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1,396 stories by "Tony Frankel"

Theater Review: ACCIDENTAL DEATH OF AN ANARCHIST (The Actors' Gang in Los Angeles) by Tony Frankel

ACCIDENTAL DEATH OF A PLAY Anarchy is not chaos. The former means "without law" and the latter means "without form." This is an important distinction to consider in a play that intends to ma…

SOURCE: Stage and Cinema at 7:55pm on March 19, 2019

CD Review: RENT (Original Soundtrack of the Live Television Event) by Tony Frankel

TOO BAD THEY DIDN'T RAISE THE RENT Rent has a romantic history: Jonathan Larson, its author and composer, died suddenly of an aortic aneurysm on Jan. 25, 1996, 10 days before his 36th birthd…

SOURCE: Stage and Cinema at 5:29pm on March 18, 2019

Theater Review: CATS (National Tour, 2019) by Tony Frankel

KITTY LITTER If I had my way, the slogan for Cats would be changed from "Now and Forever" to "Not Now, Not Ever." Even when I saw the show back in the early 80s and again in the early 90s, I…

SOURCE: Stage and Cinema at 2:49pm on March 18, 2019

CD Review: THE MUSIC OF HARRY POTTER AND THE CURSED CHILD (Imogen Heap) by Tony Frankel

HARRY POTTER AND THE RECYCLED RECORDING ENGINEER Jack Thorne's immensely popular two-part play, Harry Potter and the Cursed Child, has taken up residence in London, New York, and Melbourne, …

SOURCE: Stage and Cinema at 5:25pm on March 17, 2019

Theater Review: NO, NO, NANETTE (Candlelight Pavilion Dinner Theater in Claremont) by Tony Frankel

A YES AND NO NANETTE When the 1925 musical No, No, Nanette was revised and remounted in 1971, it was predicted to be a flop by folks in the Biz, but it was the buzz of the season with nostal…

SOURCE: Stage and Cinema at 3:58am on March 15, 2019

Los Angeles Theater Review: ESCAPE FROM GODOT (YARD Theater) by Tony Frankel

WE'RE STILL WAITING You're watching a play but you have no idea what's happening. There is no plot, the dialogue is gobbledygook, and characters are filled with despair, yet you are told tha…

SOURCE: Stage and Cinema at 8:06pm on March 12, 2019

Theater Review: THE JUDAS KISS (Boston Court) by Tony Frankel

LOVE CONQUERS COMMON SENSE My takeaway about Oscar Wilde in David Hare's intellectually stimulating but overly static play of ideas, The Judas Kiss, now at Boston Court, is this: The literar…

SOURCE: Stage and Cinema at 3:58am on March 7, 2019

Theater Review: THE CRIPPLE OF INISHMAAN (Antaeus Theatre) by Tony Frankel

CRIPPLE THE FUN Funny and heartbreaking, Martin McDonagh's The Cripple of Inishmaan is nothing less than a slalom run of emotional ups and downs and plot twists and turns. Antaeus Theatre's …

SOURCE: Stage and Cinema at 2:12am on February 28, 2019

Theater Review: WITNESS UGANDA (The Wallis) by Tony Frankel

WITNESSING UGANDA IS AMAZING, EVEN THOUGH THE SHOW NEEDS WORK Griffin is a young black New York actor in search of more than a career. When he is kicked out of his church choir because he's …

SOURCE: Stage and Cinema at 2:36am on February 26, 2019

Theater Review: LIGHTS OUT: NAT "KING" COLE (Geffen Playhouse in Westwood) by Tony Frankel

UNFORGETTABLE AND FORGETTABLE AT THE SAME TIME Well, here's a show that, while it doesn't defy description, is nonetheless perplexing. As with Matthew Borne's Cinderella, now playing across …

SOURCE: Stage and Cinema at 8:16pm on February 21, 2019

Theater Review: MINNIE'S BOYS (Musical Theatre Guild at the Alex Theatre) by Tony Frankel

BOY OH BOYS With a fun and intermittently funny score by Hal Hackady (lyrics) and Larry Grossman (music), perky, adorable, enterprising direction by J. Scott Lapp, and some shining performan…

SOURCE: Stage and Cinema at 2:12am on February 14, 2019

Los Angeles Theater Review: TWO TRAINS RUNNING (The Matrix Theatre) by Tony Frankel

RUNNING ON FULL After producer Sophina Brown's celebrated production last year of King Headly II — one of ten dramas of the late August Wilson's 2oth-century chronicle The Pittsburgh C…

SOURCE: Stage and Cinema at 1:37pm on February 8, 2019

Theater Review: TITANIC (Candlelight Pavilion Dinner Theater in Claremont) by Tony Frankel

