at 5:36pm on May 23, 2013

Los Angeles Theater Review: FRATERNITY (Ebony Repertory Theatre) by Tony Frankel

A FRATERNITY OF MASTER THESPIANS At its core, Jeff Stetson's Fraternity is about the two options that face black men in today's society (or, at least, the society of Birmingham in 1987, when…

SOURCE: Stage and Cinema at 4:02am on May 23, 2013

Los Angeles Theater Review: THE CRUCIBLE (Antaeus) by Tony Frankel

BEDEVILED An off-stage character is tortured by a Salem court in Arthur Miller's The Crucible, a play which dramatizes the Salem witch trials of 1692. As heavy stones are placed upon his che…

SOURCE: Stage and Cinema at 4:14am on May 18, 2013

Los Angeles Theater Preview: MACK & MABEL (Musical Theatre West) by Tony Frankel

NOW THIS YOU GOTTA SEE Of the 32 shows I attended in Chicago recently, the most charming experiences were with four musical revivals, three from Broadway's heyday — the 1930s through t…

SOURCE: Stage and Cinema at 9:16pm on May 15, 2013

Chicago Theater Reviews: THE SILENT LANGUAGE (TUTA Theatre Chicago) & THE ELEPHANT AND THE WHALE (Chicago Children's Theatre) by Tony Frankel

A fascinating phenomenon is occurring in the theater, one which was elucidated by many shows that I saw in Chicago over the past couple of weeks. As the art of playwriting (to wit: storytell…

SOURCE: Stage and Cinema at 5:34pm on May 9, 2013

Chicago Theater Review: IVYWILD (The Hypocrites at Chopin Theater) by Tony Frankel

I REMEMBER THE AMUSEMENT PARK BUT FORGOT WHAT THE RIDE WAS ABOUT The more I think about the Hypocrites' latest theater spectacle, Ivywild, the more entranced I feel about the imaginative pro…

SOURCE: Stage and Cinema at 6:31pm on May 7, 2013

Chicago Theater Review: OKLAHOMA! (Lyric Opera) by Tony Frankel

CORNOGRAPHY It's been 70 years since Rodgers and Hammerstein ushered in the "golden era" of Broadway musicals with Oklahoma! and some dust has settled on the green corn of the 40s. Well, an …

SOURCE: Stage and Cinema at 2:58pm on May 5, 2013

Stage and Cinema Interview: MICHAEL PERETZIAN (Director of DYING CITY at Rogue Machine in L.A.) by Tony Frankel

DYING TO DIRECT It turns out that a career as a top literary agent at William Morris and CAA served as a solid stepping-stone for Michael Peretzian's dream job: directing in theater. As an a…

SOURCE: Stage and Cinema at 1:24pm on May 4, 2013

Chicago Theater Review: COLLECTED STORIES (American Blues Theater) by Tony Frankel

PERFECTED STORIES Ever since Donald Margulies’ Collected Stories premiered at South Coast Rep in 1996, and especially after it hit the Broadway boards starring Linda Lavin in 2010, the…

SOURCE: Stage and Cinema at 1:05pm on May 4, 2013

Chicago Theater Review and Commentary: THE EMPEROR'S NEW THREADS (Lifeline Theatre) by Tony Frankel

LEAVE IT TO CHILDREN’S THEATER TO MAKE THE BIGGEST STATEMENT OF ALL The biggest opening in Chicago last week was the behemoth pre-Broadway spectacle Big Fish, but right across to…

SOURCE: Stage and Cinema at 3:43pm on April 30, 2013

Chicago Theater Review: THE LAKE EFFECT (Silk Road Rising at Chicago Temple) by Tony Frankel

BLIZZARD TALE In meteorology, the phenomena known as Lake Effect occurs when a cold system glides over the warmer water of a large lake and dumps huge amounts of precipitation, usually snow,…

SOURCE: Stage and Cinema at 2:30pm on April 29, 2013

Chicago Theater Review: PLOUGHED UNDER: AN AMERICAN SONGBOOK (House Theatre at Chopin) by Tony Frankel

PLOUGHED UNDER BY GOOD INTENTIONS AND BAD SONGWRITING What a great idea: Create modern folk songs to represent Americans whose voices have been given short shrift (or ploughed under) b…

SOURCE: Stage and Cinema at 1:52pm on April 29, 2013

Chicago Theater Review: CORE OF THE PUDEL (Trap Door Theatre) by Tony Frankel

FAUST IN SPACE Just because I recommend Trap Door's latest production doesn't mean that I understand it. Core of the PUDEL (pronounced "poodle") is an Avant Garde/Experimental/Movement Theat…

