Canciones
Inside, "Canciones" unfolds less like a play than like an actual family gathering one has somehow wandered into midway through the evening. The house hums with side conversations, overlappin…
Inside, "Canciones" unfolds less like a play than like an actual family gathering one has somehow wandered into midway through the evening. The house hums with side conversations, overlappin…
The title refers to the catastrophic 73 seconds between the Challenger’s launch and explosion, and Mezzocchi turns those seconds into the play’s governing existential paradox. Had Rosema…
POLITICS, IN FULL DRAG: A CAMPAIGN LIKE NO OTHER Wayne Brady leads a wild, urgent, and unexpectedly timely ride through queer history and unfinished business. There have been outsider candid…
ICE FISHING, MALE BONDING, AND ONE VERY TALKATIVE FISH An uproarious and unexpectedly poignant Midwest comedy that finds connection in the unlikeliest of places. “There are only two or thr…
HOLD YOUR HORSES A provocative subject that proves hard to recommend—and harder to ignore Olivia Dufault’s For Want of a Horse tackles a subject most plays wouldn’t dare touch—and to…
Live from Sofitel New York, find out the nominees for the American Theatre Wing’s 79th Annual Tony Awards, presented by The Broadway League and the American Theatre Wing. Uzo Aduba and Da…
Inspired in part by "he Magic Mountain," Thomas Mann’s 1924 meditation on illness and temporality, Zimet’s play borrows not its plot but its sensibility: the peculiar dilation and contra…
What lingers, long after the final moments—which are, indeed, superb—is not a tidy judgment but a series of disquieting questions. Clements refuses the comfort of easy condemnation, even…
Derek Murphy’s "The Bad Daters" arrives Off Broadway from Ireland and the United Kingdom with the unassuming air of a chamber piece and the stealthy force of something far more piercing: a…
Where past and present commingle—as they so insistently do in a play like "Love Story"—the burden falls squarely on the director to furnish the audience with a legible temporal grammar. …
Ask anyone to talk about the greatest Oscars snubs in history, and you’ll likely get a long litany of grievances. There’s Alfred Hitchcock, five times nominated but never picking up a Be…
There are evenings in the theatre when the air seems to tighten, as though the room itself has drawn a breath it cannot quite release. Such is the case with "Kenrex," a work of unnerving com…
THIS SHOW BUGS ME A Southern Gothic that hints at something deeper but never quite gets there For all its promise, Cockroaches, the 2024 Del Shores Foundation Best Play winner by Emma Schill…
I LOVE THE NIGHTLIFE A high-energy 80s mixtape that actually leaves you wanting more For The Record has built a reputation on remixing cinematic nostalgia into immersive, high-octane theatri…
THE COST OF LOOKING BACK With a soaring first act, I’m willing to pay the price for a second that can’t quite keep up Arthur Miller’s The Price has always been a talky, introspective p…
BROADWAY GOES POLITICAL A starry virtual event blends music, activism, and marquee names If you’re going to tune into a political fundraiser, it might as well come with a Broadway-caliber …
Van Zandt is a cyclone that tears through the intimate confines of SoHo Playhouse’s Huron Club, detonating with the force of lived experience refined into art. What might, in lesser hands,…
MASTER PRODUCTION During the last half-hour of the exquisitely produced “Master Harold”…and the boys, the Geffen Playhouse becomes theatre as a temple: a transcendental, spiritual, em…
SMALL MUSICAL, BIG HEART An intimate Irish story about courage, community, and the quiet power of living truthfully There’s a certain kind of musical that doesn’t announce itself with sp…
The Boston Theater Critics Association has announced nominations for the 43rd Annual Elliot Norton Awards, a wide-ranging snapshot of the current theater season in Greater Boston. The ceremo…
HIGH VOLTAGE DANCE, NO SAFETY NET A company built on athleticism, musicality, and sheer momentum returns to BroadStage Few choreographers have maintained the kind of sustained, high-energy a…
Di Zou as Pearl and Rebecca De Mornay as Evelyn in a scene from John Patrick Shanley's "The Pushover" at the Chain Theater (Photo credit: Dan Wright Photography) Encountering a John Patrick …
In Luke Murphy's astonishing "Scorched Earth," a vitality is rendered with a ferocity that feels at once ancient and bracingly new. Murphy, working under the banner of his multidisciplinary …
DESIRE, DANGER, AND A SONG TO SURVIVE Palm Canyon Theatre dives into one of Kander and Ebb's most intoxicating musical Palm Canyon Theatre brings bold heat to the desert with Kiss of the Spi…
For all its incremental gestures toward inclusivity, "Saturday Night Live""now improbably in its 51st season"has remained curiously bereft of a regular South Asian cast member, a lacuna that…