A MORE INTIMATE TITANIC MADE EPIC It’s telling that the 1997 musical Titanic won Tony Awards for each nomination — Best Musical, Peter Stone’s book, Maury Yeston’s sc…

SOURCE: Stage and Cinema at 2:45am on February 4, 2019

Theater Review: HELLO, DOLLY! (National Tour) by Tony Frankel

BUCKLEY BUCKLES A BIT, BUT DOLLY DEFINITELY DELIVERS To start with, let's agree to never say "Goodbye, Dolly." Thornton Wilder's genius for the common touch isn't just a golden legacy in …

SOURCE: Stage and Cinema at 8:37pm on January 31, 2019

Theater Review: SWEENEY TODD: THE DEMON BARBER OF FLEET STREET (South Coast Rep) by Tony Frankel

IT COULD HAVE BEEN MURDER Stephen Sondheim's Sweeney Todd: The Demon Barber of Fleet Street is a musical that never fails to impress, no matter how many times it’s been seen. It …

SOURCE: Stage and Cinema at 7:56pm on January 27, 2019

Concert Review: BERNADETTE PETERS (Disney Hall) by Tony Frankel

SAINT BERNADETTE Now that she’s hung up her late-Victorian hat after taking over for Bette Midler in Hello, Dolly! on Broadway last year, the inimitable Bernadette Peters has embarked …

SOURCE: Stage and Cinema at 2:57am on January 25, 2019

CD Review: SOMETHING FOR THE BOYS (2018 Studio Recording on PS Classics) by Tony Frankel

SOMETHING SWELL FOR MUSICAL LOVERS A studio recording of Cole Porter’s 1943 boisterously farcical musical Something for the Boys has just been released, and producer and PS Class…

SOURCE: Stage and Cinema at 6:15pm on January 20, 2019

Theater Review: 1776 (La Mirada Theatre) by Tony Frankel

YOU SAY YOU WANT A REVOLUTION? How remarkable to have been a fly on the wall when the creators of 1776, the 1969 musical receiving a terrific La Mirada Theatre/McCoy Rigby revival, were d…

SOURCE: Stage and Cinema at 9:29pm on January 15, 2019

Theater Review: MIDDLE8 (Stella Adler Theatre) by Tony Frankel

GREAT CHORUS, GREAT BRIDGE, GREAT INTRO WONKY SUPERSTRUCTURE A middle 8 is a section in song structure — usually in the middle and consisting of eight bars — that is used to a…

SOURCE: Stage and Cinema at 8:15pm on January 11, 2019

Theater Preview: AN INSPECTOR CALLS (The Wallis) by Tony Frankel

SOCIETY UNDER CLOSE INSPECTION An Inspector Calls was first performed in 1945 at a time of great change — both World Wars were fresh in the minds of the people, women had become mor…

SOURCE: Stage and Cinema at 10:20pm on December 26, 2018

Theater Review: SHE LOVES ME (Actors Co-op) by Tony Frankel

LITTLE SHOP OF HAPPINESS I'll be the first to admit that it may be impossible to create a bad production of the 1963 jewel-box musical She Loves Me. This perfect show, based on the 1937 play…

SOURCE: Stage and Cinema at 5:58pm on December 5, 2018

Theater Preview: SOUTH PACIFIC (Rubicon Theatre Company in Ventura) by Tony Frankel

SOME ENCHANTED EVENING INDEED At about 8 am on December 7, 1941, Japanese planes filled the sky over Pearl Harbor, Hawaii. Bombs and bullets rained onto the vessels moored below on the Unite…

SOURCE: Stage and Cinema at 2:42pm on December 3, 2018

CD Review: HYMN (Sarah Brightman) by Tony Frankel

TIME TO SAY GOODBYE She stands on the cover of her latest album, Hymn, like a diva who just came down from Sinai with the word of God, but instead of 10 Commandments, the British Broadway, W…

SOURCE: Stage and Cinema at 3:29pm on November 30, 2018

Review: COME FROM AWAY (North American Tour) by Tony Frankel

A NEWFOUND(LAND) WAY OF LOOKING AT MUSICAL THEATER This intimate ensemble piece may only have one stand-alone song, and it may not even be the best-crafted musical or have the emotional impa…

SOURCE: Stage and Cinema at 6:05pm on November 29, 2018

Theater Review: HUGHIE / KRAPP'S LAST TAPE (Geffen Playhouse) by Tony Frankel

BEAUTIFUL DESPAIR BY A MASTER THESPIAN The river of lost souls can be found in Westwood, and your magnificent tour guide is Brian Dennehy. In this coupling of one-acts by Eugene O’Neil…

SOURCE: Stage and Cinema at 8:54pm on November 16, 2018
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