SOURCE: Stage and Cinema at 2:00am on April 27, 2013

Chicago Theater Review: YELLOW MOON (Writers' Theatre in Glencoe) by Tony Frankel

ALMOST A FULL MOON The theater has been sorely affected by electronic communication. Since the advent of the internet, at least, the cumbersome amount of news bits and twittering has infecte…

SOURCE: Stage and Cinema at 12:48am on April 26, 2013

Los Angeles Theater Review: SEVEN BRIDES FOR SEVEN BROTHERS (La Mirada Theatre for the Performing Arts) by Tony Frankel

OH BROTHERS! Seven Brides for Seven Brothers: Talk about a musical with a strange history! It begins with the Ancient Roman legend "The Rape of the Sabine Women" " attributed to Plutarch " f…

SOURCE: Stage and Cinema at 10:48am on April 18, 2013

Los Angeles Theater Review: A CHORUS LINE (Musical Theatre West in Long Beach) by Tony Frankel

THE MUSICAL WITH LEGS Musical Theatre West's (MTW) exuberant production of A Chorus Line proves that the musical is as fresh as the day it appeared almost forty years ago, when the standard …

SOURCE: Stage and Cinema at 1:06pm on April 15, 2013

Los Angeles Theater Review: OUR CLASS (Son of Semele at Atwater Village Theatre) by Tony Frankel

SO MANY ATROCITIES IN ONE EVENING When stories appear which elucidate the carnage during WWII, many look to heaven and ask, "Why?" But the script and execution of Our Class, about a true-lif…

SOURCE: Stage and Cinema at 4:06pm on April 13, 2013

San Diego Theater Review: A DOLL'S HOUSE (Old Globe, Sheryl and Harvey White Theatre) by Tony Frankel

NO GOOD DEED GOES UNPUNISHED Henrik Ibsen stated that he had no conscious thought of making propaganda with A Doll's House (1879). Yet many productions have a feminist bent: Nora is the misu…

SOURCE: Stage and Cinema at 2:26am on April 8, 2013

Los Angeles Theater Review: MELANCHOLIA (Los Angeles Theatre Center) by Tony Frankel

BETWEEN IRAQ AND A HARD PLACE A soldier named Mario returns from Iraq just in time for the 2005 New Year's celebration with his East Los Angeles family, friends and novia " but he also retur…

SOURCE: Stage and Cinema at 7:13pm on April 6, 2013

San Diego Opera Review: MURDER IN THE CATHEDRAL (San Diego Opera) by Tony Frankel

MURDER IN THE CATHEDRAL Although he wrote at least 15 complete operas, Ildebrando Pizzetti (1880-1968) is not a familiar name, even to many in the opera world. The first-generation modernist…

SOURCE: Stage and Cinema at 4:25pm on April 2, 2013

Los Angeles Theater Review: LUNCH LADY COURAGE (Cornerstone at Cocoanut Grove Theater) by Tony Frankel

FOOD FIGHT Using Brecht's Mother Courage and her Children (1939) as a template, writer Peter Howard has created a wartime tale about the need to survive in challenging times. But the war isn…

SOURCE: Stage and Cinema at 3:56pm on March 31, 2013

Los Angeles Opera Review: CINDERELLA (LA Opera at Dorothy Chandler Pavilion) by Tony Frankel

EVERYBODY HAS A BALL AT THIS CINDERELLA Gioachino Rossini's Cinderella (La Cenerentola) was written in 1817 during the bel canto era when operas were written to showcase beautiful singing, b…

SOURCE: Stage and Cinema at 9:58pm on March 27, 2013

Los Angeles Theater Review: THE NETHER (Kirk Douglas Theatre in Culver City) by Tony Frankel

NETHER NOR Reality is the state of things as they actually exist, right? Not anymore. It's fascinating that the World English Dictionary defines reality as "the state of things as they are o…

SOURCE: Stage and Cinema at 12:40pm on March 26, 2013

Los Angeles Theater Review: ON THE SPECTRUM (Fountain Theatre) by Tony Frankel

HAVING ISSUES WITH ISSUES Ken LaZebnik's On the Spectrum, which opened last week at the Fountain Theatre, belongs to a genre known as Theatre of Identity, aka Social Issues Theatre; the idea…

SOURCE: Stage and Cinema at 2:50am on March 25, 2013

Los Angeles/Regional Theater Review: THE WHALE (South Coast Repertory in Costa Mesa) by Tony Frankel

NOT WORTH THE WEIGHT The title of Samuel D. Hunter's The Whale refers to three things. The first is Charlie, a homebound, 600-pound tutor who instructs online classes in expository writing. …

SOURCE: Stage and Cinema at 2:08pm on March 22, 2013
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