SHINE ON, ETERNAL LIGHT In just twenty years of existence, Morten Lauridsen's gorgeous choral masterwork Lux Aeterna has become one of the most performed works worldwide. Under direction …
SNOB HIT Well, that was boring. Of all the people on the planet who should understand the difference between theater and an underwhelming fringe entry (low cost and well-meaning with no s…
AÂ LIMPÂ STIFF Before composer Stephen Flaherty and lyricist Lynn Ahrens were, well, the Flaherty and Ahrens who created Once on This Island, Ragtime, Suessical, et al., they were a youn…
JERSEY CASH COW Jersey Boys, the terrific 2004 jukebox musical inspired by the story of pop sensation Frankie Valli & the Four Seasons, is one of the greatest triumphs in Broadway histor…
CD GETS NEITHERÂ BRONX CHEER NOR FUGGEDABOUDIT It began as a 1989 solo play written by and starring Chazz Palminteri. Robert DeNiro saw this coming-of-age saga and became the powerhouse be…
A GREAT STATE FAIR Corny? Completely! Simple and sentimental? Sure! Did I love it? You betcha! Rarely performed since its Broadway outing in 1996, Rodgers and Hammerstein’s frolicking …
PHILLIPE JORDAN, LORD OF THE RING Little more than 200 years since the birth of Wagner, and the world still can't get enough of the German composer. Love him or hate him, he is one of the mo…
COME SALUTE THE END OF AN ERA It’s a bit surreal, but the the theater community’s longest-running AIDS-related benefit is having its final fundraiser on Saturday May 13, 2017. Th…
PRIMO AND PRIMO A strange thing happened on the way to the duo piano recital of the once-married pianists Martha Argerich and Stephen Kovacevich at Disney hall last Saturday. A few minutes b…
THEATER ON TAPE Once the mainstay of fringe festivals and performance art houses, one-person plays showcasing the likes of James Whitmore and Lily Tomlin became financially viable in the lat…
IT’S TIME FOR S’MORE GROUNDLINGS Who doesn’t love sitting around a campfire scaring the crap outta some brat? Who doesn’t love canoe trips down a rocky brook? Who …
THOSE SUMPTUOUS STRINGS OF SIBELIUS Fresh-faced and vital, Finnish conductor Esa-Pekka Salonen returned to the Los Angeles Philharmonic in a program centered on Finland's greatest composer, …
THIS COMEDY IS TRAGIC Painfully unfunny to the point of torture, Falcon Theatre’s production of The Complete History of Comedy (abridged) puts a nail in the coffin of vaudevil…
THE DANCING ENTRANCES, BUT THE BOOK DOESN’T STAND A CHANCE Back in the era that spawned musicals with tunes by Gershwin, Kern, Porter, and Rodgers, the Broadway Musical Comedy book …
WHIPPED INTO SUBMISSION Explaining the creation of his 1924 two-act ballet, Richard Strauss stated, “I cannot bear the tragedy of the present time. I want to create joy.” Thus wa…
TETZLAFF PLAYS DVOŘÃK There was atmosphere galore in Christian Tetzlaff’s intense interpretation of the Dvořák Violin Concerto last night at Disney Hall, but something was…
INTO THE SOUL OF INTO THE WOODS When I first saw Fiasco Theatre’s production of Into the Woods, it was without reservation that I told friends it was worth the drive from Los Angele…
HIT AND MYTH In Sophocles’ Antigone, the titular character has returned to Thebes to warn her brothers, Eteocles and Polyneices, about a prophecy that predicts they will kill each o…
IF PIZZA BE THE FOOD OF LOVE… Well, that was frustrating. Now at the Wallis in Beverly Hills is England’s Filter Theatre, which deconstructs Twelfth Night to the bare walls (l…
A NIGHT THAT WILL BE A DREAM Franz Schubert, the quintessential Romantic composer of the 19th century, was loved by Irish avant-garde novelist, playwright, poet and director Samuel BeckettÂ…
HERE COMES MR. JORDAN Get ready, cats. The best musical revue since Ain’t Misbehavin’ is coming to Los Angeles, and I’m warning you well in advance: I promise you–yep…
LET ME MAKE THIS PERFECTLY CLEAR Prior to yesterday's matinee, the last of a two-performance run of Nixon in China presented by LA Phil, I wondered who would make up the audience for a re…
THAT GIRL, THAT BOY…HELL, THAT STAR It was well over 30 years ago that I first saw writer, actor and drag legend Charles Busch. Not only was he hi-larious in his long-running Off-Br…
AILEY IS ALWAYS A REVELATION(S) After many happy visits to the Music Center’s Dorothy Chandler Pavilion, Alvin Ailey Dance Theater returns to unleash a sumptuous, three-program showcas…
YOU’LL FALL IN LOVE WITH AMOUR “I wanted to write an opera-bouffe, an intimate evening with light, lyrical singing and delicate charm,” wrote composer Michel Legrand. ̶…