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1,395 stories by "Tony Frankel"

Off-Broadway Live & Streaming: CIRCLE JERK (Connelly Theater) by Tony Frankel

IT'S A LOT TO TAKE IN, BUT TAKE IT IN YOU MUST Fake Friends, which co-created the zany streaming event This American Wife (review), are very very bright and insightful, au courant about the …

SOURCE: Stage and Cinema at 3:54pm on May 26, 2022

Broadway Review: HOW I LEARNED TO DRIVE (Manhattan Theatre Club at Samuel J. Friedman Theatre) by Tony Frankel

HOW I LEARNED TO LOVE THEATER Some plays take time to come into their own but they're well worth a wait. Twenty-five years after its Off-Broadway debut, Paula Vogel's seminal wonder How I Le…

SOURCE: Stage and Cinema at 2:49am on May 25, 2022

Commentary and Los Angeles Theater Review: TAMBO & BONES (Kirk Douglas Theatre) by Tony Frankel

N-WORD, PLEASE! In six words, Samuel Beckett devours the human experience: "Birth was the death of him." This line permeates not just A Piece of Monologue (1979), but all of the master's wor…

SOURCE: Stage and Cinema at 11:57pm on May 24, 2022

Theater Review: TIGER STYLE! (South Coast Rep) by Tony Frankel

THIS TIGER IS KING Tiger Style! at South Coast Rep is refreshing for many reasons. First, it's really funny. Playwright Mike Lew crafts his script like a super-smart teenager, mixing insight…

SOURCE: Stage and Cinema at 7:12pm on May 24, 2022

Theater Review: KING LEAR (The Wallis in Beverly Hills) by Tony Frankel

DID EVERYONE AT THE WALLIS NOT REALIZE THAT THE PLAY'S THE THING? One of the greatest travesties in L.A. theater history arrived at The Wallis last weekend, and I still have the emotional sc…

SOURCE: Stage and Cinema at 3:40am on May 21, 2022

Theater Review: METAMORPHOSES (A Noise Within) by Tony Frankel

I NEVER MET A METAMORPHOSES I DIDN'T LIKE, BUT THIS ONE IS GREAT Critics often speak of "universal themes"  " these are topics to which people in any place and at any time can relate. One…

SOURCE: Stage and Cinema at 3:51am on May 20, 2022

Theater Preview: ANDRÉ & DORINE (Los Angeles Theatre Center) by Tony Frankel

THERE ARE NO WORDS It was one of those magical evenings in the theater that shall live with me forever. When Kulunka Teatro's André & Dorine appeared at the Los Angeles Theatre Cente…

SOURCE: Stage and Cinema at 4:08am on May 17, 2022

New York Theater: 2022 DRAMA DESK NOMINATIONS: by Tony Frankel

Follow the Drama Desk Awards at Drama Desk and @DramaDeskAwards on Twitter, Instagram, and Facebook for updates 2022 DRAMA DESK NOMINATIONS: (click links for Stage and Cinema reviews) Outsta…

SOURCE: Stage and Cinema at 6:48pm on May 16, 2022

Pre-Broadway Review: BOB FOSSE'S DANCIN' (The Old Globe) by Tony Frankel

IF A SHOW IS CALLED DANCIN', SHOULDN'T IT BE ALL ABOUT THE DANCING? With seemingly hundreds of thousands of Bob Fosse footsteps in Dancin' " now receiving a pre-Broadway updated revival at S…

SOURCE: Stage and Cinema at 2:37am on May 13, 2022

Broadway Review: FOR COLORED GIRLS WHO HAVE CONSIDERED SUICIDE / WHEN THE RAINBOW IS ENUF (Booth) by Tony Frankel

PLENTY OF RAINBOW BUT LITTLE COLOR In feminist Ntozake Shange's 1976 "choreopoem" (a term coined by the late playwright), the experiences of Black women in America are transformed into poetr…

SOURCE: Stage and Cinema at 7:30pm on May 10, 2022

New York Theater: 75TH ANNUAL TONY AWARD NOMINATIONS by Tony Frankel

75TH ANNUAL TONY AWARD NOMINATIONS This year's Tony nominees were announced this morning. I must say, it's difficult to argue with the majority of the noms. As usual, it seems that some of t…

SOURCE: Stage and Cinema at 6:46pm on May 9, 2022

Off-Broadway Review: SEVEN SINS (Company XIV in Brooklyn) by Tony Frankel

SINS I FELL FOR YOU Mae West, the sage and sybarite from Brooklyn, used to say, "Let joy be unrefined," a point of view that also suits Austin McCormick, artistic director and choreographer …

SOURCE: Stage and Cinema at 2:59am on April 30, 2022

Upcoming Jazz Music: BIRDLAND JAZZ CLUB AND THEATER (May 2-15, 2022) by Tony Frankel

