Lenny's Dead
Actor and first-time playwright Alex Giacin's clichéd tale offers no new insights into the emotional cost of war.
Actor and first-time playwright Alex Giacin's clichéd tale offers no new insights into the emotional cost of war.
To say this musical is over the top is an understatement, but director-choreographer Hinton Battle has a lot of fun with the material.
The writing of this new musical spoof is sharp and satirical, the direction crisp, the choreography inventive, and the cast terrific.
Dylan Lamb's "Alligator Summer" celebrates racy situations and over-the-top characters of Southern Gothic drama while mocking it.
The soap-opera rollercoaster has a few fun turns, but mostly it follows apath of well-worn romantic comedy clichés of entanglement and discord.SOURCE: Backstage at 5:58pm on May 25, 2015☆⚑
Though the story is slight and sometimes a bit predictable, the talents of the terrific cast make Kate Hewlett's new play a pleasure to see.
Why is it so difficult for Mom to get the sex she wants on her birthday? That's the central question of "Happy Birthday, Mom," a tepid new play written and directed by Meghan Gambling.
If you can pony up some extra cash for these pricey tickets, I'd strongly advise you to catch a performance of Cirque du Soleil's dazzling work.
In "Without You"—based on successful "Rent" actor Anthony Rapp's 2006 memoir— reveals that the late 1990s was also a time of great personal loss.
Rebecca Northan is nothing if not nervy, working with an audience volunteer for 90 minutes in this sweet and hilarious improvised show.
"Miss Abigail's Guide to Dating, Mating, & Marriage" seems to have been designed solely as a diverting way for a gaggle of young single women (say, a bachelorette party) to spend an evening.SOURCE: Backstage at 5:58pm on May 25, 2015☆⚑
In a world in which Blue Man Group and Cirque du Soleil are staples of the mainstream, the troupe's abstract puppets seem oddly antiquated.
A leaner, shorter "Zarkana" returns to Radio City Music Hall as less "Magic Flute" and more Harry Potter.
With verve and wry humor, dancer Anna Sullivan channels the cyberpunk aesthetic to express the way sex and soulless plasticity have become shamelessly intertwined in modern media.
Stephen Garvey's comic mash-up attempts to cross-pollinate the plots of Bill Shakespeare with the sitcom humor of Sherwood Schwartz, but Garvey doesn't add much that's original.
This new musical is young, foolish, and in love with theater, but it lacks the wit and sophistication to be anything more than a 90-minute inside joke.
Recounting her life story through the prism of her struggle with weight, talented Aussie comedian Emily O'Loughlin weaves a delightful though somewhat shallow tale.
No need to check Zagat's. Brian Pollack's tiresome restaurant farce "Smoking Section" moves at a glacial pace and does not offer anything very tasty on the menu.
Louise Rozett's Sept. 11–themed drama suffers from an often-pedestrian script that shifts awkwardly among three scenarios despite the efforts of a veteran cast.
COBU takes traditional Taiko percussion and kicks it up a notch—literally—with a vigorous mix of American and Japanese choreography in this thrilling 45-minute set of nonstop p…
Is this history of an unbearably hip musical group an evening of pretentious experimental theater or just a parody of it? Either way, the show is a complete bore.
Underneath all the wondrous acrobatics, costumes, and sets and the cacophonous score, Cirque du Soleil's dark new show has a romantic heartbeat generated by two terrific performers.