WHERE THE RHYTHM SWOOPS AND SWIRLS, THIS IS THE JAZZ CORNER OF THE WORLD It amazes me how many of my NY friends haven't been to Birdland Jazz Club on 44th near Times Square (I'm an L.A. boy …

SOURCE: Stage and Cinema at 9:57pm on April 29, 2022

Broadway Review: THE MINUTES (Studio 54) by Tony Frankel

THE MINUTES WILL LEAVE YOU SLACK-JAWED AND SPEECHLESS Superbly civic, the vast council chamber created by set designer David Zinn reeks of rectitude. Filling the stage at Studio 54 is a coff…

SOURCE: Stage and Cinema at 2:55pm on April 21, 2022

Off-Broadway Review: HARMONY (Edmond J. Safra Hall at the Museum of Jewish Heritage) by Tony Frankel

PUT YOURSELF IN HARMONY'S WAY I can't remember the last time I have been so entranced with a new musical. And while Harmony may be having its New York premiere in the Off-Broadway house that…

SOURCE: Stage and Cinema at 7:02pm on April 19, 2022

Theater Review: BLUES FOR AN ALABAMA SKY (Mark Taper Forum in Los Angeles) by Tony Frankel

DOWN IN HARLEM Following the quirky, audacious Slave Play (see review) " the first show of Center Theatre Group's season at The Taper " the company has done a complete 180 with their product…

SOURCE: Stage and Cinema at 9:01pm on April 14, 2022

Dance Review: LAZARUS & REVELATIONS (Alvin Ailey American Dance Theater at The Chandler) by Tony Frankel

AILEY IS ALWAYS A REVELATION(S) Bringing with them three complete programs of dazzling dance, this 2022 edition showcases Alvin Ailey American Dance Theater's (AAADT) vital verve, remindi…

SOURCE: Stage and Cinema at 1:16am on April 13, 2022

Off-Broadway Opening/Photos: ¡AMERICANO! (New World Stages) by Tony Frankel

After the acclaimed, record-setting run at Arizona's Phoenix Theater Company, ¡Americano!, a new American musical, is now playing a 12-week limited engagement through June 19, 2022 at New…

SOURCE: Stage and Cinema at 9:57pm on April 4, 2022

Theater Review: CAN'T PAY? DON'T PAY! (The Actors' Gang) by Tony Frankel

A PLAY THAT'S A RIOT WILL MAKE YOU WANT TO RIOT While loading items into my trunk after shopping at a Fortune 500 store recently, I realized that an item had gone unchecked by the cashier. M…

SOURCE: Stage and Cinema at 1:56am on April 3, 2022

Broadway Opening: THE MINUTES (Steppenwolf at Studio 54) by Tony Frankel

THE MINUTES FINALLY GETS ITS TIME Steppenwolf's production of The Minutes by Tracy Letts, directed by Anna D. Shapiro, will resume performances at Studio 54 on Broadway two years af…

SOURCE: Stage and Cinema at 4:14pm on April 1, 2022

Dance Review: ABT FORWARD (The American Ballet Theater at Segerstrom Hall in Costa Mesa) by Tony Frankel

WITH TWO WINNERS OUT OF THREE WORKS, ABT'S PROGRAM STILL SOARS AT SEGERSTROM Bursting with happiness, joy and beauty, The American Ballet Theater opened its program last night at Segerstrom …

SOURCE: Stage and Cinema at 6:42pm on March 18, 2022

Theater Review: ASSASSINS (East West Players) by Tony Frankel

THANKS TO SONDHEIM'S SONGS, THIS MUSICAL WILL NEVER DIE The cast is quite terrific with some extraordinary standouts in East West Players' revival of Assassins, but it is Snehal Desai's awes…

SOURCE: Stage and Cinema at 3:18pm on March 16, 2022

Theater Review: SLAVE PLAY (Mark Taper Forum) by Tony Frankel

MORE LIKE POWER PLAY THAN SLAVE PLAY Boy, if you want audacious theater " even one with higgledy-piggledy results " than I've got one for you: Slave Play, which opened last week at the Mark …

SOURCE: Stage and Cinema at 3:20pm on March 13, 2022

Theater Review: MARVIN'S ROOM (Actors Co-op) by Tony Frankel

A ROOM OF THEIR OWN Actors Co-op is reviving Scott McPherson's extraordinary play Marvin's Room. While it has always been one of my favorite plays, it's a daunting choice for any company. Th…

SOURCE: Stage and Cinema at 11:48pm on March 8, 2022

Broadway Extension: AMERICAN UTOPIA (David Byrne and Band) by Tony Frankel

BRINGING BACK BYRNE Talking Heads superstar David Byrne re-opened his acclaimed rock spectacle American Utopia last September 17 at Broadway's St. James Theatre after the pandemic shutdow…

SOURCE: Stage and Cinema at 5:27pm on February 13, 2022
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